Category: Artist Now Trending

Everything You Need to Know About Solange’s New Album When I Get Home

Solange: Photo: Black Planet

As if willed into existence by our collective despair, Solange surprise-released her fourth album, When I Get Home, last night right at the intersection of Black History Month ending and Women’s History Month beginning. Her mind! Like her previous, groundbreaking album A Seat at the Table, Home is a rich tableau of collaboration, black history, and references to her Houston upbringing (the homeward destination implied by the collection’s title), but the album takes even more experimental risks with her sound. Among the mix of artists involved are Gucci Mane, Dev Hynes, Earl Sweatshirt, Cassie and … a viral Atlanta public-access sexpert? Let’s plunge right on in to the world of When I Get Home.

Backstory

It’s not entirely clear how soon after A Seat at the Table Solange broke ground on When I Get Home — she took some time off in 2017 to treat an unspecifiedautonomic disorder — but exactly one year ago, she revealed in a Billboard cover story that she’d been working on new music. She mentioned writing in Laurel Canyon, Topanga Canyon, and Jamaica, and said she was “following” Joni Mitchell for inspiration, sometimes unknowingly: “It has been really wild. The house that I was just recording in [in] Jamaica, I stayed there for four days. And then the last day, the owner was like, ‘You know that mural that’s downstairs in the spare bedroom that the engineer booth is in? Joni Mitchell painted that.”

Later in the year, Solange did another interview for the New York TimesT magazine, where it was reported that her fourth album would “likely arrive into the world fully formed at some mysterious and unexpected moment, like a meteor cratering into the culture” sometime that fall. “But she will not be rushed,” the piece warned. The album would be “still very much in progress until the very end,” and it remained untitled at the time of publication. “I like to be able to tell the story in 13 different ways, then I like to edit,” she said. Though it was unfinished, Solange knew how it would sound, noting that jazz would be at its core — though not exclusively. She said electronic and hip-hop drum and bass elements would also be present with the intention to make it “bang and make your trunk rattle.”

Once again citing Joni as an influence (for “lessons in balancing a career as a musician with the demands of visual creation”), she named other muses: director Busby Berkeley, dancer and choreographer Diane Madden, and Vegas theater, for inspiration for her new live shows; Missy Elliott, for visuals; and Aaliyah, Sun Ra, Rotary Connection, and Stevie Wonder’s Journey Through the Secret Life of Plants, for sonic cues. The Times wrote, “The record will be warm, she says, fluid and more sensual than her last one.”

Release

Like A Seat at the Table, Solange gave us little time to prepare for When I Get Home, mostly because sharing her art makes her antsy; drawing out the process would only make it worse. (“I have this fear living in my body about releasing work,” she told the Times. “I don’t know any artist that doesn’t feel that before they hit the send button.”) Instead, Solange reemerged on — of all places — BlackPlanet, bringing back from the presumed dead one of the original social-media platforms (predating even Myspace) that was created specifically by and for black people. She launched her own page with lyric excerpts and a dossier of new images, both still and moving, that appear to be pieces of a larger visual project.
They — along with the album’s cover, another striking portrait of Solange — were shot by Max Hirschberger and Alex Marks, creative directed by Cary Fagan, and styled by Kyle Luu and Mecca James-Williams. Images included a pole dancer (Instagram’s @neyon_tree) and scenes from a ranch, with horses and dancers styled in modern cowboy looks. Solange had referenced the latter inspiration in an earlier interview as something she’d recently taken an interest in. “Hundreds and hundreds of people every weekend are getting on horses and trail-riding from Texas to Louisiana,” she told Billboard. “It’s a part of black history you don’t hear about.” She later teased what appears to be a music video on her Instagram, instructing fans to dial the number 281-330-8004 for more clues. It’s the exact same number Mike Jones used in his song “Back Then” (“Mike jones 4 life!” she added in the caption.) She then shared the album’s full 19-song track list, with multiple songs named for geographic locales within Houston. Per her mother, Tina Lawson, it’s a map of Solange’s life: “Binz” (the street where she grew up); “Almeda” (the street where she’d get a shrimp po’boy at There’s No Place Like Nola — or Nolas, for short); “Exit on Scott” (the street where she’d eat fried chicken and beans at Frenchy’s); “Beltway” (take it to get seafood at Pappadeaux); and “S McGregor” (for a “trip down memory lane” on the street where Debbie Allen and Phylicia Rashad’s father lived and “we jogged on the bayou”).

