Why Would Somebody Fake a Hate Crime?

We still don’t know exactly what happened in the Jussie Smollett case that has dominated the news cycle for the past week. What we do know is that after the Empire star revealed he was allegedly the victim of a racist and homophobic hate crime, conflicting reports started to emerge suggesting that Smollett may have been involved in orchestrating the incident. Olabinjo and Abimbola Osundairo, the two brothers who were originally considered suspects, both knew Smollett in advance of the attack and told Chicago police that they were hired by Smollett. After the Chicago PD announced they were “shifting the trajectory” of their investigation, Smollett said in a statement that he is “angered and devastated by recent reports that the perpetrators are individuals he is familiar with” and that anyone claiming he played a role in his own attack “is lying.”

While it’s too soon to render a verdict on what exactly went down, if the case does prove to be a hoax, the ramifications are hard to overstate. As we’ve seen in the extremely rare cases involving false rape allegations, they serve as ammo for people looking to undermine the credibility of genuine victims (like clockwork, Donald Trump Jr. is already tweeting about Smollett’s story, in which his attackers were originally described as two men shouting, “This is MAGA country”). But what would motivate someone to pretend to be the victim of a hate crime? We called up Dr. Marc Feldman, who is not involved in the case but is an expert on factitious disorder and Munchausen syndrome by proxy, to learn more about “factitious victimization” — a disorder that causes people to feign victimhood for psychological reasons — and how it could come into play in the Smollett case.

What did you think when you first heard this case might be a hoax?

Munchausen syndrome refers to the most extreme examples of “factitious disorder,” which is the official psychiatric term for people who feign illness or injury for intangible reasons. Ever since I encountered my first case of a woman who faked cancer for emotional reasons back in 1989, I’ve obviously been more sensitive to that possibility than most people ever would be. I try not to falsely accuse people and that’s why I am approaching this subject with a little timidity. But when it does arise I think it’s important that we identify it and help educate the public about it. READ MORE: https://www.thecut.com/2019/02/why-would-somebody-fake-a-hate-crime.html

HBO Film Revives Lurid Claims, Imperiling Thriving Michael Jackson Estate

Michael Jackson’s damaged reputation began to recover the day he died.

The lurid accusations of child molestation that had dogged him for years fell to the background as fans around the world celebrated the entertainer who had gone from pop prodigy to global superstar over a four-decade career. Flash mobs from Stockholm to the Philippines re-enacted his video scenes, and his music sales again broke chart records.

Now, nearly 10 years after his death, the dark side of Mr. Jackson’s legend has returned through a documentary that rocked the Sundance Film Festival and is being championed by Oprah Winfrey. In addition to delivering a hit to his mended reputation, the film poses a significant risk to the Jackson estate, which has engineered a thriving posthumous career, including a Broadway-bound jukebox musical.

The four-hour documentary, “Leaving Neverland,” to be broadcast on HBO in two parts on Sunday and Monday, focuses on the wrenching testimony of two men, Wade Robson and James Safechuck, who say Mr. Jackson abused them for years, starting when they were young boys. While the accusations are not new, their revival in the #MeToo era, with its momentum of accountability for figures like R. Kelly, Harvey Weinstein and Bill Cosby, gives them new meaning.

“There has always been this shadow or cloud about Michael,” said Charles Koppelman, a longtime music executive who once served as a financial adviser to Mr. Jackson. “With this documentary about to be shown to millions and millions of people, and all the notoriety that it’s now getting, I think it will have a detrimental effect to the legacy and the estate.”

The estate has already begun its war on “Leaving Neverland.” It issued a series of fiery statements around the time of the film’s Sundance debut in January and has filed a petition in Los Angeles County Superior Court for arbitration, seeking $100 million in damages from HBO. In making its case, the estate — whose beneficiaries are Mr. Jackson’s mother and three children, as well as children’s charities — portrays Mr. Robson and Mr. Safechuck as “serial perjurers” for whom HBO has become “just another tool in their litigation playbook.”

The debate over the film is likely to be intense in black communities, where figures like Mr. Jackson and Mr. Kelly have their strongest defenders, said Yaba Blay, a professor at North Carolina Central University whose specialty is black racial and cultural identities.

“If you think R. Kelly tore black America apart, this is going to destroy us,” Dr. Blay said.

On Monday night, after the conclusion of “Leaving Neverland,” HBO and the Oprah Winfrey Network plan to broadcast Ms. Winfrey’s interview with Mr. Robson, Mr. Safechuck and the film’s director, Dan Reed.

In “Leaving Neverland,” Mr. Robson, 36, and Mr. Safechuck, 41, tell parallel stories of being drawn into Mr. Jackson’s inner circle as boys. Mr. Robson met Mr. Jackson on tour in Australia at age 5 and moved to the United States two years later to be near his idol. Mr. Safechuck was 8 when he was cast in a Pepsi commercial and met Mr. Jackson.

