Category: Style

CURLY HAIRSTYLES FOR BLACK MEN

This black men’s curly hairstyle is a high and tight haircut for men with curly hair. The hairstyle is very modern and represents the style of today. The hard part on one side is very similar to the normal parting and you will need the services of a good stylist who will be able to create one for you with his skills.

The 70’s Hairstyle

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The hipster trends have the foundation in borrowing the styling elements from other decades. This is one of the main reasons why we love this subculture, isn’t it. This black men’s curly hairstyle has got its inspiration from the afro, which was famous for the paisley shirts and bell-bottomed corduroys.

High and Tight Curly Hairstyle

This is a minimalist hairstyle. They will love this high and tight haircut as a solution to their curly hair problems. This haircut comes with a bald fade on the sides to keep you up to date with the latest trends in hairstyles.

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Bearded Curly Hairstyles

The bearded fade has taken over the fashion world by storm. The cool looking fades and the beard are a great combination that works just fine. This is a trendsetting and cool hairstyle that suits black men with curly hairstyle.

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Corkscrew Curly Hairstyles for Black Men

A corkscrew curl is the most beautiful looking hairstyle if they are cut to medium length. If you have natural curls and have this amazing looking style, then don’t hesitate to flaunt it with style.

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Blonde Tips

Blonde tips have been around for a longtime and this particular style is seeing a revival of sorts along with various other things from the 90s era. It is natural to see many fashion trends coming back after a few decades and people are happily embracing them with open arms and same is the case with the blonde tips for black men with curly hairstyles.

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Loose Curly Hairstyles for Black Men

Don’t have natural loose curls, but want to sport them? No need to worry, as loose curls can be styled or created if you don’t have them naturally. You can use a soft brush and a leave in conditioner that can be a creamy formula or either a spray and make your own tight curls to go with the trend.

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Short Curly Hairstyles for Black Men

If you have naturally curly hair, then this haircut is the easy way out to look cool. A short curly hairstyle is easy to manage and maintaining it every day won’t be a big task. You still have to condition your hair to maintain it in good shape and health.

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Long Curly Hairstyles for Black Men

Long hair is quite popular since a long time for men. Though a large portion of men don’t prefer it because of the maintenance issues, but if you want to join the long hair trend bandwagon, then be ready to accessorize it accordingly. Include some facial piercings, earrings and hair accessories to completely own the long curly hairstyle.

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Top Knot

The man bun and the top knot have ruled the trendiest men’s hairstyles last year. If you have curly hair, the top knot looks all the more attractive. Even though the top knot may look messy, it will surely make all the ladies swoon.

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Extra Long Curly Hairstyles for Black Men

There are medium, long and extra long hairstyles for curly hair black men. Though, you should be brave and bold enough to sport such a long and curly hair. You are sure to get some good comments on trying this brave hairstyle and don’t hesitate to show-off your pictures on various social media sites with style. People are sure to appreciate your effort.

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Facing Losses, Condé Nast Plans to Put 3 Magazines Up for Sale

condenastCondé Nast, the company behind Vogue, Vanity Fair and The New Yorker, became one of the most successful magazine publishers by charming readers and advertisers alike with a formula built on old-world glamour and all-American pizazz. But now, even after having taken measures to cut spending and make itself more digitally savvy, the company is expected to adopt a more radical strategy to ensure that it does not fade away. Robert A. Sauerberg Jr., the chief executive of Condé Nast, plans to address senior staff members on Aug. 8. The meeting will come in the wake of an extended visit from Boston Consulting Group, which recently concluded a months long examination.

It does not promise to be a cheerful gathering. According to more than a dozen current and former Condé Nast executives, who spoke on the condition of anonymity in order to discuss internal matters, the measures instituted at the company over the last decade — closing Details and the print versions of Self and Teen Vogue; laying off some 80 employees last year; combining the photo and research departments of different magazines — have not been enough to stem the bleeding.

Her Eyes Were Watching the Stars: How Missy Elliott Became an Icon

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She’s been making ahead-of-the-curve music and mind-bending videos for 20 years—and that’s no fluke. Rachel Kaadzi Ghansah goes behind the curtain with the ultraprivate creative genius.

This article appears in the June 2017 issue of ELLE, on newsstands now.

At the photo shoot, the accoutrements of being her precede her. A tray of acrylic nails and an almost-empty bottle of professional-grade nail polish remover are carried by Bernadette Thompson, the Takashi Murakami of manicurists. A tall, strong-looking man walks around distractedly, wheeling a Louis Vuitton duffel bag that is smaller than his forearm; from time to time, he spins it in a wide circle out of boredom. Jewels—gold chokers, hoop earrings, and rings in a velvet-lined box—are attended to by a thin young man wearing a black Balenciaga fitted cap and high-top Nikes. There’s a bottle of jewelry cleaner harnessed to his chest and a chain of styling clips attached to his hoodie strings; he looks listless, like he has given his body over to the task. On the table, someone has set down two Kangol hats, one tan, one black: fuzzy, wearable homages to the golden era of hip-hop. They sit there like low-key crowns.

