The Drama Of Trauma

Trauma — the damage done to a people through acts of violence, whether in a moment during a massacre or over a prolonged period of oppression — is a thread running through many of the international features competing in this year’s Oscar race: The raw horror of the 1995 Srebrenica genocide in Jasmila Zbanic’s Quo Vadis, Aida?, from Bosnia and Herzegovina; the all-but-forgotten 1962 Soviet state massacre of striking factory workers in Russia’s Dear Comrades!, from director Andrei Konchalovsky; the hidden horror, and thirst for revenge for unpunished atrocities, that seeps through Jayro Bustamante’s genre tale La Llorona, Guatemala’s official Oscar entry; Philippe Lacôte’s Night of the Kings for Ivory Coast that struggles to find meaning in the violent legacy of colonialism and more recent political upheavals through a combination of storytelling techniques both Western and traditional; and Kaouther Ben Hania’s The Man Who Sold His Skin, for Tunisia, which takes as its central theme the exploitation of Syrian refugees, even the exploitation of their trauma itself.

From left: Bosnia and Herzegovina’s Quo Vadis, Aida?, Russia’s Dear Comrades!, Ivory Coast’s Night of the Kings, Tunisia’s The Man Who Sold His Skin and Guatemala’s La Llorona.


It’s notable that this year’s International Feature Oscar shortlist does not include any films on the Holocaust, the central trauma of the 20th century. It’s a rare exception. The Nazi genocide of European Jews, or its traumatic aftermath, is the subject of such Oscar winners as Son of Saul (Hungary, 2015), Ida (Poland, 2014), The Counterfeiters (Austria, 2007) and Nowhere in Africa (Germany, 2002). Instead, this year’s contenders look at national stories that have been largely forgotten or passed over despite their very real and continuing impact on their people and societies left behind.


It was 25 years ago that Bosnian Serbs, led by Gen. Ratko Mladic, gathered up 8,000 Bosnian Muslim men and boys near the town of Srebrenica, bused them to killing sites, shot them and dumped the bodies into mass graves. U.N. peacekeeping troops did nothing. Zbanic, whose 2006 Oscar-nominated debut, Grbavica, examined the aftermath of the massacre — in particular the mass rape of Muslim women by Bosnian Serb soldiers — goes directly to the source with Quo Vadis, Aida? The film tracks the horrific events as seen through the eyes of a Bosnian translator (played by Serbian actress Jasna Djuricic), as she tries to push the U.N. commanders to intervene while racing against time to save her husband and two sons from the coming slaughter.
There have been endless hours of documentary and newsreel footage about Srebrenica. There has been a criminal trial of Mladic — who in 2017 was sentenced to life imprisonment for genocide and crimes against humanity— but Quo Vadis, Aida? has become the definitive film of this European tragedy.


The 1962 Novocherkassk massacre was not covered by CNN. The shootings of peaceful striking factory workers by the Soviet state police — estimates vary, but at least 26 protesters were killed and perhaps as many as 87 wounded — were wiped from Russia’s official history. The cover-up began immediately after the killings, when Moscow imposed a nationwide news blackout. The story remained hidden until 1992, after the collapse of the Soviet Union.
Konchalovsky reflects that sense of censored memory in Dear Comrades! by shooting his movie in the style of the elliptical, state-approved Soviet films of the period, complete with a tacked-on, deliberately hollow happy ending. Like Quo Vadis, Aida?, it tells its traumatic tale through the eyes of a determined, relentless woman: loyal Soviet apparatchik Lyudmila (Julia Vysotskaya), a faithful Stalinist who initially sees the strikers as traitors to the state, before the guns start firing.
In his Oscar contender, Guatemalan director Bustamante looks at the state massacre of ethnic Mayan civilians in the 1980s (also known as the Silent Holocaust) by reinterpreting the folktale of a vengeful spirit — The Weeping Woman, or La Llorona — into a cry for social justice. In the original tale, the ghost is the guilty one — a mother who drowns her two children and is cursed to walk the world mourning them.


