FX has dropped the first trailer for the third and final season of Pose. The network announced in March that shortened, seven-episode season would be its last.
Upon its debut, the series made television history in its first season by featuring the largest-ever cast of transgender actors in series regular roles, including Michaela Jaé, Dominique Jackson, Indya Moore and Hailie Sahar, who star alongside Billy Porter, Dyllón Burnside, Angel Bismark Curiel, Sandra Bernhard and Jason A. Rodriguez. Pose also features “the largest recurring cast of LGBTQ actors ever for a scripted series, and boasts a full roster of LGBTQ and POC behind-the-scenes as producers, writers, directors and crew.”
For the series, Billy Porter became the first openly gay man to win the Emmy Award for Outstanding Lead Actor in a Drama Series, and Janet Mock becoming the first trans woman of color hired as a writer on a TV series, as well as the first transgender woman of color to write and direct a TV episode.
The official description for season 3: In this final season, it’s now 1994 and ballroom feels like a distant memory for Blanca who struggles to balance being a mother with being a present partner to her new love, and her latest role as a nurse’s aide. Meanwhile, as AIDS becomes the leading cause of death for Americans ages 25 to 44, Pray Tell contends with unexpected health burdens. Elsewhere, the emergence of a vicious new upstart house forces the House of Evangelista members to contend with their legacy.
The new season premieres May 2 on FX. Watch the trailer below:
We still don’t know exactly what happened in the Jussie Smollett case that has dominated the news cycle for the past week. What we do know is that after the Empire star revealed he was allegedly the victim of a racist and homophobic hate crime, conflicting reports started to emerge suggesting that Smollett may have been involved in orchestrating the incident. Olabinjo and Abimbola Osundairo, the two brothers who were originally considered suspects, both knew Smollett in advance of the attack and told Chicago police that they were hired by Smollett. After the Chicago PD announced they were “shifting the trajectory” of their investigation, Smollett said in a statement that he is “angered and devastated by recent reports that the perpetrators are individuals he is familiar with” and that anyone claiming he played a role in his own attack “is lying.”
While it’s too soon to render a verdict on what exactly went down, if the case does prove to be a hoax, the ramifications are hard to overstate. As we’ve seen in the extremely rare cases involving false rape allegations, they serve as ammo for people looking to undermine the credibility of genuine victims (like clockwork, Donald Trump Jr. is already tweeting about Smollett’s story, in which his attackers were originally described as two men shouting, “This is MAGA country”). But what would motivate someone to pretend to be the victim of a hate crime? We called up Dr. Marc Feldman, who is not involved in the case but is an expert on factitious disorder and Munchausen syndrome by proxy, to learn more about “factitious victimization” — a disorder that causes people to feign victimhood for psychological reasons — and how it could come into play in the Smollett case.
What did you think when you first heard this case might be a hoax?
Munchausen syndrome refers to the most extreme examples of “factitious disorder,” which is the official psychiatric term for people who feign illness or injury for intangible reasons. Ever since I encountered my first case of a woman who faked cancer for emotional reasons back in 1989, I’ve obviously been more sensitive to that possibility than most people ever would be. I try not to falsely accuse people and that’s why I am approaching this subject with a little timidity. But when it does arise I think it’s important that we identify it and help educate the public about it. READ MORE: https://www.thecut.com/2019/02/why-would-somebody-fake-a-hate-crime.html
“Empire” actor Jussie Smollett has been charged with disorderly conduct for allegedly filing a false police report.
Chicago police announced late Wednesday that felony criminal charges against Smollett have been approved by the Cook County state’s attorney’s office. He faces up to three years in prison if convicted.
“Detectives will make contact with [Smollett’s] legal team to negotiate a reasonable surrender for his arrest,” said Chicago police spokesman Anthony Guglielmi Wednesday evening on Twitter.
Smollett’s attorneys stated that they plan to “mount an aggressive defense.”
“Like any other citizen, Mr. Smollett enjoys the presumption of innocence, particularly when there has been an investigation like this one where information, both true and false, has been repeatedly leaked,” said Smollet’s attorneys Todd Pugh and Victor Henderson in a statement to The Times. “Given these circumstances, we intend to conduct a thorough investigation and to mount an aggressive defense.”