Both men say Mr. Jackson abused them while charming their families at his 2,600-acre Neverland compound in Los Olivos, Calif. He also warned them to keep their sexual relationship secret, the men say. READ MORE: https://www.nytimes.com/2019/03/03/business/media/leaving-neverland-michael-jackson-estate.html?rref=collection%2Fsectioncollection%2Farts&action=click&contentCollection=arts&region=rank&module=package&version=highlights&contentPlacement=1&pgtype=sectionfront

NYPD Commander Allegedly Told Officers to Shoot 50 Cent ‘on Sight’ at Sporting Event

An NYPD commander at a Brooklyn precinct is currently being investigated after allegedly telling his group of officers to “shoot” 50 Cent “on sight” at a boxing match in the city last spring. Per People, deputy inspector Emmanuel Gonzalez made the alleged remarks to his staff at a roll call before the NYPD-sanctioned sporting event took place, which he tried to pass off as a joke in the moment. However, the rapper became aware of Gonzalez’s comments on Sunday morning after The New York Daily News broke the story, and is considering legal action against the commander as a result. “Mr. Jackson takes this threat very seriously and is consulting with his legal counsel regarding his options going forward,” his spokesman said in a statement. “He is concerned that he was not previously advised of this threat by the NYPD and even more concerned that Gonzalez continues to carry a badge and a gun.”

“This is how I wake up this morning,” 50 Cent added on Twitter. “This guy Emanuel Gonzales is a dirty cop abusing his power. The sad part is this man still has a badge and a gun. I take this threat very seriously and I’m consulting with my legal counsel regarding my options moving forward.” People notes that the duo previously crossed paths within the law. Gonzalez filed an aggravated harassment complaint against 50 Cent last spring, which stemmed from the rapper reportedly making threats against Gonzalez on social media after the commander shut down a popular Brooklyn strip club.

A decade later, Drake’s ‘So Far Gone’ mixtape hits streaming services

On the heels of his Grammy win for Best Rap Song, Drake revealed on Instagram that his 2009 mixtape So Far Gone is coming to streaming services for the first time. Though it was originally available for free online, this marks the first streaming availability for the 18-track collection that features cameos from Lil Wayne, Santigold, Trey Songz, Bun B and more. The mixtape also includes the single “Say What’s Real,” which was produced by Kanye West.

So Far Gone not only turns 10 on February 13th, but it’s also a body of work that helped put Drake on the map. These early works don’t always make it to your go-to streaming service, especially when it comes to hip hop mixtapes, so it’s always nice when they do. You also won’t have to wait to get re-acquainted as Champagne Papi explained that the mixtape will be available to stream tomorrow, February 14th.

25th Annual SAG Award Nominees

MOTION PICTURE

Outstanding Performance by a Cast in a Motion Picture

“A Star Is Born”
“Black Panther”
“BlacKkKlansman”
“Bohemian Rhapsody”
“Crazy Rich Asians”

Outstanding Performance by a Female Actor in a Leading Role

Emily Blunt, “Mary Poppins Returns”
Glenn Close, “The Wife”
Olivia Colman, “The Favourite”
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”

https://www.tntdrama.com/shows/sag-awards/clips/25th-annual-sag-awards-nominations-ceremony

Outstanding Performance by a Male Actor in a Leading Role

Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Rami Malek, “Bohemian Rhapsody”
Viggo Mortensen, “Green Book”
John David Washington, “BlacKkKlansman”

Outstanding Performance by a Female Actor in a Supporting Role

Amy Adams, “Vice”
Emily Blunt, “A Quiet Place”
Margot Robbie, “Mary Queen of Scots”
Emma Stone, “The Favourite”
Rachel Weisz, “The Favourite”

Outstanding Performance by a Male Actor in a Supporting Role

Mahershala Ali, “Green Book”
Timothee Chalamet, “Beautiful Boy”
Adam Driver, “BlacKkKlansman”
Sam Elliott, “A Star Is Born”
Richard E. Grant, “Can You Ever Forgive Me?”

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series

“The Americans”
“Better Call Saul”
“The Handmaid’s Tale”
“Ozark”
“This Is Us”

Outstanding Ensemble in a Comedy Series

“Atlanta”
“Barry”
“GLOW”
“The Kominsky Method”
“The Marvelous Mrs. Maisel”

Outstanding Performance by a Female Actor in a Television Movie or Limited Series

Amy Adams, “Sharp Objects”
Patricia Arquette, “Escape at Dannemora”
Patricia Clarkson, “Sharp Objects”
Penelope Cruz, “Assassination of Gianni Versace”
Emma Stone, “Maniac”

Outstanding Performance by a Male Actor in a Television Movie or Limited Series

Antonio Banderas, “Genius: Picasso”
Darren Criss, “Assassination of Gianni Versace”
Hugh Grant, “A Very English Scandal”
Anthony Hopkins, “King Lear”
Bill Pullman, “The Sinner”

Outstanding Performance by a Female Actor in a Drama Series

Julia Garner, “Ozark”
Laura Linney, “Ozark”
Elisabeth Moss, “The Handmaid’s Tale”
Sandra Oh, “Killing Eve”
Robin Wright, “House of Cards”

Outstanding Performance by a Male Actor in a Drama Series

Jason Bateman, “Ozark”
Sterling K. Brown, “This Is Us”
Joseph Fiennes, “The Handmaid’s Tale”
John Krasinski, “Tom Clancy’s Jack Ryan”
Bob Odenkirk, “Better Call Saul”