Collaborators

Though Solange undoubtedly sits at the head of her table, there are others who got a chair. When I Get Home is her most experimental work yet, the result of massive group effort between more than a dozen artists who’ve been in Solange’s orbit for some time. The album features guest verses from Gucci Mane (“My Skin My Logo,” on which Solange also tries her hand at rapping) and Playboi Carti (“Almeda”); Cassie and Abra are the lone featured women, with vocals on “Way to the Show” and “Sound of Rain,” respectively. The rest of the album includes repeat production and vocal contributions from her circle of close friends: Dev Hynes, Tyler the Creator, Earl Sweatshirt, The-Dream, Pharrell, French artist Chassol (with whom she’s toured), Panda Bear (a.k.a. Animal Collective’s Noah Lennox), Sampha, and Jamire Williams.

Atlanta producer Metro Boomin is also brought into the mix, with production on “Stay Flo” and vocals on “Almeda.” Gio Escobar, the de facto leader of the “post-genre” New York group Standing on the Corner and a close collaborator of Earl Sweatshirt, has multiple production and composition credits, lending his group’s freewheeling, sample-heavy sound as the album’s connective tissue. The Internet’s Steve Lacy also contributed production, which Solange hinted at when she previously told the Times that the two had been “jamming” together. “He’s like, ‘OK, I got these chords.’ ‘Hey, papa, let’s go!’” she said.

While A Seat at the Table was narrated by New Orleans legend Master P and Solange’s personal legends, her parents, this new album doesn’t have a narrator in that sense. But it is chopped up by interludes and snippets that involve Houston’s finest, specifically focusing on Solange’s heroes of the Third Ward, where she grew up. Most of them are samples, but even rap titan Scarface makes an original one-line special appearance for the interlude “Not Screwed!”

“S Mcgregor”
This first interlude samples a clip from the 1987 TV movie Superstars & Their Moms, where Houston’s own Phylicia Rashad and Debbie Allen recite a poem called “On Status” written by their mother Vivian Ayers-Allen, accompanied by piano: “And now my heart knows no delight. I boarded a train, kissed all goodbye.” The song’s title is a reference to S MacGregor Way in Houston, where the sisters grew up. READ MORE: https://www.vulture.com/2019/03/solanges-when-i-get-home-explainer.html

21 Savage Says He Didn’t Mind Barely Being Mentioned at the Grammys While In ICE Detainment

Last weekend, fans felt slighted on 21 Savage’s behalf when the Grammys came and went with barely a mention of the double nominee or his detainment by ICE officials over his immigration status. (Producer Ludwig Göransson was the only person to mention 21 Savage by name, and you might not have even spotted Post Malone’s “Free 21 Savage” shirt, as it was under his jacket.)

Last weekend, fans felt slighted on 21 Savage’s behalf when the Grammys came and went with barely a mention of the double nominee or his detainment by ICE officials over his immigration status. (Producer Ludwig Göransson was the only person to mention 21 Savage by name, and you might not have even spotted Post Malone’s “Free 21 Savage” shirt, as it was under his jacket.) Following his release on bond after nine days in custody, the British-born, Atlanta-raised musician says he honestly wasn’t bothered by the fact most of his peers didn’t offer any verbal support. “Nah, I was stressed about getting out,” he tells the New York Times in a new interview. “The Grammys is the Grammys, but when you in jail, the Grammys is nothing.”

“I don’t care what nobody say — everybody in that building who’s connected to this culture, I was on their mind in some type of way,” 21 Savage continues. “That’s all that mattered. They didn’t have to say it ’cause everybody knew it. It was in the air. All the people that was there, they said the words in other places and that matter just as much. All the big artists was vocal about the situation, so I was appreciative.”

Instead, the rapper, who says he became aware he lacked legal status as a teen, “probably like the age when you start to get your driver’s license,” after overstaying his visa, is focused on staying in the country. “My situation is important ’cause I represent poor black Americans and I represent poor immigrant Americans,” he says. “You gotta think about all the millions of people that ain’t 21 Savage that’s in 21 Savage shoes.” He is currently reportedly waiting for an expedited hearing. Oh, and despite how hard you all went, 21 Savage says he even liked your memes about how British he is. Or, at least, he acknowledges them. “Some of them was funny — I ain’t gonna lie,” he jokes. “I was appreciative of that.

