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The Playlist: Cardi B Hits Pay Dirt, and 11 More New Songs

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Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos — and anything else that strikes them as intriguing. Just want the music? Listen to the Playlist on Spotify here (or find our profile: nytimes). Like what you hear? Let us know at theplaylist@nytimes.com and sign up for our Louder newsletter, a once-a-week blast of our pop music coverage.

What’s the opposite of a palate cleanser? Currently, Cardi B is featured on the No. 1 song in the country, Maroon 5’s “Girls Like You.” It is not her best, nor most apt work. So here comes the palate roughener? “Money” is effectively a stripped-bare version of BlocBoy JB and Drake’s already-bare “Look Alive,” and a de facto lo-fi rejoinder to Cardi B’s steady pop incursions over the past year. The trash talk here is pure, if a little staid: “I like boarding jets, I like morning sex/But nothing in this world that I like more than checks.” Instead, “Money” — the first solo single Cardi B has released since giving birth in July — is notable for its acknowledgment of new-mom problems: “I got a baby, I need some money, I need cheese for my egg.” JON CARAMANICA

 

Lil Wayne’s Tha Carter V is finally being released

Tha Carter V is coming out this week — but for real this time.

A week after rumors of Lil Wayne’s long-awaited album proved to be false, the rapper himself has announced that the hotly-anticipated project will finally see the light of day on Thursday, his 36th birthday.

In a video posted to YouTube (see above), the five-time Grammy winner shared the news, thanking those who have stuck with him over the years. “I always give y’all all of me, but with this album, I’m giving you more than me,” he said. “This is four, five, six years of work that you’ll be listening to.”

A date for Tha Carter V comes seven years after the Carter IV and four years after it was delayed days before the planned release date due to the dispute between Wayne and his mentor/Cash Money boss Birdman.

Earlier this year, Wayne and Cash Money settled a multi-million dollar lawsuit, and last month, Birdman appeared onstage with Wayne and publicly apologized to the rapper.

Eminem – Lucky You ft. Joyner Lucas

From the album Kamikaze, out now: http://shady.sr/Kamikaze http://eminem.com http://facebook.com/eminem http://twitter.com/eminem http://instagram.com/eminem http://eminem.tumblr.com http://shadyrecords.com http://facebook.com/shadyrecords http://twitter.com/shadyrecords http://instagram.com/shadyrecords http://trustshady.tumblr.com Music video by Eminem performing Lucky You. © 2018 Aftermath Records

Eminem’s album ‘Kamikaze’ is on track to break records

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(CNN)Eminem has proven once again that he’s a hit maker.

The rapper’s latest album, “Kamikaze,” is quickly rising to the top of the charts after its surprise release last week.

The Detroit native is currently on track for his album to hit No.1 on the Billboard 200 chart. The feat would mark Eminem’s ninth No. 1 album, according to Nielsen Music.
“Kamikaze,” produced with his long-time collaborator Dr. Dre, is Eminem’s tenth studio album. Cover art for the 13-track collection features a fighter pilot crashing his aircraft with the words, “FU-2” on the tail.
Eminem get political with a reference to President Trump on the album.
“Agent Orange just sent the Secret Service / to meet in person to see if I really think of hurting him,” he raps on “The Ringer. “Or ask if I’m linked to terrorists / I said, ‘Only when it comes to ink and lyricists.'”
This isn’t the first time he’s criticized Trump. At the BET Awards last year, Eminem called the President a “racist grandpa” during a freestyle rap.

Kylie Jenner and Travis Scott on Love, Making It Work, and the Kardashian Curse

She’s a billionaire business mogul. He’s the most electric rapper in the game. How did they come together? How do they make it work? And can they survive the Kardashian Curse? Mark Anthony Green sits down with the world’s most powerhouse power couple.

It’s Kylie, from the jump, who controls the tempo. The youngest Jenner and her well-oiled glam squad bounce around Milk Studios, in Hollywood, with supreme purpose. Her half-male, half-female contingent is like Ocean’s Eleven, except with more crop tops and lip fillers. And instead of a case full of phony casino chips, there’s just a roller bag full of luscious hair extensions that need meticulous untangling. Midway through the shoot, the photographer and stylists start praising a particular photo on the monitor, but King Kylie shuts it down. “People are going to turn it into a meme,” she says, like some kind of social-media medium. “Let’s move to something else.” She later tells me that Kim and Kanye are the ones who taught her to be more assertive on creative things. “I just want the best cover photos for me and for you guys.”