Bustamante turns her into a vengeful spirit, haunting the guilty conscience of Enrique Monteverde (Julio Diaz), on trial for crimes of genocide committed against the Mayan peasants when he was president. Monteverde is a stand-in for real-life former dictator Efraín Ríos Montt, who was indicted for genocide but pardoned by Guatemala’s Constitutional Court. In La Llorona, unlike in real life, Mayan victims get to confront the general and bring him to task for his crimes against humanity. As with this year’s Russian and Bosnian entries, the heart of Guatemala’s Oscar hopeful is its strong women, foremost María Mercedes Coroy as the vengeful spirit and Sabrina De La Hoz as the aging general’s disenchanted daughter.
Men — a Syrian refugee and inmates of an Ivory Coast prison — are center stage in the two African contenders for best international feature. Both films — Ben Hania’s The Man Who Sold His Skin and Lacôte’s Night of the Kings — take a complex approach to telling stories of national trauma. Sam Ali (Yahya Mahayni) is a Syrian refugee living in Lebanon and desperate to travel to Europe to reunite with his lover, Abeer (Dea Liane). In desperation, he enters a Faustian pact: agreeing to let an artist use Sam’s back as a human canvas for an enormous tattoo of a Schengen visa, the document needed to gain entry into Europe. As an actual piece of art and a working commodity, Sam is free to travel across borders, something not possible for Sam the human being. Part political commentary, part moral satire on the art industry, The Man Who Sold His Skin is also a knowing critique of how stories of trauma — like this movie itself — themselves exploit the suffering of the people they depict.


Lacôte’s Night of the Kings is perhaps the most complex film on the Oscar shortlist. Set in Ivory Coast’s infamous La Maca prison, it is a modern-day One Thousand and One Nights. Like Scheherazade, a new prisoner called Roman (Bakary Koné) is tasked with inventing a tale that will keep his audience of fellow criminals captivated until the morning light or face execution. What follows is an intoxicating hybrid of storytelling styles, with Lacôte borrowing from Shakespeare and cinema — Fernando Meirelles’ Brazilian crime drama City of God is name-checked — and combining them with the oral tradition of the West African griot, in which history is told through narrative, music, poetry and dance. Roman’s story knits together the personal and the political. Lacôte at one point splices in clips of former Ivory Coast President Laurent Gbagbo, whose refusal to accept electoral defeat in 2011 plunged the country into violence.
What emerges is the narrative of a man and, by extension, a nation struggling to survive and to overcome the damage of the distant and recent past. As with all the tales of trauma on this year’s International Feature shortlist, the fight is as much about the story as about who gets to tell it. READ MORE: https://apple.news/ANBsEMcsvT4y9XQ795ZR2GA

Updated Oscar Projections As Wave of Top Contenders Are Released

THR’s awards columnist updates his projections.

Screen Shot 2018-10-21 at 7.42.47 PM

These projections reflect Scott Feinberg’s personal impressions (from screenings), publicly available information (release dates, genres, talent rosters and teasers/trailers often offer valuable clues), historical considerations (how other films with similar pedigrees have resonated), precursor awards (some awards groups have historically correlated with the Academy more than others) and consultations with industry insiders (including fellow members of the press, awards strategists, filmmakers and awards voters).

GLOSSARY The following abbreviations denote the film festival(s) at which a film has screened and/or will be screening: SUND=Sundance, SXSW=South by Southwest, TRIB=Tribeca, CANN=Cannes, VENI=Venice, TELL=Telluride, TIFF=Toronto, NYFF=New York, LOND=London and AFIF=AFI Fest.

Best Picture

FRONTRUNNERS

Roma (Netflix) VENI, TELL, TIFF, NYFF
A Star Is Born
(Warner Bros.) VENI, TIFF
The Favourite (Fox Searchlight) VENI, TELL, NYFF
Black Panther (Disney)
Green Book (Universal) TIFF
First Man (Universal) VENI, TELL, TIFF
BlacKkKlansman (Focus Features) CANN
Can You Ever Forgive Me? (Fox Searchlight) TELL, TIFF
Eighth Grade
(A24) SUND, SXSW
A Quiet Place (Paramount) SXSW

MAJOR THREATS

Cold War (Amazon) CANN, TELL, TIFF, NYFF
If Beale Street Could Talk (Annapurna) TIFF, NYFF
Crazy Rich Asians (Warner Bros.)
Ben is Back (Roadside Attractions) TIFF

POSSIBILITIES

Hereditary (A24) SUND, SXSW
Leave No Trace (Bleecker Street) SUND, CANN
Widows (Fox) TIFF, LOND
22 July (Netflix) VENI, TIFF

STILL TO COME

Mary Poppins Returns (Disney)
Mary Queen of Scots (Focus Features) AFIF
The Mule (Warner Bros.)
On the Basis of Sex (Focus Features) AFIF
Vice (Annapurna)