Outstanding Performance by a Female Actor in a Comedy Series

Alex Borstein, “The Marvelous Mrs. Maisel”
Alison Brie, “GLOW”
Rachel Brosnahan, “The Marvelous Mrs. Maisel”
Jane Fonda, “Grace and Frankie”
Lily Tomlin, “Grace and Frankie”

Outstanding Performance by a Male Actor in a Comedy Series

Alan Arkin, “The Kominsky Method”
Michael Douglas, “The Kominsky Method”
Bill Hader, “Barry”
Henry Winkler, “Barry”

STUNT

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

“Ant-Man and the Wasp”
“Avengers: Infinity War”
“The Ballad of Buster Scruggs”
“Black Panther”
“Mission: Impossible – Fallout”

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama

“Glow”
“Marvel’s: Daredevil”
“Tom Clancy’s Jack Ryan”
“The Walking Dead”
“Westworld”

Journalist Touré Responds to Allegation of Workplace Sexual Harassment

This week well-known journalist Touré was accused of workplace sexual harassment by a makeup artist, following his contributions to the Lifetime docuseries Surviving R. Kelly. He has since issued a response to the allegation.

As Essence reports, in a post advertising Touré’s appearance on the Clubhouse With Mouse Jones podcast, a makeup artist named Dani wrote:

“Every Monday I used to work with him on a show in 2017 and he couldn’t stop asking me to do anal, how I looked naked, if I had sex over the weekend, what it would be like to fuck me, what his cum would look like on my face…. I had to have the crew stay in the room [with] me while I got him ready…. And when I left I called HR…. He got fired instantly. He wrote me a huge apology for doing that in my DMs. Still have it. He did a “20/20” shoot in 2018, and I was there, and he walked out. Told the producer that he was “embarrassed [because] he was inappropriate with a staff member.” He really needs to take a seat.”

Dani told Essence Touré’s involvement with the R. Kelly documentary pushed her to speak out publicly. “When I saw him going around as R. Kelly’s docuseries spokesman to different radio stations, the lies had to stop. I’ve worked with Mouse Jones before and wanted him to know the truth,” she said.

Touré interviewed R. Kelly for BET in 2008, and pressed the singer about his relationship with underaged girls. The docuseries producer Dream Hampton has addressed her decision to include him in the project, and the accusation against him. “I didn’t know Toure sexually harassed someone he worked with,” she wrote. “He was included because he did the most famous interview with R. Kelly ever.”

Touré has since responded to the accusation through a statement sent to Essence. Read it below.

“On the show, our team, including myself, engaged in edgy, crass banter, that at the time I did not think was offensive for our tight-knit group. I am sorry for my language and for making her feel uncomfortable in any way. As a lead on the show, I should have refrained from this behavior. I have learned and grown from this experience.”

Touré was scheduled to interview Terry Crews on Thursday (Jan. 10), but the actor canceled his appearance following the report.

How Radio Is Dealing With R. Kelly in 2019

In the aftermath of the Lifetime docuseries Surviving R. Kelly, listeners everywhere are rethinking their relationship with R. Kelly and his music. Music business institutions are also facing pressure to cut ties with the singer as he faces investigation and possible criminal charges for the alleged behavior outlined in the program.

Kelly’s label, RCA Records, still lists him as being on their roster, though they have not sent out a press release about him since October, 2016. The label has faced public pressure for years to drop Kelly—pressure that is only ratcheting up in recent days.

As important as his future with RCA is, equally crucial is the way some people still hear R. Kelly’s music in 2019: on the radio.

The amount of airplay Kelly has received has been in a free fall since Surviving R. Kelly began. According to Billboard, the number of all-format radio impressions of his music dropped nearly 85 percent between the first night the series aired and the Monday following its conclusion.

This is the continuation of a longer trend: his spins fell roughly 40 percent over the course of 2018. But Surviving R. Kelly seems to have given additional momentum to the movement to get him off of radio. Stations across the U.S., from Seattle to Atlanta to Los Angeles to Savannah to Dallas, have removed R. Kelly’s entire catalog from their playlists. And iHeartMedia, which owns over 850 stations, is the subject of a new campaign to remove Kelly’s music from all of them.

The #MuteRKelly movement, unsurprisingly, has heard plenty of similar stories from DJs—both the radio and live performance variety. “#MuteRKelly has received countless emails from DJs around the country who are joining us in boycotting R Kelly’s music,” they say in a statement to Complex. “Many shared their stories of having not played him in years, or arguing with clients about why they wouldn’t play R Kelly despite audience requests.

“What’s more impressive to us, however, are the stories from DJs about playing R Kelly in the club and immediately being booed until they turned it off. The masses are waking up, and it’s in MASS action that we see real and lasting change.”