The charges follow an earlier announcement that Smollett was “officially classified as a suspect in a criminal investigation … for filing a false police report” and that detectives were presenting evidence to a Cook County grand jury.
Police initially had been investigating the Jan. 29 attack as a possible hate crime. The incident allegedly involved two people approaching the 36-year-old actor and musician while yelling racist and homophobic slurs. Smollett is gay and plays gay musician Jamal Lyon on “Empire.”
But on Saturday, Guglielmi said the trajectory of the investigation had “shifted” due to information received from two brothers who were arrested and released without charges last week. He did not elaborate on what that meant.
The brothers were identified as persons of interest in the investigation after being seen in surveillance footage around the area where the alleged attack took place.
One of the brothers was revealed to be a personal trainer Smollett had hired to ready him for a music video. The pair reportedly claimed that Smollett had hired them to carry out the attack. Smollett’s attorneys have previously disputed that claim and said the actor is “angered and devastated by recent reports that the perpetrators are individuals he is familiar with.”
On Tuesday, Cook County state’s attorney Kim Foxx recused herself from the case “out of an abundance of caution” in order to “address potential questions of impartiality based upon familiarity with potential witnesses in the case.”
According to reports, Foxx had spoken to one of Smollett’s relatives after the alleged attack was reported and “acted as a go-between with Chicago police.”
Earlier on Wednesday, Fox issued a statement of support confirming Smollett would remain a part of “Empire” despite reports that the actor’s scenes in upcoming episodes were being slashed due to the uncertainties surrounding the case, including claims that the attack was a hoax.
WASHINGTON — The Trump administration is considering narrowly defining gender as a biological, immutable condition determined by genitalia at birth, the most drastic move yet in a governmentwide effort to roll back recognition and protections of transgender people under federal civil rights law.
A series of decisions by the Obama administration loosened the legal concept of gender in federal programs, including in education and health care, recognizing gender largely as an individual’s choice and not determined by the sex assigned at birth. The policy prompted fights over bathrooms, dormitories, single-sex programs and other arenas where gender was once seen as a simple concept. Conservatives, especially evangelical Christians, were incensed.
Now the Department of Health and Human Services is spearheading an effort to establish a legal definition of sex under Title IX, the federal civil rights law that bans gender discrimination in education programs that receive government financial assistance, according to a memo obtained by The New York Times.
The department argued in its memo that key government agencies needed to adopt an explicit and uniform definition of gender as determined “on a biological basis that is clear, grounded in science, objective and administrable.” The agency’s proposed definition would define sex as either male or female, unchangeable, and determined by the genitals that a person is born with, according to a draft reviewed by The Times. Any dispute about one’s sex would have to be clarified using genetic testing.
“Sex means a person’s status as male or female based on immutable biological traits identifiable by or before birth,” the department proposed in the memo, which was drafted and has been circulating since last spring. “The sex listed on a person’s birth certificate, as originally issued, shall constitute definitive proof of a person’s sex unless rebutted by reliable genetic evidence.”
The new definition would essentially eradicate federal recognition of the estimated 1.4 million Americans who have opted to recognize themselves — surgically or otherwise — as a gender other than the one they were born into.
“This takes a position that what the medical community understands about their patients — what people understand about themselves — is irrelevant because the government disagrees,” said Catherine E. Lhamon, who led the Education Department’s Office for Civil Rights in the Obama administration and helped write transgender guidance that is being undone.
The move would be the most significant of a series of maneuvers, large and small, to exclude the population from civil rights protections and roll back the Obama administration’s more fluid recognition of gender identity. The Trump administration has sought to bar transgender people from serving in the military and has legally challenged civil rights protections for the group embedded in the nation’s health care law.
MORE ON THIS STORY: https://apple.news/AApI1C7vASruuUKqJyd5nEA
For a long time, being online was where Aaron Philip felt most confident.
She began documenting her daily life on Tumblr when she was 11, writing about her love of anime and the experience of growing up in New York City with cerebral palsy. In those days, Aaron got online with a MacBook and a personal Wi-Fi hot spot at a homeless shelter in Manhattan, where she lived with her father after her medical bills became too expensive.