READ MORE: https://www.elle.com/culture/celebrities/a44891/missy-elliott-june-2017-elle-cover-story/

Kylie Jenner and Travis Scott on Love, Making It Work, and the Kardashian Curse

She’s a billionaire business mogul. He’s the most electric rapper in the game. How did they come together? How do they make it work? And can they survive the Kardashian Curse? Mark Anthony Green sits down with the world’s most powerhouse power couple.

It’s Kylie, from the jump, who controls the tempo. The youngest Jenner and her well-oiled glam squad bounce around Milk Studios, in Hollywood, with supreme purpose. Her half-male, half-female contingent is like Ocean’s Eleven, except with more crop tops and lip fillers. And instead of a case full of phony casino chips, there’s just a roller bag full of luscious hair extensions that need meticulous untangling. Midway through the shoot, the photographer and stylists start praising a particular photo on the monitor, but King Kylie shuts it down. “People are going to turn it into a meme,” she says, like some kind of social-media medium. “Let’s move to something else.” She later tells me that Kim and Kanye are the ones who taught her to be more assertive on creative things. “I just want the best cover photos for me and for you guys.”

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Joining her in the studio is her 27-year-old partner, Travis Scott. They’ve been together for about a year, but this is their first photo shoot together. What’s the binding force between a rage-thirsty rock star from Missouri City, Texas, and a beauty mogul of Calabasas royalty? Other than their newborn baby girl, Stormi? What’s that shared frequency that’s responsible for the most dynamic celebrity couple of modern times? We’ll get to that, but what I can report is that it’s not a mutual admiration for posing in front of a seamless. Taking pictures is a lucrative sport for one and medieval torture for the other.

Travis has a much smaller team with him. Just his manager—who works from a laptop the entire shoot—and a bag of what smells like some of California’s loudest weed. Between shots, he just kind of paces around, with his head down and his lanky limbs covered in expensive clothes. A wall or photo light would stop him and send him in a different direction. He looks like one of those Microsoft screen savers from the ’90s, careening off the edges of the monitor. “He was whispering to me the whole time,” Kylie tells me afterward, smirking. “He just doesn’t like taking the photos.” Travis hates anything that slows him down. (He even hates restaurants; the man despises wasting time in restaurants.) And he admits that he’s “impatient as a motherfucker” during photo shoots, despite really liking the end result. But it isn’t simply young angst that makes hurry-up-and-wait painful for Travis. It’s “la flame”—the internal fire, the rage, “the piss,” as he calls it, aggression in its funnest form. It’s why Travis, a decade into a notoriously energetic career, has made his case for having the best live show in hip-hop history.

A few years ago, at a nightclub, I saw Travis swing from a chandelier while performing. One of the gold baroque leaves he held on to for dear life cut his hand, and he was beginning to bleed pretty badly. He paused for a second. Smiled. Then pressed his bloody palm against the ceiling, leaving a red handprint, and kept rapping. That energy, that commitment—that’s why there’s an entire generation of young tattooed daredevil rappers coming up behind him who look to Travis as the source, and who’ve taken his lead.

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That may be the thing between the two of them, the binding force: influence. Not in some Adweek marketing sense—in direct-contact-with-the-people kind of way. When they say jump, kids will do it…off a balcony. (That actually happened to Travis.) These two make the mosh pits, memes, and moments that trend and move the needle. They forge 2017’s most overused four-letter word—vibe—and they’re masters at 2018’s: wave. You can’t pause when catching a wave. And that’s their art. Their common thread. Which helps explain how their relationship went from zero to Stormi in just a few months.

“We don’t go on dates,” Kylie tells me. In fact, their first date wasn’t really a date. They were at Coachella—neither can remember where, exactly, they first met—and the whole thing just turned into a hang that went well. While she tells me about it, she begins to giggle about the story she told Travis that got his attention that night. The story wasn’t anything special, but that’s what made it real. How’d you meet your significant other? It starts normal, right?

But then their second date, by all definitions, was anything but normal. They caught the wave. Kylie Jenner—and nearly 100 million followers of hers—just abandoned her life in California and took off on tour with Travis Scott.

“Coachella was one of the stops on his tour,” she explains. “So he said, ‘I’m going back on tour—what do we want to do about this?’ Because we obviously liked each other.”

What do we want to do about this? That’s an early-2000s Matthew McConaughey big-screen-heartthrob line. Holy shit. “And I was like, ‘I guess I’m going with you,’ ” she said, to complete the scene.