Best Director

FRONTRUNNERS

Alfonso Cuaron (Roma)
Bradley Cooper (A Star Is Born)
Yorgos Lanthimos (The Favourite)
Ryan Coogler (Black Panther)
Spike Lee (BlacKkKlansman)

MAJOR THREATS

Damien Chazelle (First Man) — podcast
Pawel Pawlikowski (Cold War)
Bo Burnham (Eighth Grade)
Peter Farrelly (Green Book)
Barry Jenkins (If Beale Street Could Talk) — podcast
Paul Greengrass (22 July)
Debra Granik (Leave No Trace)
John Krasinski (A Quiet Place)

POSSIBILITIES

Jon M. Chu (Crazy Rich Asians)
Marielle Heller (Can You Ever Forgive Me?)
Ari Aster (Hereditary)
Peter Hedges (Ben is Back)
Steve McQueen (Widows)
Boots Riley (Sorry to Bother You)
Julian Schnabel (At Eternity’s Gate)

STILL TO COME (alphabetical)

Clint Eastwood (The Mule)
Mimi Leder (On the Basis of Sex)
Rob Marshall (Mary Poppins Returns)
Adam McKay (Vice) — podcast
Josie Rourke (Mary Queen of Scots)

Best Actor

FRONTRUNNERS

Bradley Cooper (A Star Is Born)
Viggo Mortensen (Green Book) — podcast
Lucas Hedges (Ben is Back)
Ryan Gosling (First Man)
Hugh Jackman (The Front Runner)

MAJOR THREATS

Rami Malek (Bohemian Rhapsody) — podcast
John David Washington (BlacKkKlansman)
Steve Carell (Beautiful Boy)
Chadwick Boseman (Black Panther) — podcast
Ethan Hawke (First Reformed) — podcast
Willem Dafoe (At Eternity’s Gate) — podcast
John C. Reilly (The Sisters Brothers)

POSSIBILITIES

Robert Redford (The Old Man & the Gun)
Ben Foster (Leave No Trace)
John Krasinski (A Quiet Place)
Stephan James (If Beale Street Could Talk)
Lucas Hedges (Boy Erased)
Lakeith Stanfield (Sorry to Bother You)
Steve Coogan (Stan & Ollie)
John C. Reilly (Stan & Ollie)

STILL TO COME (alphabetical)

Christian Bale (Vice)
Clint Eastwood (The Mule)

Best Actress

FRONTRUNNERS

Glenn Close (The Wife) — podcast
Olivia Colman (The Favourite)
Lady Gaga (A Star Is Born)
Julia Roberts (Ben is Back)
Yalitza Aparicio (Roma)

MAJOR THREATS

Melissa McCarthy (Can You Ever Forgive Me?)
Kathryn Hahn (Private Life)
Toni Collette (Hereditary)
Viola Davis (Widows)
Nicole Kidman (Destroyer) — podcast
Joanna Kulig (Cold War)
Elsie Fisher (Eighth Grade)

POSSIBILITIES

KiKi Layne (If Beale Street Could Talk)
Charlize Theron (Tully)
Keira Knightley (Colette) — podcast
Rosamund Pike (A Private War) — podcast
Carey Mulligan (Wildlife)
Emily Blunt (A Quiet Place)
Maggie Gyllenhaal (The Kindergarten Teacher)
Emma Thompson (The Children Act)
Hilary Swank (What They Had)

STILL TO COME (alphabetical)

Emily Blunt (Mary Poppins Returns)
Felicity Jones (On the Basis of Sex)
Saoirse Ronan (Mary Queen of Scots) — podcast

Best Supporting Actor

FRONTRUNNERS

Richard E. Grant (Can You Ever Forgive Me?)
Mahershala Ali (Green Book) — podcast
Timothee Chalamet (Beautiful Boy) — podcast
Sam Elliott (A Star Is Born)
Nicholas Hoult (The Favourite)

MAJOR THREATS

Robert Forster (What They Had)
Michael B. Jordan (Black Panther) — podcast
Matthew McConaughey (White Boy Rick) — podcast
Paul Giamatti (Private Life)
Daniel Kaluuya (Widows)
Russell Crowe (Boy Erased)

POSSIBILITIES

Adam Driver (BlacKkKlansman) — podcast
Topher Grace (BlacKkKlansman)
Brian Tyree Henry (If Beale Street Could Talk) NEW
Jake Gyllenhaal (Wildlife) — podcast
Dominic West (Colette)
Alessandro Nivola (Disobedience)

STILL TO COME (alphabetical)

