Quavo believes he can show the president a thing or two.
On Monday night, Donald Trump hosted a celebratory dinner in honor of the Clemson Tigers‘ national championship win over the Alabama Crimson Tide. Many assumed POTUS—who is known for his extravagent tastes—would pull out all the stops and treat the Tigers to a top-tier dinning experience. Instead, Trump presented them with a large buffet of McDonald’s, Wendy’s, Domino’s, and Burger King fare. Yup, the president welcomed these elite athletes to the State Dinning Room and served them cheap hamburgers, fries, and pizza.
Quavo wasn’t impressed.
On Tuesday, the Migos member sent out a tweet shading the president’s dinner choice. He also invited the Clemson football team to the Quality Control headquarters so he can show them, and the president, “how champs are supposed to be treated.”
We’ll see if the Tigers accept Quavo’s invitation.
Though Monday night’s dinner was far from traditional, Trump claimed it consisted of the team’s “favorite food.” The White House also suggested that the food choice was a result of the ongoing government shutdown, as White House staffers, like executive chef, are on furlough.
This week well-known journalist Touré was accused of workplace sexual harassment by a makeup artist, following his contributions to the Lifetime docuseries Surviving R. Kelly. He has since issued a response to the allegation.
As Essence reports, in a post advertising Touré’s appearance on the Clubhouse With Mouse Jones podcast, a makeup artist named Dani wrote:
“Every Monday I used to work with him on a show in 2017 and he couldn’t stop asking me to do anal, how I looked naked, if I had sex over the weekend, what it would be like to fuck me, what his cum would look like on my face…. I had to have the crew stay in the room [with] me while I got him ready…. And when I left I called HR…. He got fired instantly. He wrote me a huge apology for doing that in my DMs. Still have it. He did a “20/20” shoot in 2018, and I was there, and he walked out. Told the producer that he was “embarrassed [because] he was inappropriate with a staff member.” He really needs to take a seat.”
Dani told Essence Touré’s involvement with the R. Kelly documentary pushed her to speak out publicly. “When I saw him going around as R. Kelly’s docuseries spokesman to different radio stations, the lies had to stop. I’ve worked with Mouse Jones before and wanted him to know the truth,” she said.
Touré interviewed R. Kelly for BET in 2008, and pressed the singer about his relationship with underaged girls. The docuseries producer Dream Hampton has addressed her decision to include him in the project, and the accusation against him. “I didn’t know Toure sexually harassed someone he worked with,” she wrote. “He was included because he did the most famous interview with R. Kelly ever.”
Touré has since responded to the accusation through a statement sent to Essence. Read it below.
“On the show, our team, including myself, engaged in edgy, crass banter, that at the time I did not think was offensive for our tight-knit group. I am sorry for my language and for making her feel uncomfortable in any way. As a lead on the show, I should have refrained from this behavior. I have learned and grown from this experience.”
Touré was scheduled to interview Terry Crews on Thursday (Jan. 10), but the actor canceled his appearance following the report.
In 2018, YOU was one of the most slept on—and most fun—shows of the year. It premiered in September, on a regular degular cable channel, Lifetime, and the season one finale aired a staggering nine weeks later in mid-November, a release and rollout straight out of 2011. One short week into 2019, though, anyone who wasn’t privy before would be forgiven to think YOU is a brand-new Netflix original that dropped over the holidays somewhere in between Bird Box and Bandersnatch. If a series airs anywhere outside of the Big Five (HBO, AMC, FX, Showtime and, um, NBC?) does it even truly exist until Netflix? Apparently not.
A series taking on a new and ultimately more fulfilling life after hitting home video is hardly a new concept. Newer shows drifting unnoticed at large until they hit a common denominator streaming service is how most of them gain legs in this post-apocalyptic TV dystopia we’re living in, and as for classic shows that a new generation is warming to, well, did you hear Netflix almost lost Friends?!