READ MORE:https://www.gq.com/story/kylie-travis-cover-2018

jacquemus launched his menswear line with a love letter to the boys of marseille

Who?
“I don’t just do clothes, I write a story and then come the clothes,” Simon Porte Jacquemus explained to i-D back in 2014. It’s a design process that has propelled this self-taught Provençal-born talent from staging guerrilla presentations to winning the Special Jury LVMH Prize and becoming one of Paris’s hottest (and most successful) talents, with 230 stockists worldwide and over 40 employees. While each seasonal chapter focusses on different characters, the story can always be read as a love letter to France. Now that he has launched Jacquemus menswear for spring/summer 19, the offshoot will have its own narrative but will always be France, je t’aime. “They aren’t together, the man and woman,” Jacquemus explained as the sun set on his debut show. “He is much younger and more naive but in a good way; it’s about colorful, simple, and easy clothes.”

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Why?
After a throwaway Instagram “I will do men’s” declaration and tongue-in-cheek #newjob teasing caused a social stir, he confirmed that he would be launching menswear when he took his bow at the end of his Le Souk fall/winter 18 women’s show wearing a sweatshirt that read “L’Homme Jacquemus.” “I fell in love and it pushed me to speak about men and realize my first menswear collection — it was very spontaneous,” Jacquemus explained. He wanted his debut menswear collection to celebrate Marseille. “I grew up here, where you don’t call them guy or boy but gadjo,” read the designer-penned show notes. “I grew up here, barefoot, bare chest, strong perfume. I grew up here, in the Mediterranean. My Mediterranean.”

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Where?
As the collection was inspired by the sun, sea, and sexiness of his hometown, Jacquemus immersed us in the sun, sea, and sexiness of his hometown. Instead of joining the Paris men’s show schedule, he chose Calanque de Sormiou to debut his menswear. While the show was watched by family, friends, and locals alike, for many of us it was our first time in Marseille. “I’m happy to bring so many people here. The idea was not to just show a collection, it was to provide a real vacation moment.” The FROW consisted of a few towels on the sand and everyone else found a space on the rocks or in the sea to watch. It was magical. Not only did this #outofoffice opportunity provide the perfect punctuation to a long season of shows, it enabled us to experience the France that Jacquemus knows. We could see the world through his eyes. “I’ve always dreamed about doing a show in the South of France but never thought it would be possible to show here because it’s a national park,” he explained. “I had to fight but they understood that it wasn’t just a location for me, I care about this place. I live 45 minutes away and started coming here as a teenager with friends so to do an event here is unbelievable.”

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What?
“The collection, Le Gadjo, explores all the cliche boys of Marseille,” Jacquemus said. “I was obsessed by the different guys in Marseille — from the soccer player to the clubbers — and how they’re unknowingly fashionable with their blue tracksuits, blue hats, blue wallets, and gold chains. Everything is very precise.” Jacquemus and his design studio worked closely with The Woolmark Company in creating this debut menswear collection with 27 pieces in 100% merino wool, which covered every summer staple, from T-shirts to sweaters, jackets to shorts. Now, you might not think of wool as a holiday friendly fabric, but Jacquemus has demonstrated throughout this three season long collaboration that he can make it as light and as sexy as possible.

Lupita Nyong’o Criticizes Magazine’s Altered Image of Her Hair

The Oscar-winning actress Lupita Nyong’o has spoken over the years about her struggles to learn to love her hair and skin color. She was taunted as a young girl for her “night-shaded skin,” she has said. She once felt “unbeautiful.”Finally, Ms. Nyong’o said she realized that beauty was not a thing that she could acquire or change. “It was something that I just had to be,” she said at a Black Women in Hollywood luncheon in 2014.

But now, at 34, Ms. Nyong’o has yet again found herself defending that beauty.On the cover of its November issue, the magazine Grazia UK featured an altered image of Ms. Nyong’o. Gone is her mass of curly black hair, held in a thick ponytail at the back of her neck in the original photograph.

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On Instagram, in a post that was widely viewed and shared, Ms. Nyong’o rejected the magazine’s use of the image.

As I have made clear so often in the past with every fiber of my being, I embrace my natural heritage and despite having grown up thinking light skin and straight, silky hair were the standards of beauty, I now know that my dark skin and kinky, coily hair are beautiful too.

Being featured on the cover of a magazine fulfills me as it is an opportunity to show other dark, kinky-haired people, and particularly our children, that they are beautiful just the way they are.

I am disappointed that @graziauk invited me to be on their cover and then edited out and smoothed my hair to fit their notion of what beautiful hair looks like. Had I been consulted, I would have explained that I cannot support or condone the omission of what is my native heritage with the intention that they appreciate that there is still a very long way to go to combat the unconscious prejudice against black women’s complexion, hair style and texture.

Ms. Nyong’o affixed the hashtag #dtmh, the acronym for the song “Don’t Touch My Hair,” by Solange Knowles. The London Evening Standard magazine apologized to Ms. Knowles last month for removing a significant portion of her hair from an image that appeared on the cover of its October edition.

In September, the hip-hop artist Nicki Minaj called out magazines for altering her hair while not doing the same to women of other races. “For years, fashion mags would change my hair for their covers but allow women of a diff race to wear the exact style on the cover,” she said on Twitter.

On Friday, Grazia magazine issued a statement apologizing to Ms. Nyong’o but deflecting blame for the image alteration.