Steve Carell (Vice)
Armie Hammer (On the Basis of Sex)
Lin-Manuel Miranda (Mary Poppins Returns) — podcast
Mike Myers (Bohemian Rhapsody)
Sam Rockwell (Vice) — podcast
Justin Theroux (On the Basis of Sex)

Best Supporting Actress

FRONTRUNNERS

Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite) — podcast
Rachel Weisz (The Favourite)
Claire Foy (First Man) — podcast
Marina de Tavira (Roma)

MAJOR THREATS

Thomasin McKenzie (Leave No Trace)
Nicole Kidman (Boy Erased) — podcast
Elizabeth Debicki (Widows)
Natalie Portman (Vox Lux) — podcast
Kayli Carter (Private Life)
Rachel McAdams (Disobedience)

POSSIBILITIES

Michelle Yeoh (Crazy Rich Asians)
Vera Farmiga (The Front Runner)
Ann Dowd (Hereditary)
Angela Bassett (Black Panther)
Lupita Nyong’o (Black Panther)
Danai Gurira (Black Panther) — podcast

STILL TO COME (alphabetical)

Amy Adams (Vice)
Kathy Bates (On the Basis of Sex)
Emily Mortimer (Mary Poppins Returns)
Margot Robbie (Mary Queen of Scots) — podcast
Meryl Streep (Mary Poppins Returns)

Best Adapted Screenplay

FRONTRUNNERS

A Star Is Born (Bradley Cooper, Will Fetters, Eric Roth)
BlacKkKlansman (Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott)
Black Panther (Joe Robert Cole, Ryan Coogler)
First Man (Josh Singer)
Can You Ever Forgive Me? (Nicole Holofcener, Jeff Whitty)

MAJOR THREATS

If Beale Street Could Talk (Barry Jenkins)
Crazy Rich Asians (Peter Chiarelli, Adele Lim)
Leave No Trace (Debra Granik, Anne Rosellini)
Widows (Gillian Flynn, Steve McQueen)
22 July (Paul Greengrass)
The Wife (Jane Anderson)
The Sisters Brothers (Jacques Audiard, Thomas Bidegain)

POSSIBILITIES

Wildlife (Paul Dano, Zoe Kazan)
The Front Runner (Matt Bai, Jay Carson, Jason Reitman)
Beautiful Boy (Luke Davies, Felix Van Groeningen)
The Hate U Give (Audrey Wells)
Disobedience (Sebastian Lelio, Rebecca Lenkiewicz)
Boy Erased (Joel Edgerton)
A Private War (Arash Amel)

STILL TO COME

Mary Poppins Returns (John DeLuca, David Magee, Rob Marshall)
Mary Queen of Scots (Beau Willimon)

Best Original Screenplay

FRONTRUNNERS

The Favourite (Deborah Davis, Tony McNamara)
Roma (Alfonso Cuaron)
Green Book (Brian Hayes Currie, Peter Farrelly, Nick Vallelonga)
Eighth Grade
(Bo Burnham)
Private Life (Tamara Jenkins)

MAJOR THREATS

Ben is Back (Peter Hedges)
A Quiet Place
(Scott Beck, John Krasinski, Bryan Woods)
Cold War
(Piotr Borkowski, Janusz Glowacki, Pawel Pawlikowski)
First Reformed (Paul Schrader)
Hereditary (Ari Aster)
Sorry to Bother You (Boots Riley)
Mid90s (Jonah Hill) NEW
The Ballad of Buster Scruggs (Ethan Coen, Joel Coen)
What They Had (Elizabeth Chomko)

POSSIBILITIES

Isle of Dogs (Wes Anderson, Roman Coppola, Kunichi Nomura, Jason Schwartzman)
Capernaum (Jihad Hojeily, Michelle Keserwany, Nadine Labaki, Khaled Mouzanar)
Colette (Richard Glatzer, Rebecca Lenkiewicz, Wash Westmoreland)
Destroyer (Phil Hay, Matt Manfredi)
White Boy Rick (Logan Miller, Noah Miller, Andy Weiss)
Vox Lux (Brady Corbet)
Stan & Ollie (Jeff Pope)
At Eternity’s Gate (Julian Schnabel)

STILL TO COME

On the Basis of Sex (Daniel Stiepleman)
Vice (Adam McKay)

Best Animated Feature

FRONTRUNNERS

Incredibles 2 (Disney/Pixar)
Isle of Dogs (Fox Searchlight) BERL, SXSW
Ralph Breaks the Internet (Disney)
Mirai (GKIDS)
Ruben Brandt, Collector (Sony Classics) NEW

THE REST OF THE FIELD (alphabetical)

Early Man (Lionsgate/Aardman)
The Grinch (Universal/Illumination)
Hotel Transylvania 3: Summer Vacation (Sony Animation)
Lu Over the Wall (GKIDS)
Next Gen (Netflix)
Night is Short, Walk On Girl (GKIDS)
Sherlock Gnomes (Paramount)
Smallfoot (Warner Bros.)
Spider-Man: Into the Spider-Verse (Sony)
Teen Titans Go! To the Movies (Warner Bros.)

