Tag: entertainment

Review: New doc shows how Beyoncé changed Coachella, forever

Beyoncé is extremely private, and only lets you know what she wants you to know, when she wants you to know it — typically, in a surprise post be it on her website or Instagram.
But throughout the years, she’s slightly cracked open her door to reveal parts of her life and personality — apart from what she gives through strong singing and extraordinary dance moves — to help remind us that though she is epic and flawless, she is still mortal.
“HOMECOMING: A film by Beyoncé,” which premiered Wednesday on Netflix, captures the human side of the superstar singer with behind-the-scenes, intimate moments of a mother, wife and artist tirelessly working on what’s already become one of most iconic musical performances of all-time: Beyoncé’s headlining show at the 2018 Coachella Valley Music and Arts Festival.
The performance marked the first time a black woman headlined the famed festival and made Beyoncé just the third woman to score the gig, behind Bjork and Lady Gaga. Beyoncé took on the role seriously — as she does all live performances — giving the audience a rousing, terrific and new show highlighted by a full marching band, majorette dancers, steppers and more that is the norm at historically black colleges and universities (HBCUs).
The film takes it a step further to showcase what was happening to get to the historic moment: you see a mother bouncing back from giving birth to twins via an emergency C-section; an African American woman embracing her family’s history and paying tribute to black college culture and honoring black art; and the world’s No. 1 pop star defying the odds yet again and pushing herself to new heights, creating an even wider space between herself and whoever is No. 2.
Simply put, Beyoncé changed Coachella — forever — and performing after her is like trying to out-ace Serena Williams or dunk better than Michael Jordan: You won’t win.
Woven into the film are audio soundbites from popular figures to help narrate the story: Nina Simone speaks about blackness, Maya Angelou talks about truth, and Tessa Thompson and Danai Gurira explain the importance of seeing people who look like you on large screens.
Beyoncé speaks, too, saying that she dreamed of attending an HBCU, though she explains: “My college was Destiny’s Child.”
She also says the importance of her Coachella performance was to bring “our culture to Coachella” and highlight “everyone that had never seen themselves represented.”


So many people were represented during those performances last April — her stage was packed with about 200 performers, from dancers to singers to band and orchestra players. Beyoncé kicked of the performance dressed like an African queen, walking up the stage as the jazzy, soulful big band sound of New Orleans is played. After letting her dancers and backing band shine, she emerges again, this time dressed down — like a studious, eager, hopeful college student.
The musical direction and song selection flows effortlessly and was purposely crafted to tell a story: the first song is 2003’s “Crazy In Love,” a massively successful No. 1 hit and her first apart from Destiny’s Child. It also was Beyoncé’s first of many collaborations with Jay-Z. But then comes “Freedom,” representing the Beyoncé of today, unconcerned with having a radio or streaming hit, but more focused on the art, and the message.
And her message was loud and clear on “HOMECOMING”: Her performance is a homage to the culturally rich homecoming events held annually at HBCUs, but also showcases Beyoncé’s own homecoming — her return to her roots, and how she’s found a new voice by reinterpreting her music through the lens of black history.
Young, gifted and black, indeed.

“HOMECOMING: A film by Beyoncé,” a Netflix release, is rated TV-MA. Running time: 137 minutes. Four stars out of four.

Game of Thrones Writer Reveals List of Must-Watch (or Re-Watch) Episodes Before Season 8

With the season eight premiere of Game of Thrones looming, you’re probably trying to determine your best approach for briefing yourself before winter officially comes. Well, you can stop spinning in circles over your too-little-time conundrum — Game of Thrones writer Bryan Cogman just revealed the must-watch episodes from seasons one through seven. You can forget about any other rewatch guides you may have seen floating around the internet because Cogman clearly knows his stuff. In fact, he’s the only GoT writer (along with showrunners David Benioff and Dan Weiss) who’s been with the hit HBO show from the beginning.

If you haven’t watched a single episode of GoT yet, suffice it to say there are spoilers ahead. See also: Better clear your calendar for the next two weeks. You’ve got some catching up to do.