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Joining her in the studio is her 27-year-old partner, Travis Scott. They’ve been together for about a year, but this is their first photo shoot together. What’s the binding force between a rage-thirsty rock star from Missouri City, Texas, and a beauty mogul of Calabasas royalty? Other than their newborn baby girl, Stormi? What’s that shared frequency that’s responsible for the most dynamic celebrity couple of modern times? We’ll get to that, but what I can report is that it’s not a mutual admiration for posing in front of a seamless. Taking pictures is a lucrative sport for one and medieval torture for the other.

Travis has a much smaller team with him. Just his manager—who works from a laptop the entire shoot—and a bag of what smells like some of California’s loudest weed. Between shots, he just kind of paces around, with his head down and his lanky limbs covered in expensive clothes. A wall or photo light would stop him and send him in a different direction. He looks like one of those Microsoft screen savers from the ’90s, careening off the edges of the monitor. “He was whispering to me the whole time,” Kylie tells me afterward, smirking. “He just doesn’t like taking the photos.” Travis hates anything that slows him down. (He even hates restaurants; the man despises wasting time in restaurants.) And he admits that he’s “impatient as a motherfucker” during photo shoots, despite really liking the end result. But it isn’t simply young angst that makes hurry-up-and-wait painful for Travis. It’s “la flame”—the internal fire, the rage, “the piss,” as he calls it, aggression in its funnest form. It’s why Travis, a decade into a notoriously energetic career, has made his case for having the best live show in hip-hop history.

A few years ago, at a nightclub, I saw Travis swing from a chandelier while performing. One of the gold baroque leaves he held on to for dear life cut his hand, and he was beginning to bleed pretty badly. He paused for a second. Smiled. Then pressed his bloody palm against the ceiling, leaving a red handprint, and kept rapping. That energy, that commitment—that’s why there’s an entire generation of young tattooed daredevil rappers coming up behind him who look to Travis as the source, and who’ve taken his lead.

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That may be the thing between the two of them, the binding force: influence. Not in some Adweek marketing sense—in direct-contact-with-the-people kind of way. When they say jump, kids will do it…off a balcony. (That actually happened to Travis.) These two make the mosh pits, memes, and moments that trend and move the needle. They forge 2017’s most overused four-letter word—vibe—and they’re masters at 2018’s: wave. You can’t pause when catching a wave. And that’s their art. Their common thread. Which helps explain how their relationship went from zero to Stormi in just a few months.

“We don’t go on dates,” Kylie tells me. In fact, their first date wasn’t really a date. They were at Coachella—neither can remember where, exactly, they first met—and the whole thing just turned into a hang that went well. While she tells me about it, she begins to giggle about the story she told Travis that got his attention that night. The story wasn’t anything special, but that’s what made it real. How’d you meet your significant other? It starts normal, right?

But then their second date, by all definitions, was anything but normal. They caught the wave. Kylie Jenner—and nearly 100 million followers of hers—just abandoned her life in California and took off on tour with Travis Scott.

“Coachella was one of the stops on his tour,” she explains. “So he said, ‘I’m going back on tour—what do we want to do about this?’ Because we obviously liked each other.”

What do we want to do about this? That’s an early-2000s Matthew McConaughey big-screen-heartthrob line. Holy shit. “And I was like, ‘I guess I’m going with you,’ ” she said, to complete the scene.

READ MORE:https://www.gq.com/story/kylie-travis-cover-2018

Listen: Adrian Marcel Returns with New Project ‘GMFU’

adrianmarcelIt’s about time for new Adrian Marcel!

The Bay Area R&B crooner was originally intending to release his debut album GMFU (Got Me Fucked Up) through Republic Records, but plans change and he has finally delivered the project independently today. Following suit to his acclaimed mixtapes, the project is executive produced by his mentor, the legendary Raphael Saadiq, and boasts 16 new songs with production by Saadiq, NO I.D, Big Jerm of ID Labs and more.

The buzz single “Mobbin” contains the only guest appearances with Too $hort, Boosie Badazz and M City Jr. The album opens with the song “UKnowUDo” which features a voicemail left by a female lover who wants to know if they can really be together, or work together, or anything. “Took me a little time but this is my offering to the culture. Thank yall for Rocking with me,” Adrian wrote on Instagram. “R&B is not Dead. Change the narrative.”