Best Documentary Feature

PROJECTED SHORTLIST

Free Solo (National Geographic) TELL, TIFF
Won’t You Be My Neighbor? (Focus Features) SUND, SXSW
RBG (Magnolia) SUND
Three Identical Strangers (Neon) SUND
Quincy (Netflix) TIFF
Science Fair (National Geographic) SUND, SXSW
Crime + Punishment (Hulu) SUND
Minding the Gap (Hulu/Magnolia) SUND
The Price of Everything (HBO) SUND
Filmworker (Kino Lorber) CANN [’17], NYFF [’17]
The Sentence (HBO) SUND
Studio 54 (Zeitgeist) SUND, TRIB
McQueen (Bleecker Street) TRIB
Dark Money (PBS) SUND
On Her Shoulders (Oscilloscope) SUND, SXSW

THE REST OF THE FIELD (alphabetical)

93Queen (Abramorama) NEW
306 Hollywood (El Tigre) SUND NEW
Always at the Carlyle
(Good Deed)
Believer (HBO)
BISBEE ’17 (4th Row Films) NEW
The Bleeding Edge (Netflix)
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Magnolia) TIFF [’17], NYFF [’17]
Chef Flynn (Kino Lorber) SUND
Divide and Conquer: The Story of Roger Ailes (Magnolia) TIFF
Eating Animals (Sundance Selects) TELL [’17]
Fahrenheit 11/9 (Briarcliff) TIFF
Far from the Tree (Sundance Selects)
Five Seasons: The Gardens of Piet Oudolf (Argot)
Generation Wealth (Amazon) SUND, BERL, SXSW
The Gospel According to André (Magnolia) TIFF [’17], TRIB
Grace Jones: Bloodlight and Bami (Kino Lorber) TIFF [’17]
Hal (Oscilloscope) SUND, TELL
Hale County This Morning, This Evening (Cinema Guild) SUND
The Heart of Nuba (Abramorama)
Hitler’s Hollywood (Kino Lorber) TELL [’17] NEW
In Search of Greatness (AOS)
Inventing Tomorrow (Fishbowl Films)
Itzhak (Greenwich Entertainment)
Jane Fonda in Five Acts (HBO) SUND
John McEnroe: In the Realm of Perfection (Oscilloscope)
The Judge (self distributed) TIFF
The King (Oscilloscope) CANN [’17], SUND
King in the Wilderness (HBO) SUND
Kusama: Infinity (Magnolia) SUND NEW
Leaning Into the Wind: Andy Goldsworthy (Magnolia)
Liyana (Abramorama) NEW
Love, Cecil (Zeitgeist) TELL [’17]
Love, Gilda (Magnolia) TRIB
Maria by Callas (Sony Classics) TIFF
Monrovia, Indiana (Zipporah) VENI, TIFF, NYFF
The Oslo Diaries (HBO) SUND
Pope Francis: A Man of His Word (Focus Features) CANN
The Price of Free (YouTube) SUN
Reversing Roe (Netflix) TELL, TIFF
Robin Williams: Come Inside My Mind (HBO) SUND
Ryuichi Sakamoto: Coda (MUBI) TRIB
Say Her Name: The Life And Death Of Sandra Bland (HBO)
Scotty and the Secret History of Hollywood (Greenwich Entertainment) TIFF [’17]
Shirkers (Netflix) SUND
They’ll Love Me When I’m Dead (Netflix) VENI, TELL
United Skates (HBO) TRIB NEW
Watergate — or, How We Learned to Stop An Out-of-Control President (History) TELL
What Haunts Us NEW
Whitney (Roadside Attractions) CANN [’17]

STILL SEEKING U.S. DISTRIBUTOR (alphabetical)