Not surprisingly, the first two episodes of the very first season top Cogman’s list. Citing “Winter Is Coming” and “The Kingsroad,” Cogman told Entertainment Weekly, “Let’s start the rewatch with a double feature, shall we? Taken together, these two episodes serve as a mega-pilot as so much of Episode 1 is devoted to simply meeting with various characters and understanding the world of the show.” It’s the second episode, explains Cogman, that gets you invested in those characters. “Episode 2 really makes you care. I remember watching a rough cut of the opening sequence (in which Jon bids farewell to his family and heads for the Wall) on my laptop in Belfast and thinking: This works! We have a show!” Cogman said, pointing out another episode-two perk, “Oh, and Episode 2 is the one where Tyrion slaps Joffrey (not for the last time).

That’ll get you started, sure. But your homework is far from finished. Cogman recommends chasing the first two episodes of the fantasy drama with the following:

Season One

Episode nine: “Baelor”
Episode ten: “Fire and Blood”

Season Two

Episode three: “What Is Dead May Never Die”
Episode six: “The Old Gods and the New”
Episode nine: “Blackwater”

Season Three

Episode three: “Walk of Punishment”
Episode four: “And Now His Watch Is Ended”
Episode five: “Kissed By Fire”
Episode nine: “The Rains of Castamere”

Season Four

Episode six: “The Laws of Gods and Men”
Episode eight: “The Mountain and the Viper”
Episode ten: “The Children”

Season Five

Episode eight: “Hardhome”

Season Six

Episode five: “The Door”
Episode nine: “Battle of the Bastards”
Episode ten: “The Winds of Winter”

Season Seven

Episode three: “The Queen’s Justice”
Episode four: “The Spoils of War”
Episode seven: “The Dragon and the Wolf”

Dying to know why Cogman considers these episodes required watching? You can read his full thoughts here. And, hopefully, you’ll have your bearings about you by the time Game of Thrones returns for its final season on Sunday, April 14.

Lonzo Ball Flops and Jayson Tatum Shows Out in Amiri | Tunnel Takedown

On the latest “Tunnel Takedown,” hosts Racks Hogan, Kalysse Anthony and Mouse Jones put Jayson Tatum and Chris Paul head-to-head for the week’s best. Then, Stylist and correspondent Derek Roche does a deep dive on the ongoing luxury sneaker trend. Plus, Lonzo Ball gets roasted and we break down how to get Jeff Green’s extremely expensive look for less. COP THE FIT Air Jordan 1 “Travis Scott”: https://fave.co/2F8jRZM Air Jordan 1 “Turbo Green”: http://bit.ly/2u6IGia Amiri Ombre Plaid Flannel Long-Sleeve Shirt: http://bit.ly/2T89KHY ASOS DESIGN Two-Piece Oversized Velour T-shirt: https://fave.co/2u6fUhQ ASOS DESIGN Mini Fisherman Black Beanie: https://fave.co/2F9eSbc Balenciaga Black Race Runner Sneakers: https://fave.co/2VQON6a Champion Reverse Weave Pullover Hoodie: https://fave.co/2W2jTYR Converse Off-White Chuck 70 Low Sneakers: https://fave.co/2u2pMcx Levi 512™ Slim Taper Fit Stretch Jeans: https://fave.co/2F9aety Saint Laurent Pink Rive Gauche Logo T-Shirt: https://fave.co/2HvjiKX Saint Laurent Red Wool Teddy Bomber Jacket: https://fave.co/2HtqQxT Subscribe to Complex on YouTube: https://goo.gl/43ac5w Check out more of Complex here: http://www.complex.comhttps://twitter.com/Complexhttps://www.facebook.com/complexhttp://instagram.com/complexhttps://plus.google.com/+complex/ COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.