Margot Robbie and Michael B. Jordan Compare Notes on Boxing, Acting Naked, and Harley Quinn vs. Killmonger

Margot Robbie and Michael B. Jordan seem to effortlessly check all the movie star boxes: Megawatt charm? Check (those smiles!). Actor clout? No problem (having Martin Scorsese and Ryan Coogler launch their respective careers can’t hurt). Lucrative blockbuster movie franchises? Yep, that too (Robbie in Suicide Squad and Jordan in Creed, with a memorable detour into Wakanda). So, as it turns out, they have a lot to talk about—and not just about fame and their good fortune. Here, as part of our annual Best Performances portfolio, Robbie, who starred in the recent palace-intrigue period drama Mary Queen of Scots, and Jordan, who returned in Creed 2 and dominated the screen in Black Panther this year, sit down with W‘s Editor at Large Lynn Hirschberg to share not only how it is they make morally questionable villains like Harley Quinn and Killmonger into magnetic antiheroes, but also their totally embarrassing early email addresses, their most memorable red carpet fashion faux pas, and their frankly amazing first kiss stories.

So Michael, what’s the first album you ever bought?

Michael B. Jordan: First album? Ah, man, that’s a good one.
Margot Robbie: Oh, that is a good one.
Jordan: I want to say, on cassette tape… um, Usher’s My Way.
Robbie: That’s a good answer.
Jordan: You’re taking me back. I want to say I rode my bike to the music store that was, like, down the street.

What was the first album you ever bought, Margot?

Robbie: I think the first album I bought was, um, AFI’s Sing the Sorrow. I was in a bit of a heavy metal phase. But I think the first single I bought was Blink 182, “All the Small Things.”
Jordan: Okay. So the heavy metal. Are you still in that phase or did you pass that?
Robbie: Occasionally.
Jordan: Occasionally?
Robbie: Occasionally.

Have you ever gone through a heavy metal phase, Michael?

Jordan: I have not.
Robbie: [Laughs.]
Jordan: But electric guitar solos are my thing. Like, I love, the Ernie Isleys of the world, the “Who’s That Lady” solo is pretty incredible. [Michael Jackson’s] “Dirty Diana” is pretty good.

Do you play air guitar?

Jordan: Air guitar? All day. [Laughs.]
Robbie: I can air guitar. That’s about the extent of my musical prowess, really.

Michael, did you box before Creed?

Jordan: I never officially boxed but karate, martial arts, and stuff like that. And then I kinda segued into boxing.

And you, Margot, have you ever boxed?

Robbie: I’ve done a bit of boxing, yeah—mainly to prepare for fight training, like stunt work. And I really, really like it. I have stupidly long arms, like, they’re too long for my body. So actually it’s kind of good when you’re boxing.
Jordan: The reach is incredible.
Robbie: An extra long reach. And it looks good on camera. Having long limbs on camera makes your punches—
Jordan: Your punch is a little wider, yeah, yeah, yeah. She knows what she’s talking about.

What I love about both of your performances in different movies is that although you kind of play superheroes in both Suicide Squad and in Black Panther, you’re also kind of antiheroes at the same time. There’s a kind of dichotomy to the characters.

Robbie: A lovable rogue.
Jordan: That’s right. I like that. I mean, those are the most interesting characters to me sometimes, like when I’m watching films that, on screen, are the ones that you can empathize with. Like, they want you to root against ’em. They want you to not like them. But somehow you can still understand where they’re coming from and that’s important.

Do you have a favorite villain? Other than Killmonger.

Jordan: Yeah, because he’s tough. I mean, honestly, it’s between [Michael] Fassbender’s Magneto and Heath Ledger’s Joker. Honestly. Those two are pretty up there for me. [To Robbie] What about you?
Robbie: I’m totally stealing someone else’s answer. I’ve heard someone else say this, but I do truly think this is a genius villain: HAL from 2001: A Space Odyssey.
Jordan: Ohhh. Man.
Robbie: It’s just such a cool villain. That was genius.

But it is also kind of weirdly sympathetic.

Robbie: Totally. The best villains are sympathetic.

With both these characters, you act with very little clothing on. Is it difficult to act when you are basically naked?

Robbie: Uh …
Jordan: I’m always naked, actually.
Robbie: Honestly, for me, as Harley at least, the more skin showing the longer it takes in hair and makeup ’cause she’s got, you know, white skin and a million tattoos. So if anything outside, god, the scenes where I don’t even have the jacket on, that’s an extra 20 minutes in the makeup trailer.
Jordan: Yeah, same here. Killmonger, all the scars and stuff like that, the makeup, it took a long time to put the prosthetics on.
Robbie: Yeah, you want to be more covered up.

So, Michael, what was the very first thing you ever auditioned for?

Jordan: Ooh.
Robbie: Hmm. I’m trying to think of the first thing I auditioned for.

Let’s say the one you got.

Jordan: The Sopranos. I don’t know what season it was, but Tony [Soprano] was having a flashback. And I played a bully in his childhood who bullied him on the boardwalk on his way home one day.

Really?

Jordan: Yeah, I was Bully #2, I think.

Was it a speaking role?

Jordan: It was, but we were just yelling shit at him. I don’t know. I was improv-ing, actually. I was living in the moment—
Robbie: (Laughs.) I was so present—
Jordan: I was…
Robbie: —that I now can’t remember.
Jordan: … locked into Bully #2.

Updated Oscar Projections As Wave of Top Contenders Are Released

THR’s awards columnist updates his projections.