American Dharma VENI, TIFF, NYFF
Angels Are Made of Light TELL, TIFF, NYFF
Aquarela VENI, LOND
Be Natural: The Untold Story of Alice Guy-Blache CANN, TELL, NYFF, LOND
The Biggest Little Farm TELL, TIFF
The Dawn Wall SXSW NEW
The Dead and the Others [Brazil] CANN
The Elephant Queen TIFF
Fail State NEW
Ghost Fleet TELL
Graves Without a Name TELL, TIFF
The Great Buster: A Celebration VENI, TELL
Meeting Gorbachev TELL, TIFF
Mountain
People’s Republic of Desire SXSW NEW
Saving Brinton
Screwball TIFF
The Silence of Others BERL
What She Said: The Art of Pauline Kael TELL
Women Making Films: A New Road Movie Through Cinema VENI, TIFF

Best Foreign Language Film

PROJECTED SHORTLIST

Roma [Mexico] (Netflix) VENI, TELL, TIFF, NYFF
Cold War [Poland] (Amazon) CANN, TELL, TIFF, NYFF
Girl [Belgium] CANN, TELL, TIFF
Burning [South Korea] (Well Go USA) CANN, NYFF
Shoplifters [Japan] (Magnolia) CANN, TELL, TIFF, NYFF
Capernaum [Lebanon] (Sony Classics) CANN, TIFF
The Guilty [Denmark] (Magnolia) SUND
Birds of Passage [Colombia] (The Orchard) CANN, TELL, TIFF, LOND
Never Look Away [Germany] (Sony Classics) VENI, TIFF

OTHER OFFICIAL SUBMISSIONS (alphabetical)

10 Days Before the Wedding [Yemen] NEW
And Suddenly the Dawn [Chile]
Ayka [Kazakhstan] CANN NEW
The Angel [Argentina] CANN, TIFF
Beauty and the Dogs [Tunisia] CANN [’17], LOND [’17], AFIF [’17]
Border [Sweden] CANN, TELL, TIFF, NYFF
Buffalo Boys [Singapore]
Burnout [Morocco]
Cake [Pakistan]
The Cakemaker [Israel] LOND [’17]
Champions [Spain]
Cocote [Dominican Republic] TIFF [’17]
Crystal Swan [Belarus]
Dogman [Italy] CANN, TELL, TIFF, LOND
Donbass [Ukraine] CANN, TIFF
Eldorado [Switzerland] TELL
Eternity [Peru]
Euthanizer [Finland] TIFF [’17]
The Eighth Commissioner [Croatia]
The Family [Venezuela]
Family First [Canada] NEW
Ghost Hunting [Palestine] BERL [’17]
Graves Without a Name [Cambodia] VENI, TELL
The Great Buddha + [Taiwan] TIFF [’17]
The Great Mystical Circus [Brazil] CANN
Gutland [Luxembourg]
The Heiresses [Paraguay] BERL
Hidden Man [China] TIFF NEW
I Am Not a Witch
[United Kingdom]
I Do Not Care If We Go Down in History As Barbarians [Romania]
The Interpreter [Slovakia]
Iskra [Montenegro]
Ivan [Slovenia]
Jirga [Australia] TIFF NEW
The Journey [Iraq] TIFF [’17], LOND [’17]
Malila: The Farewell Flower [Thailand]
Marlina the Murderer in Four Acts [Indonesia] CANN [’17], TIFF [’17], AFIF [’17]
The Marriage [Kosovo]
Medea [Costa Rica]
Memoir of War [France]
Muralla [Bolivia]
Namme [Georgia]
Never Leave Me [Bosnia & Herzegovina]
Night Accident [Kyrgyzstan]
No Bed of Roses [Bangladesh]
No Date, No Signature [Iran] VENI [’17]
Offenders [Serbia]
Omnipresent [Bulgaria]
Operation Red Sea [Hong Kong]
Panchayat [Nepal]
Pilgrimage [Portugal]
Polyxeni [Greece]
The Resistance Banker [Netherlands]
The Road to Sunrise [Malawi] NEW
Rona Azim’s Mother [Afghanistan] NEW
Ruben Blades is Not My Name [Panama] SXSW
Sew the Winter to My Skin [South Africa] TIFF
Secret Ingredient [Macedonia]
Sergio and Sergei [Cuba] TIFF [’17]
Signal Rock [Philippines]
Sobibor [Russia] CANN
A Son of Man [Ecuador]
Spitak [Armenia] NEW
Sunset [Hungary] (Sony Classics) VENI, TIFF, LOND
Supa Modo
[Kenya] BERL
The Tailor [Vietnam]
Take It or Leave It [Estonia]
To Be Continued [Latvia]
A Twelve-Year Night [Uruguay] VENI
Until the End of Time [Algeria]
Village Rockstars [India] TIFF [’17]
The Waldheim Waltz [Austria] BERL, NYFF
The Wedding Ring [Niger] TIFF [’16]
What Will People Say [Norway] TIFF [’17], AFIF [’17]
The Wild Pear Tree [Turkey] CANN, TIFF
Winter Flies [Czech Republic] TIFF
Woman at War [Iceland] CANN, TIFF, LOND
Wonderful Losers: A Different World [Lithuania]
Yellow Is Forbidden [New Zealand] TRIB NEW
Yomeddine [Egypt] CANN