25th Annual SAG Award Nominees

MOTION PICTURE

Outstanding Performance by a Cast in a Motion Picture

  • “A Star Is Born”
  • “Black Panther”
  • “BlacKkKlansman”
  • “Bohemian Rhapsody”
  • “Crazy Rich Asians”

Outstanding Performance by a Female Actor in a Leading Role

  • Emily Blunt, “Mary Poppins Returns”
  • Glenn Close, “The Wife”
  • Olivia Colman, “The Favourite”
  • Lady Gaga, “A Star Is Born”
  • Melissa McCarthy, “Can You Ever Forgive Me?”
https://www.tntdrama.com/shows/sag-awards/clips/25th-annual-sag-awards-nominations-ceremony

Outstanding Performance by a Male Actor in a Leading Role

  • Christian Bale, “Vice”
  • Bradley Cooper, “A Star Is Born”
  • Rami Malek, “Bohemian Rhapsody”
  • Viggo Mortensen, “Green Book”
  • John David Washington, “BlacKkKlansman”

Outstanding Performance by a Female Actor in a Supporting Role

  • Amy Adams, “Vice”
  • Emily Blunt, “A Quiet Place”
  • Margot Robbie, “Mary Queen of Scots”
  • Emma Stone, “The Favourite”
  • Rachel Weisz, “The Favourite”

Outstanding Performance by a Male Actor in a Supporting Role

  • Mahershala Ali, “Green Book”
  • Timothee Chalamet, “Beautiful Boy”
  • Adam Driver, “BlacKkKlansman”
  • Sam Elliott, “A Star Is Born”
  • Richard E. Grant, “Can You Ever Forgive Me?”

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series

  • “The Americans”
  • “Better Call Saul”
  • “The Handmaid’s Tale”
  • “Ozark”
  • “This Is Us”

Outstanding Ensemble in a Comedy Series 

  • “Atlanta”
  • “Barry”
  • “GLOW”
  • “The Kominsky Method”
  • “The Marvelous Mrs. Maisel”

Outstanding Performance by a Female Actor in a Television Movie or Limited Series 

  • Amy Adams, “Sharp Objects”
  • Patricia Arquette, “Escape at Dannemora”
  • Patricia Clarkson, “Sharp Objects”
  • Penelope Cruz, “Assassination of Gianni Versace”
  • Emma Stone, “Maniac”

Outstanding Performance by a Male Actor in a Television Movie or Limited Series

  • Antonio Banderas, “Genius: Picasso”
  • Darren Criss, “Assassination of Gianni Versace”
  • Hugh Grant, “A Very English Scandal”
  • Anthony Hopkins, “King Lear”
  • Bill Pullman, “The Sinner” 

Outstanding Performance by a Female Actor in a Drama Series

  • Julia Garner, “Ozark”
  • Laura Linney, “Ozark”
  • Elisabeth Moss, “The Handmaid’s Tale”
  • Sandra Oh, “Killing Eve”
  • Robin Wright, “House of Cards”

Outstanding Performance by a Male Actor in a Drama Series

  • Jason Bateman, “Ozark”
  • Sterling K. Brown, “This Is Us”
  • Joseph Fiennes, “The Handmaid’s Tale”
  • John Krasinski, “Tom Clancy’s Jack Ryan”
  • Bob Odenkirk, “Better Call Saul”

Outstanding Performance by a Female Actor in a Comedy Series

  • Alex Borstein, “The Marvelous Mrs. Maisel”
  • Alison Brie, “GLOW”
  • Rachel Brosnahan, “The Marvelous Mrs. Maisel”
  • Jane Fonda, “Grace and Frankie”
  • Lily Tomlin, “Grace and Frankie”

Outstanding Performance by a Male Actor in a Comedy Series

  • Alan Arkin, “The Kominsky Method”
  • Michael Douglas, “The Kominsky Method”
  • Bill Hader, “Barry”
  • Henry Winkler, “Barry”

STUNT

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

  • “Ant-Man and the Wasp”
  • “Avengers: Infinity War”
  • “The Ballad of Buster Scruggs”
  • “Black Panther”
  • “Mission: Impossible – Fallout”

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama

  • “Glow”
  • “Marvel’s: Daredevil”
  • “Tom Clancy’s Jack Ryan”
  • “The Walking Dead”
  • “Westworld”

Oscars: ‘Roma,’ ‘Favourite’ Top Nominations With 10 Apiece

The 91st Annual Academy Awards will air Feb. 24 on ABC.

The Academy unveiled its 2019 Oscar nominations early Tuesday morning, with The Favourite and Roma leading all films with 10 nods apiece. Both movies are nominated for best picture for the 91st Oscars alongside BlacKkKlansman, Black Panther, Bohemian Rhapsody, Green Book, A Star Is Born and Vice.