READ MORE: https://www.vulture.com/2019/02/21-savage-didnt-mind-grammys-silence-while-detained-by-ice.html

Cardi B’s ‘Thotiana Remix’ Verse Is NSFW, Which Is Perfect Because You’re Off Work Monday

Your boss is going to have to be disgruntled about something else this four-day week, because you’re off work Monday for President’s Day and free to blast Cardi B’s extra-filthy “Thotiana Remix” verse as loud as your neighbors can stand it. The Cardi-fied version of the song comes complete with a new video dropped this weekend, which, of course, features rapper Blueface and a car that gained the power of flight once it heard this verse. Wait a minute. If you’re off work, your kids are also probably off school tomorrow. Will the world never allow you to a moment’s peace to enjoy the things you love?!?!

Listen to ‘Please Me,’ Bruno Mars and Cardi B’s New Colla

Cardi B and Bruno Mars are back with another throwback collaboration. This time, “Please Me” hearkens to the R&B fuck jams of the mid-90s. Think “Red Light Special” at a more athletic tempo. Cardi temporarily deleted her Instagram after her Grammy win, but she’s back to do promo for the new single. “Ok so I’m back from retirement to announce I have a brand new song coming out Friday at midnight with @brunomars,” she wrote on Instagram. The cover art for the new single features Cardi in a purple leather fringe jacket to make Prince jealous. Bruno Mars is more understated in a teal button-down. It’s Beyoncé and Ed Sheeran all over again, no?

GQ interviews Leon Grey the guy you should be listening to right now

We know it’s almost Valentine’s Day and people will go out and get expensive gifts. We found the perfect gift for you in the form of an artist you will need on your Valentine’s Day playlist, Leon Grey. We discovered the British artist on the Gram, a few months and we have been obsessed with his banging tunes since. We managed to get a hold of him and chatted everything from music, style and some cool Instagram tips. 

GQ: In 2016 you were featured on a couple of online sites, but the focus was mainly on how hot you are and your Instagram profile is. What are your Instagramming secrets? How do you get that perfect shot and perfect profile?LG: Yes, throughout the years I have been featured on a few platforms which is great, and I am truly humbled! In terms of my Instagram secrets, there isn’t much to it! I am always myself and try and be natural and confident. Lighting and background are important, but the main thing is to have fun with it.
GQ: We follow you on Insta so we know you are a singer, and after reading this, many will know as well. Tell us about your musical journey? How did it start and where are you wanting to take it?LG: Music has always been a huge part of my childhood and growing up, professionally it started in 2011 when I was part of a music group called The Goods which was made up of my three close friends. After a few years, I decided to focus on going solo with the great help of my good friend/producer Duncsuei.
I am constantly working on my music, writing and recording daily. I am fortunate enough to be working with talented Producer Max Herman who provides me with valuable guidance. I am hugely dedicated to my craft and I hope in the future that more people from all around the world will love and appreciate my music.
GQ: How would you describe the kind of music you sing?LG: My music is a combination of reggae, soul and R&B. its Leon Grey vibes! It’s taken me a few years to find my sound and I do feel as an artist your sound will always develop, change and grow with you.
GQ: Who inspires you musically?LG: The list is endless Michael Jackson, Maxwell, Bob Marley, Dennis Brown and my mother of course just to name a few. My mixed heritage (Jamaican & Greek) has also played a big role. It’s not only who inspires me by what inspires me, a lot of my inspirations also come from emotions, the sea, the mountains, bustling cities, sounds – I often listen to array of genres from all around the world, it fascinates me how drum patterns and sounds can differ from each town let alone continent!
GQ: What’s your dream for yourself as an artist?LG: My dream would be to create music that can positively impact on someone, whether it’s for a second, a day or a lifetime.  Another dream of mine is to educate the next generation and reassure them the world doesn’t always have to be a negative place. I hope to do this through my music but more so through my voice as a young black man that has been thrown very tough challenges throughout my life.

GQ: You are a well-groomed gent. What’s your grooming routine? And what tips can you give to the GQ guy?LG: Thank you! My locks take a lot of grooming! I wash and retwist and style them myself every couple of weeks using natural oils such as lavender and chamomile, which I also use on my beard. I always use Aloe Vera that I extract from my actual plant I also use this on my body. One of my favourite hair products is the Jamaican Black Castor oil from Rooted Treasure they use traditional hand-crafted processes to create this product. 
My daily skin care routine consists of Kiehls facial fuel wash followed by my favourite face cream Origins ‘Save the males’. I love body oils and strong scents; Jo Malone Oud & Bergamot body oil is so good! My go-to fragrances are One Molecule, All Creed perfumes (I’m addicted) and Tom Ford Noir Extreme has been a firm favourite. In terms of grooming tips, take care of yourself and keep to your skincare/hair routine. What’s on the inside is the most important – Drink water high in PH, work out, eat nutritiously and meditate!
GQ: Outside of music what else does Leon do?LG: Well… I do get up to quite a lot! I love fitness and training and eating well. I am a huge anime fan especially Dragon Ball Z. Travel is a huge passion of mine, if I could I would probably sing and travel the world constantly –  there’s just so much to see. I am yet to see much of Africa which is at the very top of my list.