In a statement for People, Whitney Houston’s mother said that learning about the claims of her daughter’s abuse were “overwhelming and unfathomable.”

Screen Shot 2018-07-14 at 8.08.50 AMWhitney Houston’s mother says allegations that her superstar daughter and her son were molested by her niece are “unfathomable.”

In a statement to People magazine on behalf of herself and sister singer Dionne Warwick, Cissy Houston revealed they first learned of the claims two days before the documentary Whitney premiered in May.

In the film, Whitney Houston’s longtime assistant said the singer told her that cousin Dee Dee Warwick molested her as a child and Whitney’s oldest brother also made the same claim.

In the statement, Cissy Houston says Dee Dee Warwick may have had her “personal challenges,” but the idea that she would have molested her children is “overwhelming and unfathomable.”

Dee Dee Warwick died in 2008. Whitney Houston died in 2012.

Read More: https://www.hollywoodreporter.com/news/box-office-whitney-houston-fred-rogers-ruth-bader-ginsburg-fuel-documentary-boom-1125567

Bravo Greenlights 4-Part Special ‘Xscape: Still Kickin’ It’ (Working Title)

screensceneAs TV One preps its previously-announced unauthorized biopic on the group, Bravo Media has giving the greenlight to a four-part special “Xscape: Still Kickin’ It” (working title), chronicling the much-anticipated reunion of one of the most successful, chart topping, female R&B groups of all time. Coming this fall, the series will follow Xscape’s former members Kandi Burruss of Bravo’s “The Real Housewives of Atlanta,” Tameka “Tiny” Cottle and sisters LaTocha and Tamika Scott.

Xscape exploded onto the music scene in the 90’s and emerged as one of the most prolific girl groups of all time. The women had three consecutive Platinum albums, with six of their top-ten songs hitting the Billboard 100. However, fans were shocked at the group’s seemingly sudden split and have been persistently calling for a reunion ever since. With the upcoming 25-year-anniversary of Xscape’s first album release, the women have decided to reunite for this special milestone and most importantly as an ode to their loyal fans.

“We are so excited to team up with Bravo and give our fans an up-close-and-personal look into our lives as we get ready for Essence Fest!” says Xscape. “This process has been a whirlwind with so many ups and downs, but we are loving every minute of being back together, and cannot wait to share the love, laughs, and craziness with you all!”

Each episode will document the group as they attempt to heal past wounds and reconcile after nearly two decades apart, all in an effort to make beautiful music together culminating at Essence’s 2017 Festival.”Xscape: Still Kickin’ It” (wt) is produced for Bravo by Truly Original and Monami Entertainment. Steven Weinstock, Glenda Hersh, Lauren Eskelin, Lorraine Haughton-Lawson and Thomas Jaeger (Truly Original) and Mona Scott-Young and Stephanie Gayle (Monami Productions) serve as Executive Producers.

#1 ‘Les Misérables’ Now $58.6M Worldwide; #2 ‘The Hobbit’ Passes $523M Global Cume; #3 ‘Django Unchained’ Now $25M Domestic; Billy Crystal & Bette Midler Beat Tom Cruise

Working Title/Universal’s #1 Les Misérables has grossed $28.3M internationally.Combined with the North American 2-day total of $30.3M, the worldwide cume now is $58.6M. The film is playing in Australia, Hong Kong, Japan, Korea, Malaysia, Singapore and Spain so there are many overseas territories still to go. Australia opened Wednesday with $1.9M and set the record as the biggest opening day ever for a musical (45% bigger than the opening day of Mamma Mia!). It was also the biggest opening day for a Russell Crowe film and the biggest opening day for a Working Title production. As for #2, MGM/Warner Bros’ The Hobbit: An Unexpected Journey now has amassed a gargantuane $344M international and $179.7M domestic for a global cume of $523.7M. In the #3 slot, Quentin Tarantino’s controversial Django Unchained for The Weinstein Company has made $25M domestic in just two days. Sony is releasing it abroad. And rounding out the Top 5, Billy Crystal and Bette Midler in the Walden/Fox family fare Parental Guidance continue to beat Tom Cruise in the Paramount/Skydance actioner Jack Reacher. Go figure. Here’s how the rest of the holiday films are shaping up based on Wednesday estimates:

1. Les Misérables (Working Title/Universal) NEW [Runs 2,808]
Christmas Day $18.1M, Wednesday $12.2M (-32%), Cume $30.3M

2. The Hobbit: An Unexpected Journey (MGM/WB) Week 2 [Runs 4,100]
Christmas Day $11.3M, Wednesday $11.3M, Cume $168.3M

3. Django Unchained (Sony/Weinstein) NEW [Runs 3,010]
Christmas Day $15.0M, Wednesday $10.0M (-33%), Cume $25.0M

4. Parental Guidance (Walden/Fox) NEW [Runs 3,358]
Christmas Day $6.4M, Wednesday $4.2M (-32%), Cume $10.6M

5. Jack Reacher (Skydance/Paramount) Week 1 [Runs 3,352]
Christmas  Day $5.3M, Wednesday $3.8M, Cume $27.1M

6. This Is 40 (Universal) Week 1 [Runs 2,913]
Christmas Day $4.4M, Wednesday $3.3M, Cume $20.8M

7. Lincoln (DreamWorks/Fox/Disney) Week 7 [Runs 1,966]
Christmas Day $2.3M, Wednesday $2.1M, Cume $122.4M

8. The Guilt Trip (Skydance/Paramount) Week 1 [Runs 2,431]
Christmas Day $2.6M, Wednesday $1.6M, Cume $12.6M

9. Monsters Inc 3D (Pixar/Disney) Week 1 [Runs 2,618]
Christmas Day $1.4M, Wednesday $1.6M, Cume $10.1M

10. Rise Of The Guardians (DWA/Par) Week 5 [Runs 3,031]
Christmas Day $1.2M, Wednesday $1.4M, Cume $83.8M

The Breakout Performances Of 2012

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One of the great thrills of being a movie fan is discovery. In a few weeks, we’ll be rolling out our lists of the films we’re looking forward to in 2013, many of which come from established names. And yet invariably, many of the best movies that will surprise us over the next twelve months will be ones that are, as yet, barely on our radar, from directors with no track record, and featuring actors who you wouldn’t have been able to pick from a line up a few months earlier. And the same has certainly proven true this year, with all kinds of previously unknown talent emerging across the course of 2012. Some turned up in tiny indies, some in giant studio pictures, but as ever, nothing quite manages to make us as confident in cinema’s future as the stream of bright new actors and actresses who make their way onto screens each year. As part of our continuing year-end coverage (catch up on it here), we’ve picked out our favorite breakout performances in 2012. Check out our list below, and let us know your own favorite surprise performances of the year in the comments section. For all The Playlist’s year-end coverage make sure to follow all our Best Of 2012 features.

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ROLES OF A LIFETIME

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It’s 10 in the morning, and already Halle Berry is being chased, though a better word for what’s going on might be “hunted.” Considering this, the Oscar-winning actress — one of the stars of the film “Cloud Atlas” — makes her way into the lounge of the Four Seasons Hotel as if emerging from savasana at the end of a two-hour yoga class. Her smile appears warm, her outfit (perfectly ripped jeans and a T-shirt) unremarkable. Her hair — back to the short cut she has favored over the years, that only a woman this beautiful could pull off with such success — looks great though un-fussed-over, as does the rest of her, never mind that she just celebrated her 46th birthday. She doesn’t carry herself like a woman under siege. “They’re outside my house every morning,” she says. We’re speaking of the paparazzi, of course. Even here in L.A. — a town not short on movie stars — Halle Berry gets special attention from the press. Not the good kind. “I get it about the celebrity stuff,” she tells me softly, sliding into her seat. “It’s part of my job to recognize that there’s a certain part of my life the public wants to hear about. But it’s not O.K. that they’re doing terrible things to my daughter. One night, after they chased us, it took me two hours just to get her calmed down enough to get to sleep.”

READ MORE: http://tmagazine.blogs.nytimes.com/2012/10/18/roles-of-a-lifetime-halle-berry/?ref=culture