A Star Is Born and Vice also were dominant in the 2019 Oscar nominations, earning eight apiece, followed by Black Panther with seven, BlacKkKlansman with six and Bohemian Rhapsody and Green Book with five each. Meanwhile, in the directing category, Spike Lee earned his first-ever best directing Oscar nom for BlacKkKlansman, while A Star Is Born director Bradley Cooper was among the snubs, though he did earn a best acting nomination. Lee will vie with Alfonso Cuaron (Roma), Yorgos Lanthimos (The Favourite), Adam McKay (Vice) and Pawel Pawlikowski (Cold War) for the honor of best director at the 2019 Oscars.

The Oscar nominations announcement took place at the Academy’s Samuel Goldwyn Theater, with Kumail Nanjiani and Tracee Ellis Ross hosting. The 91st annual Academy Awards will be presented once again at the Dolby Theatre at Hollywood & Highland Center in Hollywood. The show will air live Sunday, Feb. 24, on ABC.

A full list of nominees follows. Keep up with all the latest news and analysis leading up to the 91st annual Academy Awards here.

Black Panther (Kevin Feige, Producer)
BlacKkKlansman (Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers)
Bohemian Rhapsody (Graham King, Producer)
The Favourite (Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers)
Green Book (Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers)
Roma (Gabriela Rodriguez and Alfonso Cuaron, Producers)
A Star Is Born (Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers)
Vice (Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers)