GQ: You live in London which many believe is the best place to have a great turn up. What are your favourite places to party in London?LG: London is such a great city, so much to do. Due to always being in the studio I don’t get time to party as much as I would like. I’m a fan of bars, pubs and restaurants. Birthdays in Dalston has good hip hop vibes, True Craft in Tottenham have the best sourdough pizza’s, beer and always play the best tunes. A favourite place of mine has to be Kiln in Soho where my very good friend Meedu is Head Chef, a must when you are visiting London.
GQ: At GQ we are all about embracing your personal style, what’s your personal style and how has it evolved over the years? LG: I agree GQ are such advocates of embracing personal style. Dressing how you want is hugely important I have always loved colour and statement pieces since I was a child. I am a 90’s child to colour runs through our veins. I am more about the look of the item than where it’s from or who its designed by, I like to be comfortable but also stand out of the crowd. Jewellery is my main stylistic element I would say, over the years I have collected silver rings (which I wear on every finger) from all over the world some of which are a huge significance to me. 

READ MORE: https://www.gq.co.za/culture/entertainment/gq-interviews-leon-grey-the-guy-you-should-be-listening-to-right-now-19175191


Childish Gambino makes Grammy history

(CNN) Childish Gambino’s “This Is America” won Grammys for song and record of the year on Sunday, becoming the first rap song to win the prestigious awards.The artist — also known as the mutitalented Donald Glover — did not attend the event and reportedly declined an invitation to perform at the Grammys.”This Is America” beat out “Shallow,” “God’s Plan” and other big hits. The Grammy for song of the year honors song writers, while record of the year goes to the recording artist.

The song caused a stir last May when Gambino released its ambitious video, which was full of racial symbolism.Related: ‘This Is America’: The Childish Gambino video explainedThe Recording Academy has made an effort to diversify its membership amid complaints the Grammys have frequently failed to recognize rap and hip-hop artists in the major categories.Earlier this week in an interview with the New York Times, longtime Grammy producer Ken Ehrlich acknowledged, “We continue to have a problem in the hip-hop world.”It’s unclear if Childish Gambino’s wins on Sunday change that.

Untangling 21 Savage’s ICE Arrest: What Happened and What’s Next?

Image via Getty/Prince Williams

On Feb. 3, it was reported that 21 Savage had been arrested in Atlanta, along with his cousin and fellow rapper Young Nudy, and taken into U.S. Immigration and Customs Enforcement (ICE) custody. ICE alleges that the father of three, who grew up in Atlanta, is a national of the United Kingdom. The agency claims his visa expired in July 2006, when he was 14 years old. According to ICE, Young Nudy “was arrested and charged with aggravated assault and participation in criminal gang activity,” as part of an operation targeting him and two other men, but not 21.

ICE was founded in 2003, with the purpose of “smart immigration enforcement, preventing terrorism and combating the illegal movement of people and trade.” The agency, along with Customs and Border Protection (CBP), has faced heavy scrutiny over the last few months for its role in President Trump’s “family separation policy” at the U.S./Mexico border, which has resulted in the separation of at least 2,737 children from their parents, as well as the deaths of multiple children and adults in ICE detention centers. There is currently a backlog of 800,000 cases piled up in U.S. immigration courts.

The news of 21 Savage’s arrest has come as a shock to fans, most of whom were not aware that he was an immigrant. We’ve spoken with immigration attorneys about how this could have happened, and what the implications are for 21 Savage and other undocumented immigrants.

Image via Getty/Prince Williams

On Feb. 4, attorney Charles H. Kuck, who represents 21, released a statement revealing that the 26-year-old rapper’s family “overstayed their work visas, and he was left without legal status through no fault of his own.” Kuck also says that 21 currently has a pending application from 2017 for a U visa—a nonimmigrant visa for victims of crimes (and their immediate family members) who have suffered substantial mental or physical abuse while in the United States, and agree to cooperate with government officials in the investigation or prosecution of the criminal activity. According to TMZ, 21 Savage was shot during a 2013 incident where his best friend was murdered, an event that Kuck says “severely affected” him, both physically and mentally. Being a victim of this crime could potentially put 21 Savage in a position for permanent residence.

READ MORE: https://www.complex.com/music/2019/02/21-savage-arrested-by-ice-what-comes-next/the-latest-on-21