“I took to the internet to find community and build a space for myself where I could be loved and appreciated,” she said.
Despite her circumstances, Aaron projected a positive attitude online, once telling her followers: “Sometimes, it’s you who has to trigger your own happiness.”
Aaron, 17, now lives in an apartment in the Bronx. She doesn’t go anywhere without her iPad, which usually sits on a tray attached to her motorized wheelchair. She’s graduated from Tumblr to Twitter and Instagram, where she has become a champion of issues affecting gay, transgender and disabled youth.
Last fall, Aaron announced her ambition to become a model. “I bleached my hair, and I bought a new wardrobe with the intentions of going viral, which is crazy,” she said with a laugh.
Aaron’s confidence is no longer confined to the internet. To jump-start her modeling career, she used Instagram to send messages to fashion photographers and set up photo shoots, which landed her campaigns with brands such as ASOS and H&M. In July, she became the first black transgender model — and the first physically disabled model — to be signed to Elite Model Management.
The signing comes at a time when the fashion industry is starting to respond to decades of criticism for practices that made tall, thin, white women its standard for beauty.
Nearly 40 percent of the models at New York Fashion Week in February were models of color, up from 21 percent in 2015, according to an annual diversity report conducted by The Fashion Spot.
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Scarlett Johansson has dropped out Rub & Tug vacating the role of the role of kingpin Dante “Tex” Gill. Johansson’s involvement in the role was controversial because Gill, a real-life figure, was a transgender man, whereas Johansson is a cisgender woman.
Johansson had taken a huge amount of online criticism for initially taking the role, and things only got worse when Bustle reported that Johansson said in a statement from a representative, “Tell them they can be directed to Jeffrey Tambor, Jared Leto, and Felicity Huffman’s reps for comment.” Also, the film would have reteamed her with Rupert Sanders, who helmed Johansson’s other controversial film, the Hollywood adaptation of Ghost in the Shell, in which she plays the Major, who was originally Japanese character Major Motoko Kusanagi in the manga and anime adaptations. In this new statement, given to Out.com, Johansson states how she’s learned more about the lack of sensitivity held in her initial comments about her involvement in the film.
“In light of recent ethical questions raised surrounding my casting as Dante Tex Gill, I have decided to respectfully withdraw my participation in the project,” she states. “Our cultural understanding of transgender people continues to advance, and I’ve learned a lot from the community since making my first statement about my casting and realize it was insensitive. I have great admiration and love for the trans community and am grateful that the conversation regarding inclusivity continues.”
Johansson also brings up a GLAAD statistic that LGBTQ+ characters dropped 40 percent in 2017 with no representation for trans characters in a major studio film.
“While I would have loved the opportunity to bring Dante’s story and transition to life, I understand why many feel he should be portrayed by a transgender person, and I am thankful that this casting debate, albeit controversial, has sparked a larger conversation bout diversity and representation in film. I believe that all artists should be considered equally and fairly.” While Johansson might credit her debacle as advancing the conversation, Rub & Tug is only part of the larger conversation. FX’s Pose created by Ryan Murphy and renewed for a second season has made history each week thanks to its cast of transgender women of color, MJ Rodriguez, Dominque Jackson, Indya Moore, Hailie Sahar, and Angelica Ross. The show also has trans women behind the scenes, including Janet Mock, who recently made history as the first trans woman of color to write and direct a television show, musician Our Lady J, and dancer/choreographer Leoimy Maldonado.
Not only does Pose show that the talent is out there waiting to be discovered, but it also shows how, when people are allowed to be in charge of their own stories, an authenticity is added that only heightens the film or television show, making it better than it could have ever been if cast otherwise. Pose has great writing and great style, but it wouldn’t be what it is if it didn’t have the authentic voices of the women behind the scenes and in front of the camera, women who have lived through similar struggles as their characters.
In terms of Rub & Tug, Johansson wouldn’t have had any struggle to pull from; instead, she would have been using what is a reality for many people as an actor’s choice in the hopes of gaining recognition during awards season. If anyone should be getting recognized, it should be a trans actor who gets cast as Gill, a colorful and interesting figure in modern American history.