Alfonso Cuaron (Roma)
Yorgos Lanthimos (The Favourite)
Spike Lee (BlacKkKlansman)
Adam McKay (Vice)
Pawel Pawlikowski (Cold War
Yalitza Aparicio (Roma)
Glenn Close (The Wife)
Olivia Colman (The Favourite)
Lady Gaga (A Star Is Born)
Melissa McCarthy (Can You Ever Forgive Me?
Christian Bale (Vice)
Bradley Cooper (A Star Is Born)
Willem Dafoe (At Eternity’s Gate)
Rami Malek (Bohemian Rhapsody)
Viggo Mortensen (Green Book
Amy Adams (Vice)
Marina de Tavira (Roma)
Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite)
Rachel Weisz (The Favourite
Mahershala Ali (Green Book)
Adam Driver (BlacKkKlansman)
Sam Elliott (A Star Is Born)
Richard E. Grant (Can You Ever Forgive Me?)
Sam Rockwell (Vice)
A Star Is Born (Eric Roth, Will Fetters & Bradley Cooper)
The Ballad of Buster Scruggs (Joel Coen & Ethan Coen)
BlacKkKlansman (Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee)
If Beale Street Could Talk (Barry Jenkins)
Can You Ever Forgive Me? (Nicole Holofcener and Jeff Whitty
Border (Goran Lundstrom and Pamela Goldammer)
Mary Queen of Scots (Jenny Shircore, Marc Pilcher and Jessica Brooks)
Vice (Greg Cannom, Kate Biscoe and Patricia DeHaney
The Ballad of Buster Scruggs (Mary Zophres)
Black Panther (Ruth E. Carter)
The Favourite (Sandy Powell)
Mary Poppins Returns (Sandy Powell)
Mary Queen of Scots (Alexandra Byrne)
The Favourite (Robbie Ryan)
Never Look Away (Caleb Deschanel)
Roma (Alfonso Cuaron)
A Star Is Born (Matty Libatique)
Cold War (Lukasz Zal)
“All the Stars” (Black Panther)
Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith)
Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
“I’ll Fight” (RBG)
Music and Lyric by Diane Warren
“The Place Where Lost Things Go” (Mary Poppins Returns)
Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
“Shallow” (A Star Is Born)
Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
“When a Cowboy Trades His Spurs for Wings” (The Ballad of Buster Scruggs)
Music and Lyric by David Rawlings and Gillian Welch
Black Panther (Ludwig Goransson)
BlacKkKlansman (Terence Blanchard)
If Beale Street Could Talk (Nicholas Britell)
Isle of Dogs (Alexandre Desplat)
Mary Poppins Returns (Marc Shaiman)
Free Solo (Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill)
Hale County This Morning, This Evening (RaMell Ross, Joslyn Barnes and Su Kim)
Minding the Gap (Bing Liu and Diane Quon)
Of Fathers and Sons (Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert)
RBG (Betsy West and Julie Cohen)
Incredibles 2 (Brad Bird, John Walker and Nicole Paradis Grindle)
Isle of Dogs (Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson)
Mirai (Mamoru Hosoda and Yuichiro Saito)
Ralph Breaks the Internet (Rich Moore, Phil Johnston and Clark Spencer)
Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller)
Capernaum (Lebanon)
Cold War (Poland)
Never Look Away (Germany)
Roma (Mexico)
Shoplifters (Japan)
Black Panther (Steve Boeddeker, Brandon Proctor and Peter Devlin)
Bohemian Rhapsody (Paul Massey, Tim Cavagin and John Casali)
First Man (Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis)
Roma (Skip Lievsay, Craig Henighan and Jose Antonio Garcia)
A Star Is Born (Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow)
Black Panther (Hannah Beachler and Jay Hart)
The Favourite (Fiona Crombie and Alice Felton)
First Man (Nathan Crowley and Kathy Lucas)
Mary Poppins Returns (John Myhre and Gordon Sim)
Roma (Eugenio Caballero and Barbara Enriquez)
Avengers: Infinity War (Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick)
Christopher Robin (Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould)
First Man (Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm)
Ready Player One (Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk)
Solo: A Star Wars Story (Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy)
BlacKkKlansman (Barry Alexander Brown)
Bohemian Rhapsody (John Ottman)
The Favourite (Yorgos Mavropsaridis)
Green Book (Patrick J. Don Vito)
Vice (Hank Corwin)
Animal Behaviour (Alison Snowden and David Fine)
Bao (Domee Shi and Becky Neiman-Cobb)
Late Afternoon (Louise Bagnall and Nuria González Blanco)
One Small Step (Andrew Chesworth and Bobby Pontillas)
Weekends (Trevor Jimenez)
BlacKkKlansman (Barry Alexander Brown)
Bohemian Rhapsody (John Ottman)
The Favourite (Yorgos Mavropsaridis)
Green Book (Patrick J. Don Vito)
Vice (Hank Corwin)
Animal Behaviour (Alison Snowden and David Fine)
Bao (Domee Shi and Becky Neiman-Cobb)
Late Afternoon (Louise Bagnall and Nuria González Blanco)
One Small Step (Andrew Chesworth and Bobby Pontillas)
Weekends (Trevor Jimenez)
Detainment  (Vincent Lambe and Darren Maho)
Fauve (Jeremy Comte and Maria Gracia Turgeon)
Marguerite (Marianne Farley and Marie-Helene Panisset)
Mother (Rodrigo Sorogoyen and María del Puy Alvarado)
Skin (Guy Nattiv and Jaime Ray Newman)
Black Sheep (Ed Perkins and Jonathan Chinn)
End Game (Rob Epstein and Jeffrey Friedman)
Lifeboat (Skye Fitzgerald and Bryn Mooser)
A Night at the Garden (Marshall Curry)
Period. End of Sentence. (Rayka Zehtabchi and Melissa Berton)

MORE:https://www.hollywoodreporter.com/lists/oscar-nominations-2019-complete-list-nominees-1172407/item/best-picture-1172473

An Interview With the Stars of If Beale Street Could Talk

Stephan James and KiKi Layne play Fonny and Tish, two young lovers torn apart by Fonny’s false arrest, just as Tish finds out she’s pregnant. The film jumps through narratives, and we watch their love bloom at the same time we watch Tish’s family come together to face the terrible odds of getting Fonny free.

Nothing in If Beale Street Could Talk is new. Black love isn’t new. White cops wielding their power against marginalized populations isn’t new. Finding strength in vulnerability isn’t new. The many injustices of our justice system aren’t new. James Baldwin published If Beale Street Could Talk in 1974, and yet the combination of all these experiences—the love and the pain—manages to feel new in the hands of Moonlight director Barry Jenkins.