Screen Shot 2018-10-21 at 7.42.47 PM

These projections reflect Scott Feinberg’s personal impressions (from screenings), publicly available information (release dates, genres, talent rosters and teasers/trailers often offer valuable clues), historical considerations (how other films with similar pedigrees have resonated), precursor awards (some awards groups have historically correlated with the Academy more than others) and consultations with industry insiders (including fellow members of the press, awards strategists, filmmakers and awards voters).

GLOSSARY The following abbreviations denote the film festival(s) at which a film has screened and/or will be screening: SUND=Sundance, SXSW=South by Southwest, TRIB=Tribeca, CANN=Cannes, VENI=Venice, TELL=Telluride, TIFF=Toronto, NYFF=New York, LOND=London and AFIF=AFI Fest.

Best Picture

FRONTRUNNERS

Roma (Netflix) VENI, TELL, TIFF, NYFF
A Star Is Born (Warner Bros.) VENI, TIFF
The Favourite (Fox Searchlight) VENI, TELL, NYFF
Black Panther (Disney)
Green Book (Universal) TIFF
First Man (Universal) VENI, TELL, TIFF
BlacKkKlansman (Focus Features) CANN
Can You Ever Forgive Me? (Fox Searchlight) TELL, TIFF
Eighth Grade (A24) SUND, SXSW
A Quiet Place (Paramount) SXSW

MAJOR THREATS

Cold War (Amazon) CANN, TELL, TIFF, NYFF
If Beale Street Could Talk (Annapurna) TIFF, NYFF
Crazy Rich Asians (Warner Bros.)
Ben is Back (Roadside Attractions) TIFF

POSSIBILITIES

Hereditary (A24) SUND, SXSW
Leave No Trace (Bleecker Street) SUND, CANN
Widows (Fox) TIFF, LOND
22 July (Netflix) VENI, TIFF

STILL TO COME

Mary Poppins Returns (Disney)
Mary Queen of Scots (Focus Features) AFIF
The Mule (Warner Bros.)
On the Basis of Sex (Focus Features) AFIF
Vice (Annapurna)

Best Director

FRONTRUNNERS

Alfonso Cuaron (Roma)
Bradley Cooper (A Star Is Born)
Yorgos Lanthimos (The Favourite)
Ryan Coogler (Black Panther)
Spike Lee (BlacKkKlansman)

MAJOR THREATS

Damien Chazelle (First Man) — podcast
Pawel Pawlikowski (Cold War)
Bo Burnham (Eighth Grade)
Peter Farrelly (Green Book)
Barry Jenkins (If Beale Street Could Talk) — podcast
Paul Greengrass (22 July)
Debra Granik (Leave No Trace)
John Krasinski (A Quiet Place)

POSSIBILITIES

Jon M. Chu (Crazy Rich Asians)
Marielle Heller (Can You Ever Forgive Me?)
Ari Aster (Hereditary)
Peter Hedges (Ben is Back)
Steve McQueen (Widows)
Boots Riley (Sorry to Bother You)
Julian Schnabel (At Eternity’s Gate)

STILL TO COME (alphabetical)

Clint Eastwood (The Mule)
Mimi Leder (On the Basis of Sex)
Rob Marshall (Mary Poppins Returns)
Adam McKay (Vice) — podcast
Josie Rourke (Mary Queen of Scots)

Best Actor

FRONTRUNNERS

Bradley Cooper (A Star Is Born)
Viggo Mortensen (Green Book) — podcast
Lucas Hedges (Ben is Back)
Ryan Gosling (First Man)
Hugh Jackman (The Front Runner)

MAJOR THREATS

Rami Malek (Bohemian Rhapsody) — podcast
John David Washington (BlacKkKlansman)
Steve Carell (Beautiful Boy)
Chadwick Boseman (Black Panther) — podcast
Ethan Hawke (First Reformed) — podcast
Willem Dafoe (At Eternity’s Gate) — podcast
John C. Reilly (The Sisters Brothers)

POSSIBILITIES

Robert Redford (The Old Man & the Gun)
Ben Foster (Leave No Trace)
John Krasinski (A Quiet Place)
Stephan James (If Beale Street Could Talk)
Lucas Hedges (Boy Erased)
Lakeith Stanfield (Sorry to Bother You)
Steve Coogan (Stan & Ollie)
John C. Reilly (Stan & Ollie)

STILL TO COME (alphabetical)

Christian Bale (Vice)
Clint Eastwood (The Mule)

Best Actress

FRONTRUNNERS

Glenn Close (The Wife) — podcast
Olivia Colman (The Favourite)
Lady Gaga (A Star Is Born)
Julia Roberts (Ben is Back)
Yalitza Aparicio (Roma)

MAJOR THREATS

Melissa McCarthy (Can You Ever Forgive Me?)
Kathryn Hahn (Private Life)
Toni Collette (Hereditary)
Viola Davis (Widows)
Nicole Kidman (Destroyer) — podcast
Joanna Kulig (Cold War)
Elsie Fisher (Eighth Grade)

