San Francisco memorializes the life of George Floyd and all those who died by the hands of police violence. Organized by Phelicia Jones. Featuring Rev. Thomas Fisher, Second Baptist Church Redwood City, CA. +++ A film by Robert Silver. A Day One Films production. http://www.dayonefilms.net
Directed by Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. Winner of the Sundance Best Director and Special Jury Awards. The Last Black Man in San Francisco — Summer 2019 SUBSCRIBE: http://bit.ly/A24subscribe From writer/director Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. The Last Man in San Francisco – In Theaters Summer 2019. RELEASE DATE: Summer 2019 DIRECTOR: Joe Talbot CAST: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover Like The Last Black Man in San Francisco on FACEBOOK: http://bit.ly/facebook_LastBlackManSF Follow The Last Black Man in San Francisco on Twitter: http://bit.ly/twitter_LastBlackManSF Follow The Last Black Man in San Francisco on Instagram: http://bit.ly/instagram_LastBlackManSF
Michael B. Jordan is keeping busy. Fresh off a trip to the Oscars, the actor is now starring in a new short film directed by none other than Spike Lee. The 90-second clip is called Words Matter, and it’s part of Jordan’s work with Coach as the brand’s global face for menswear.
The new clip, entitled Words Matter, focuses on replacing negativity with something a little more hopeful.
In it, the Black Panther star hits the desert outside L.A. on a motorcycle (clad, of course, in Coach gear) and discovers a series of rocks with words like “evil” and “bigotry” written on them. He tossed them aside. Then he wanders a little further, towards a lonely swing set that’s appeared for some reason—just go with it, okay?—and replaces the rocks with new ones, this time emblazoned with words like “truth” and “love.” Nary a word is spoken aloud the entire time. It’s all about the vibe.
“Collaborating with the iconic Spike Lee on this short film for Coach was an inspirational experience,” Jordan said in a press release. “Spike’s art has moved the cultural dial for decades. I’m proud of the powerful messaging of this film and to be working alongside a brand that cares about putting that narrative into the world as much as I do.”
Lee also chimed in. “I’m honored to get to collaborate with giants in their respective fields, Michael B. Jordan and Coach,” he said. “It was truly a magical day working, shooting in the desert. Enjoy.”
- Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland. Bursting with energy, style and humor, Blindspotting, boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity.
- West Oakland. Collin Hopkins, a black man who works for the Commander Moving Company as a mover, is a convicted felon on the last three days of his one year parole. Among the many restrictions contained within his parole are living in a halfway house which has its own additional rules, having curfew, not being allowed outside of Alameda County, and no possession of firearms, contravention of any of these items which could extend the length of his parole or worse send him back to prison. Collin, whose felony was largely a matter of unexpected circumstance, wants to do the right thing and lead a straight life. And despite having made it through the first three hundred sixty-two days of his parole, it isn’t a guarantee that he will make it to the end clear, let alone make to the end at all due to the environment in which he lives, which includes people like him of a lower socioeconomic standing having to adjust to the gentrification happening within the community. One of the larger threats is his association with Miles Jones, his married best friend since they were kids and his moving partner. Miles, a Caucasian, feels like he has something to prove being white and living in West Oakland, something that Collin inherently doesn’t have to prove being black. But what could be the biggest threat to Collin is being haunted in witnessing a white police officer shoot a fleeing black man to death in the back late in the evening of the third to last day of his parole, being shot for no reason by the police something that black people like Collin face every day. Through it all, Collin tries to negotiate his relationship with Val, his girlfriend before his incarceration and the dispatcher at Commander, she who is taking more outward steps to improve her life to match that gentrification which may not include associating personally with someone like Collin, especially in light of having seen the aftermath of what sent him to prison.
Two nights ago, June 13th, the Academy of Motion Picture Arts and Sciences hosted the event “In the Mood for ‘Love Jones’ – The Academy Celebrates the Film’s 20th Anniversary,” which included a special screening of director Theodore Witcher’s first and still only feature film, “Love Jones,” in front of a packed house at the Samuel Goldwyn Theater in Beverly Hills. The evening also reunited the film’s cast including Nia Long, Larenz Tate and Isaiah Washington and more, in a panel discussion with members of the crew, starting with writer/director Witcher and others.
The conversation was moderated by Barry Jenkins (“Moonlight”) and was thankfully videotaped and has now been released online via the Academy’s YouTube page.
Watch the entire panel discussion below, split up into 5 individual videos, for a conversation during which Witcher’s start in Hollywood is talked about, as well as casting the film, the technicals including the film’s look and sound, the cinematography, editing and soundtrack, and more.
Meet “The Hustle” Cast: Erica Dickerson aka “Ya-Ya”