Nostalgia is always in style. Take it from Daniel Lee, the Creative Director of Bottega Veneta, who has implored sentimentality in his most recent media rollout for the brand. Records, songs, and books have been common mediums for its audience to experience culture through an artistic lens. Now, the Italian luxury fashion house is exploring an alternative way to engage with their audiences with a new zine. For the uninitiated, a zine is akin to a digital journal. Think of it as an online diary, but featuring some of your favorite celebrities and artists. Launching today, Issue 01 features collaborators ranging from Missy Elliott and Tyler Mitchell to Barbara Hulanicki and Tyrone Lebon. The digital journal captures the stylish and innovative universe of Bottega Veneta and will publish four times a year to coincide with the launch of in-store collections. The first issue will reflect the vibe of Salon 01 and hone in on domesticity.
Quavo believes he can show the president a thing or two.
On Monday night, Donald Trump hosted a celebratory dinner in honor of the Clemson Tigers‘ national championship win over the Alabama Crimson Tide. Many assumed POTUS—who is known for his extravagent tastes—would pull out all the stops and treat the Tigers to a top-tier dinning experience. Instead, Trump presented them with a large buffet of McDonald’s, Wendy’s, Domino’s, and Burger King fare. Yup, the president welcomed these elite athletes to the State Dinning Room and served them cheap hamburgers, fries, and pizza.
Quavo wasn’t impressed.
On Tuesday, the Migos member sent out a tweet shading the president’s dinner choice. He also invited the Clemson football team to the Quality Control headquarters so he can show them, and the president, “how champs are supposed to be treated.”
We’ll see if the Tigers accept Quavo’s invitation.
Though Monday night’s dinner was far from traditional, Trump claimed it consisted of the team’s “favorite food.” The White House also suggested that the food choice was a result of the ongoing government shutdown, as White House staffers, like executive chef, are on furlough.
She’s been making ahead-of-the-curve music and mind-bending videos for 20 years—and that’s no fluke. Rachel Kaadzi Ghansah goes behind the curtain with the ultraprivate creative genius.
This article appears in the June 2017 issue of ELLE, on newsstands now.
At the photo shoot, the accoutrements of being her precede her. A tray of acrylic nails and an almost-empty bottle of professional-grade nail polish remover are carried by Bernadette Thompson, the Takashi Murakami of manicurists. A tall, strong-looking man walks around distractedly, wheeling a Louis Vuitton duffel bag that is smaller than his forearm; from time to time, he spins it in a wide circle out of boredom. Jewels—gold chokers, hoop earrings, and rings in a velvet-lined box—are attended to by a thin young man wearing a black Balenciaga fitted cap and high-top Nikes. There’s a bottle of jewelry cleaner harnessed to his chest and a chain of styling clips attached to his hoodie strings; he looks listless, like he has given his body over to the task. On the table, someone has set down two Kangol hats, one tan, one black: fuzzy, wearable homages to the golden era of hip-hop. They sit there like low-key crowns.
She’s a billionaire business mogul. He’s the most electric rapper in the game. How did they come together? How do they make it work? And can they survive the Kardashian Curse? Mark Anthony Green sits down with the world’s most powerhouse power couple.
New Video: The Dream “Wake Me When It’s Over”
He survived the crumble of Roc-A-Fella with a successful solo career intact, established his own brand name, and gained the respect of fans from around the world. There isn’t a thing you can tell Freeway about hard work. The Philadelphia native is on the verge of releasing his fourth solo album, Diamond In The Ruff , slated for a Nov. 27 release date. Thought most of his State Property brethren have fallen by the wayside, Free has kept his name hot through independent projects and mixtapes. Earlier this month, the bearded MC released a full length tape, Freedom of Speech, in conjunction with clothing company Rocksmith and online retailer Karmaloop. With just a few weeks before the album impacts retailers, VIBE sat down with the lone ranger to discuss his new music, working with Just Blaze again, State Property, meeting Nas after he dissed him, and more.
VIBE: What was your mindset like going into this joint? I know you were working on several mixtape at the same damn time.
Freeway: Yeah, I did so many. I’m always working, so I would do a record and put it to the side for the album, and that’s how I’ve been working. I got a chance to work with Just Blaze again. We got a record on the album called “Early.” I got three records from Jake One. You know we got crazy chemistry.
What other producers did you snatch up?
I did three records with Bink, who helped me create history during the Roc days. A couple tracks from Needlz, a couple new producers, my man Mike Jerz, one of my in house producers.
You’ve done countless mixtapes and have multiple albums under your belt but did you touch on anything you’ve never rapped about before?
I might have touched on some of the subjects but it’s from a different perspective. I got this record called “The Thirst,” produced by Jake One, and the hook is like ‘We dying of thirst/trying to work.’ I think a lot of people can relate to it because there’s so many that feel stranded right now. They feel stuck. Honestly, you could have a billion dollars and still feel trapped, so that’s where I was at when I did this record. CONTINUE READING…