POSSIBILITIES

KiKi Layne (If Beale Street Could Talk)
Charlize Theron (Tully)
Keira Knightley (Colette) — podcast
Rosamund Pike (A Private War) — podcast
Carey Mulligan (Wildlife)
Emily Blunt (A Quiet Place)
Maggie Gyllenhaal (The Kindergarten Teacher)
Emma Thompson (The Children Act)
Hilary Swank (What They Had)

STILL TO COME (alphabetical)

Emily Blunt (Mary Poppins Returns)
Felicity Jones (On the Basis of Sex)
Saoirse Ronan (Mary Queen of Scots) — podcast

Best Supporting Actor

FRONTRUNNERS

Richard E. Grant (Can You Ever Forgive Me?)
Mahershala Ali (Green Book) — podcast
Timothee Chalamet (Beautiful Boy) — podcast
Sam Elliott (A Star Is Born)
Nicholas Hoult (The Favourite)

MAJOR THREATS

Robert Forster (What They Had)
Michael B. Jordan (Black Panther) — podcast
Matthew McConaughey (White Boy Rick) — podcast
Paul Giamatti (Private Life)
Daniel Kaluuya (Widows)
Russell Crowe (Boy Erased)

POSSIBILITIES

Adam Driver (BlacKkKlansman) — podcast
Topher Grace (BlacKkKlansman)
Brian Tyree Henry (If Beale Street Could Talk) NEW
Jake Gyllenhaal (Wildlife) — podcast
Dominic West (Colette)
Alessandro Nivola (Disobedience)

STILL TO COME (alphabetical)

Steve Carell (Vice)
Armie Hammer (On the Basis of Sex)
Lin-Manuel Miranda (Mary Poppins Returns) — podcast
Mike Myers (Bohemian Rhapsody)
Sam Rockwell (Vice) — podcast
Justin Theroux (On the Basis of Sex)

Best Supporting Actress

FRONTRUNNERS

Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite) — podcast
Rachel Weisz (The Favourite)
Claire Foy (First Man) — podcast
Marina de Tavira (Roma)

MAJOR THREATS

Thomasin McKenzie (Leave No Trace)
Nicole Kidman (Boy Erased) — podcast
Elizabeth Debicki (Widows)
Natalie Portman (Vox Lux) — podcast
Kayli Carter (Private Life)
Rachel McAdams (Disobedience)

POSSIBILITIES

Michelle Yeoh (Crazy Rich Asians)
Vera Farmiga (The Front Runner)
Ann Dowd (Hereditary)
Angela Bassett (Black Panther)
Lupita Nyong’o (Black Panther)
Danai Gurira (Black Panther) — podcast

STILL TO COME (alphabetical)

Amy Adams (Vice)
Kathy Bates (On the Basis of Sex)
Emily Mortimer (Mary Poppins Returns)
Margot Robbie (Mary Queen of Scots) — podcast
Meryl Streep (Mary Poppins Returns)

Best Adapted Screenplay

FRONTRUNNERS

A Star Is Born (Bradley Cooper, Will Fetters, Eric Roth)
BlacKkKlansman (Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott)
Black Panther (Joe Robert Cole, Ryan Coogler)
First Man (Josh Singer)
Can You Ever Forgive Me? (Nicole Holofcener, Jeff Whitty)

MAJOR THREATS

If Beale Street Could Talk (Barry Jenkins)
Crazy Rich Asians (Peter Chiarelli, Adele Lim)
Leave No Trace (Debra Granik, Anne Rosellini)
Widows (Gillian Flynn, Steve McQueen)
22 July (Paul Greengrass)
The Wife (Jane Anderson)
The Sisters Brothers (Jacques Audiard, Thomas Bidegain)

POSSIBILITIES

Wildlife (Paul Dano, Zoe Kazan)
The Front Runner (Matt Bai, Jay Carson, Jason Reitman)
Beautiful Boy (Luke Davies, Felix Van Groeningen)
The Hate U Give (Audrey Wells)
Disobedience (Sebastian Lelio, Rebecca Lenkiewicz)
Boy Erased (Joel Edgerton)
A Private War (Arash Amel)

STILL TO COME

Mary Poppins Returns (John DeLuca, David Magee, Rob Marshall)
Mary Queen of Scots (Beau Willimon)

Best Original Screenplay

FRONTRUNNERS

The Favourite (Deborah Davis, Tony McNamara)
Roma (Alfonso Cuaron)
Green Book (Brian Hayes Currie, Peter Farrelly, Nick Vallelonga)
Eighth Grade (Bo Burnham)
Private Life (Tamara Jenkins)

MAJOR THREATS

Ben is Back (Peter Hedges)
A Quiet Place (Scott Beck, John Krasinski, Bryan Woods)
Cold War (Piotr Borkowski, Janusz Glowacki, Pawel Pawlikowski)
First Reformed (Paul Schrader)
Hereditary (Ari Aster)
Sorry to Bother You (Boots Riley)
Mid90s (Jonah Hill) NEW
The Ballad of Buster Scruggs (Ethan Coen, Joel Coen)
What They Had (Elizabeth Chomko)