This isn’t James’s first time in a film that deals with such powerful themes. At 25, he’s already played icons Jesse Owens and John Lewis. But this is Layne’s first feature film, and next year she’ll be starring in another adaptation of a seminal work, Richard Wright’s Native Son. The two spoke about the beauty and urgency of Baldwin’s work, how Jenkins translated that to film, and how unfortunately timely and rare the film’s message is.

GQ: Before this, what was your relationship to James Baldwin’s work?

Stephan James: I had read The Fire Next Time a long time ago. I think I was more familiar with James as an activist, as a poet, but not necessarily his writing work. After I read the Beale Street screenplay for the first time, I went back and read the novel.

KiKi Layne: I hadn’t read any of his novels prior to this. I had just been familiar with all the different interviews and speeches he’d given. Beale Street was the first novel that I actually read, and I read it in preparation for my chemistry read. Since then I’ve read so much more. I mean, he’s definitely one of those authors you read one thing, and then you read everything.

What drew you to this movie? Was it just Baldwin’s story?

Layne: I just love that [Tish is] so vulnerable, and just all this love that’s around her. I thought that was so beautiful, how much Tish and Fonny love each other. I just felt like I hadn’t seen love like that for black people, where like you see these two young black people who are soul mates. That really drew me in, but then at the same time, because it’s James Baldwin, the way that he writes and speaks about all of these different injustices, and how beautifully all of that is interwoven with this really lovely love story… It’s amazing to me, the ability to speak about these really painful things but then still be so uplifted and invested in their love. I don’t know, I just think it’s so powerful how Baldwin and Barry, bringing it to film, were able to communicate these two stories in a way.

James: It was, for me, the prospect of working with James Baldwin and with Barry Jenkins, you know, that marriage. The both of them remind me of each other in a way, where they have this beautiful way of describing love and having an abundance of love amidst tragedy, and do it in such a poetic way. So the prospect of working with them, of working with Regina [King, who plays Tish’s mother], it was on, and it was something that was so important, something that I felt was so timely. I looked at Fonny and the ordeal he was going through, and right before finding out about this script I had learned about the Kalief Browder story. For me it was this full-circle moment where I thought to myself, “Wow, James Baldwin had written these words in 1974, but they mean so much now. They probably mean even more now.” I took it on almost like a responsibility to be the vessel to tell this type of story.

The story is unfortunately resonant almost 50 years after it was written. Why do you think now was the right time to tell it again?

James: James Baldwin has a way of describing our struggle and what we have always resorted to [in order] to get through those moments. Love is the biggest thing, right? Love and hope is how we’ve made it through the most tumultuous times, specifically for the African-American experience. You look at a system that has been made to protect you but has failed us time and time again. You have young men who are really having their innocence taken away from them before they get to realize who they even are as people. To me, just that timeliness and timelessness of the story struck me as important.

Layne: I think with social media, people are more aware of these injustices and have more stories and personal experiences and images that are related to a lot of the issues that we’re dealing with in the film. I think that helps to make it more powerful in this time, where you’re watching Fonny and you’re not just thinking about Fonny. You have all of these other images and men and stories that you could think about that are similar to what he is experiencing in the film. I think that’s what makes it really powerful this time, because I think it can be a lot more personal for many more audience members.

Next Gen Talent 2018: Hollywood’s Rising Young Stars Revealed

Screen Shot 2018-11-10 at 10.53.52 PM

Meet the 20 up-and-comers — from ‘Black Panther’ star Letitia Wright and ‘Sharp Objects’ standout Eliza Scanlen — whom everyone in the industry is clamoring to work with.

From Killing Eve star Jodie Comer to Sharp Objects breakout Eliza Scalen, this year’s crop of Next Gen talent offers a snapshot of Hollywood’s most promising young actors. With seemingly more paths than ever to become the next Jennifer Lawrence (think Noah Centineo and Lana Condor’s rapid rise to fame in Netflix sensation To All the Boys I’ve Loved Before and former child actor Nicholas Braun’s windy journey to critical acclaim in HBO’s Succession), these 20 rising stars are among the blockbuster breakouts and small-screen discoveries who are shaking up the industry.

READ MORE: https://apple.news/A_JmZRuCaTqSUcRr5W0Fz5w