Still, it’s curious to watch a majority of my timeline react to YOU not as if they’re just discovering it, but like it didn’t exist until now, with the common descriptor being “that new Netflix show” (not unlike Black Mirror’s Channel 4 to Netflix path before it.) Granted, some of the confusion probably stems from the fact that You is a Netflix show now. A second season was initially renewed by Lifetime before being dropped and then picked up by Netflix, where it was already an original internationally to begin with. This is a good thing, mostly. For one, the show’s pulpy and propulsive narrative is built for binging, (this coming from a guy who sticks to a two-three episode per sitting restraint—anything more just becomes narrative soup and impossible to distinguish episodically in my opinion but that’s my idiosyncrasy to bear). Amidst the trappings of an airport potboiler, YOU cleverly weaponizes expectations, casting proto-internet boyfriend Dan Humphrey as Joe, a toxic lecherous creep who preys on a cast of narcissists so loathsome no one is really “good.” The show’s whole aesthetic is being self-awarely over-the-top and soapy, but it’s that self-awareness that also makes room for sharp dialog and moments so in on the joke that they’re hilarious to laugh both with and at (Joe’s tweets as a rich bro he’s kidnapped, for one). The commentary on contemporary social media and the way it has informed our personas is actually incisive; Peach Salinger is the MVP of course but everything about, say, Beck’s influencer friend Anikka, is remarkably dead-on. We all know a few Becks who curate a more fulfilled life on IG, as well as entitled, monied douches who harp about bullshit like artisanal soda. What’s more, in some fleeting moments, it’s actually deceptively sweet. On the surface, the turns Beck and Joe’s relationship take in episodes seven through nine would actually provide the spine for a very solid rom-com if those turns weren’t, you know, borne out of deception, manipulation and murder. Part of the genius of the show is the way it doesn’t shortchange building these two into an actual relationship (or at least, explaining how and why Beck could be so blinded) in service of all the murder, frame-jobs and ridiculous book cages.
Over the last few years, streetwear has infiltrated mainstream fashion. What used to be a niche community has blossomed into a category that’s even been adopted by major fashion houses. Just look at the design language Virgil Abloh has brought to his debut collection with Louis Vuitton, or Kim Jones enlisting legendary street artist Kaws to help design his inaugural offering for Dior this past year.
The relationship is slightly ironic given the counterculture and rebelliousness enveloped into the streetwear timeline, but the pairing has become inevitable. A series of brands once championed almost exclusively by the skate and hip-hop communities has grown into a pocket of fashion that can be spotted on anyone, no matter where you happen to be on a given afternoon.
This blurring of the line between high fashion and streetwear has made the subgenre a little difficult to define. Stüssy is a streetwear OG that, at its core, offers graphic T-shirts, hoodies, and accessories at a rather affordable cost. However, brands like Fear of God and Off-White have also been placed under the streetwear umbrella albeit with a more premium quality and exorbitant price tag. Still, they offer all of the basics you would expect from the traditional streetwear outfit.
As a result of the copious amounts of brands on the market, there is also now more than enough solid shops carrying the goods. Long gone are the days of hitting up Karmaloop to grab the latest Diamond Supply Co. and Crooks and Castles releases. There are various stations all over the globe you can access to satisfy your streetwear craving. No matter what side of the streetwear spectrum your taste leans toward, we have rounded up the 10 best online streetwear shops you need to check out.
In the aftermath of the Lifetime docuseries Surviving R. Kelly, listeners everywhere are rethinking their relationship with R. Kelly and his music. Music business institutions are also facing pressure to cut ties with the singer as he faces investigation and possible criminal charges for the alleged behavior outlined in the program.
Kelly’s label, RCA Records, still lists him as being on their roster, though they have not sent out a press release about him since October, 2016. The label has faced public pressure for years to drop Kelly—pressure that is only ratcheting up in recent days.
As important as his future with RCA is, equally crucial is the way some people still hear R. Kelly’s music in 2019: on the radio.
The amount of airplay Kelly has received has been in a free fall since Surviving R. Kelly began. According to Billboard, the number of all-format radio impressions of his music dropped nearly 85 percent between the first night the series aired and the Monday following its conclusion.
This is the continuation of a longer trend: his spins fell roughly 40 percent over the course of 2018. But Surviving R. Kelly seems to have given additional momentum to the movement to get him off of radio. Stations across the U.S., from Seattle to Atlanta to Los Angeles to Savannah to Dallas, have removed R. Kelly’s entire catalog from their playlists. And iHeartMedia, which owns over 850 stations, is the subject of a new campaign to remove Kelly’s music from all of them.
The #MuteRKelly movement, unsurprisingly, has heard plenty of similar stories from DJs—both the radio and live performance variety. “#MuteRKelly has received countless emails from DJs around the country who are joining us in boycotting R Kelly’s music,” they say in a statement to Complex. “Many shared their stories of having not played him in years, or arguing with clients about why they wouldn’t play R Kelly despite audience requests.
“What’s more impressive to us, however, are the stories from DJs about playing R Kelly in the club and immediately being booed until they turned it off. The masses are waking up, and it’s in MASS action that we see real and lasting change.”