POSSIBILITIES

Isle of Dogs (Wes Anderson, Roman Coppola, Kunichi Nomura, Jason Schwartzman)
Capernaum (Jihad Hojeily, Michelle Keserwany, Nadine Labaki, Khaled Mouzanar)
Colette (Richard Glatzer, Rebecca Lenkiewicz, Wash Westmoreland)
Destroyer (Phil Hay, Matt Manfredi)
White Boy Rick (Logan Miller, Noah Miller, Andy Weiss)
Vox Lux (Brady Corbet)
Stan & Ollie (Jeff Pope)
At Eternity’s Gate (Julian Schnabel)

STILL TO COME

On the Basis of Sex (Daniel Stiepleman)
Vice (Adam McKay)

Best Animated Feature

FRONTRUNNERS

Incredibles 2 (Disney/Pixar)
Isle of Dogs (Fox Searchlight) BERL, SXSW
Ralph Breaks the Internet (Disney)
Mirai (GKIDS)
Ruben Brandt, Collector (Sony Classics) NEW

THE REST OF THE FIELD (alphabetical)

Early Man (Lionsgate/Aardman)
The Grinch (Universal/Illumination)
Hotel Transylvania 3: Summer Vacation (Sony Animation)
Lu Over the Wall (GKIDS)
Next Gen (Netflix)
Night is Short, Walk On Girl (GKIDS)
Sherlock Gnomes (Paramount)
Smallfoot (Warner Bros.)
Spider-Man: Into the Spider-Verse (Sony)
Teen Titans Go! To the Movies (Warner Bros.)

Best Documentary Feature

PROJECTED SHORTLIST

Free Solo (National Geographic) TELL, TIFF
Won’t You Be My Neighbor? (Focus Features) SUND, SXSW
RBG (Magnolia) SUND
Three Identical Strangers (Neon) SUND
Quincy (Netflix) TIFF
Science Fair (National Geographic) SUND, SXSW
Crime + Punishment (Hulu) SUND
Minding the Gap (Hulu/Magnolia) SUND
The Price of Everything (HBO) SUND
Filmworker (Kino Lorber) CANN [’17], NYFF [’17]
The Sentence (HBO) SUND
Studio 54 (Zeitgeist) SUND, TRIB
McQueen (Bleecker Street) TRIB
Dark Money (PBS) SUND
On Her Shoulders (Oscilloscope) SUND, SXSW

THE REST OF THE FIELD (alphabetical)

93Queen (Abramorama) NEW
306 Hollywood (El Tigre) SUND NEW
Always at the Carlyle (Good Deed)
Believer (HBO)
BISBEE ’17 (4th Row Films) NEW
The Bleeding Edge (Netflix)
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Magnolia) TIFF [’17], NYFF [’17]
Chef Flynn (Kino Lorber) SUND
Divide and Conquer: The Story of Roger Ailes (Magnolia) TIFF
Eating Animals (Sundance Selects) TELL [’17]
Fahrenheit 11/9 (Briarcliff) TIFF
Far from the Tree (Sundance Selects)
Five Seasons: The Gardens of Piet Oudolf (Argot)
Generation Wealth (Amazon) SUND, BERL, SXSW
The Gospel According to André (Magnolia) TIFF [’17], TRIB
Grace Jones: Bloodlight and Bami (Kino Lorber) TIFF [’17]
Hal (Oscilloscope) SUND, TELL
Hale County This Morning, This Evening (Cinema Guild) SUND
The Heart of Nuba (Abramorama)
Hitler’s Hollywood (Kino Lorber) TELL [’17] NEW
In Search of Greatness (AOS)
Inventing Tomorrow (Fishbowl Films)
Itzhak (Greenwich Entertainment)
Jane Fonda in Five Acts (HBO) SUND
John McEnroe: In the Realm of Perfection (Oscilloscope)
The Judge (self distributed) TIFF
The King (Oscilloscope) CANN [’17], SUND
King in the Wilderness (HBO) SUND
Kusama: Infinity (Magnolia) SUND NEW
Leaning Into the Wind: Andy Goldsworthy (Magnolia)
Liyana (Abramorama) NEW
Love, Cecil (Zeitgeist) TELL [’17]
Love, Gilda (Magnolia) TRIB
Maria by Callas (Sony Classics) TIFF
Monrovia, Indiana (Zipporah) VENI, TIFF, NYFF
The Oslo Diaries (HBO) SUND
Pope Francis: A Man of His Word (Focus Features) CANN
The Price of Free (YouTube) SUN
Reversing Roe (Netflix) TELL, TIFF
Robin Williams: Come Inside My Mind (HBO) SUND
Ryuichi Sakamoto: Coda (MUBI) TRIB
Say Her Name: The Life And Death Of Sandra Bland (HBO)
Scotty and the Secret History of Hollywood (Greenwich Entertainment) TIFF [’17]
Shirkers (Netflix) SUND
They’ll Love Me When I’m Dead (Netflix) VENI, TELL
United Skates (HBO) TRIB NEW
Watergate — or, How We Learned to Stop An Out-of-Control President (History) TELL
What Haunts Us NEW
Whitney (Roadside Attractions) CANN [’17]

STILL SEEKING U.S. DISTRIBUTOR (alphabetical)

American Dharma VENI, TIFF, NYFF
Angels Are Made of Light TELL, TIFF, NYFF
Aquarela VENI, LOND
Be Natural: The Untold Story of Alice Guy-Blache CANN, TELL, NYFF, LOND
The Biggest Little Farm TELL, TIFF
The Dawn Wall SXSW NEW
The Dead and the Others [Brazil] CANN
The Elephant Queen TIFF
Fail State NEW
Ghost Fleet TELL
Graves Without a Name TELL, TIFF
The Great Buster: A Celebration VENI, TELL
Meeting Gorbachev TELL, TIFF
Mountain
People’s Republic of Desire SXSW NEW
Saving Brinton
Screwball TIFF
The Silence of Others BERL
What She Said: The Art of Pauline Kael TELL
Women Making Films: A New Road Movie Through Cinema VENI, TIFF

Best Foreign Language Film

PROJECTED SHORTLIST

Roma [Mexico] (Netflix) VENI, TELL, TIFF, NYFF
Cold War [Poland] (Amazon) CANN, TELL, TIFF, NYFF
Girl [Belgium] CANN, TELL, TIFF
Burning [South Korea] (Well Go USA) CANN, NYFF
Shoplifters [Japan] (Magnolia) CANN, TELL, TIFF, NYFF
Capernaum [Lebanon] (Sony Classics) CANN, TIFF
The Guilty [Denmark] (Magnolia) SUND
Birds of Passage [Colombia] (The Orchard) CANN, TELL, TIFF, LOND
Never Look Away [Germany] (Sony Classics) VENI, TIFF

OTHER OFFICIAL SUBMISSIONS (alphabetical)

10 Days Before the Wedding [Yemen] NEW
And Suddenly the Dawn [Chile]
Ayka [Kazakhstan] CANN NEW
The Angel [Argentina] CANN, TIFF
Beauty and the Dogs [Tunisia] CANN [’17], LOND [’17], AFIF [’17]
Border [Sweden] CANN, TELL, TIFF, NYFF
Buffalo Boys [Singapore]
Burnout [Morocco]
Cake [Pakistan]
The Cakemaker [Israel] LOND [’17]
Champions [Spain]
Cocote [Dominican Republic] TIFF [’17]
Crystal Swan [Belarus]
Dogman [Italy] CANN, TELL, TIFF, LOND
Donbass [Ukraine] CANN, TIFF
Eldorado [Switzerland] TELL
Eternity [Peru]
Euthanizer [Finland] TIFF [’17]
The Eighth Commissioner [Croatia]
The Family [Venezuela]
Family First [Canada] NEW
Ghost Hunting [Palestine] BERL [’17]
Graves Without a Name [Cambodia] VENI, TELL
The Great Buddha + [Taiwan] TIFF [’17]
The Great Mystical Circus [Brazil] CANN
Gutland [Luxembourg]
The Heiresses [Paraguay] BERL
Hidden Man [China] TIFF NEW
I Am Not a Witch [United Kingdom]
I Do Not Care If We Go Down in History As Barbarians [Romania]
The Interpreter [Slovakia]
Iskra [Montenegro]
Ivan [Slovenia]
Jirga [Australia] TIFF NEW
The Journey [Iraq] TIFF [’17], LOND [’17]
Malila: The Farewell Flower [Thailand]
Marlina the Murderer in Four Acts [Indonesia] CANN [’17], TIFF [’17], AFIF [’17]
The Marriage [Kosovo]
Medea [Costa Rica]
Memoir of War [France]
Muralla [Bolivia]
Namme [Georgia]
Never Leave Me [Bosnia & Herzegovina]
Night Accident [Kyrgyzstan]
No Bed of Roses [Bangladesh]
No Date, No Signature [Iran] VENI [’17]
Offenders [Serbia]
Omnipresent [Bulgaria]
Operation Red Sea [Hong Kong]
Panchayat [Nepal]
Pilgrimage [Portugal]
Polyxeni [Greece]
The Resistance Banker [Netherlands]
The Road to Sunrise [Malawi] NEW
Rona Azim’s Mother [Afghanistan] NEW
Ruben Blades is Not My Name [Panama] SXSW
Sew the Winter to My Skin [South Africa] TIFF
Secret Ingredient [Macedonia]
Sergio and Sergei [Cuba] TIFF [’17]
Signal Rock [Philippines]
Sobibor [Russia] CANN
A Son of Man [Ecuador]
Spitak [Armenia] NEW
Sunset [Hungary] (Sony Classics) VENI, TIFF, LOND
Supa Modo [Kenya] BERL
The Tailor [Vietnam]
Take It or Leave It [Estonia]
To Be Continued [Latvia]
A Twelve-Year Night [Uruguay] VENI
Until the End of Time [Algeria]
Village Rockstars [India] TIFF [’17]
The Waldheim Waltz [Austria] BERL, NYFF
The Wedding Ring [Niger] TIFF [’16]
What Will People Say [Norway] TIFF [’17], AFIF [’17]
The Wild Pear Tree [Turkey] CANN, TIFF
Winter Flies [Czech Republic] TIFF
Woman at War [Iceland] CANN, TIFF, LOND
Wonderful Losers: A Different World [Lithuania]
Yellow Is Forbidden [New Zealand] TRIB NEW
Yomeddine [Egypt] CANN