Category: Magazine

It’s more than a magazine it’s a lifestyle

Model: Christopher Kenji Photo by: Ron Fulcher Issue #24 SDM Magazine
Picture: Model Alazon Easter Issue #24 SDM Magazine
Pictured: Christopher Kenji, Gaby Mill, @elmasbusk2 Issue #24 SDM Magazine
Pictured: Yohawn Bynes, @elmabusk2 Issue #24 SDM Magazine
Pictured: Alazon Easter, Christopher Kenji Issue #24 SDM Magazine
Pictured: @malikxomar Issue #24 SDM Magazine

5 Hip-Hop Artists That Went Against Industry Norms to Achieve Success

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Hip-hop has never been about following rules. From the genre’s birth in the late ‘70s to today’s explosion of innovative pop-rap superstars, the music has always rewarded audacious creativity and outside-the-box thinking. While hip-hop has gone mainstream and become the world’s preeminent form of popular music, there are still artists working outside of industry boundaries and refusing to let labels, managers, or anyone influence their art. Below, we give props to five uncompromising artists who’ve found their own lanes and chased greatness on their own terms.

Dessa: A Multifaceted Artist with a Singular Voice
Before launching her career as a rapper, singer, spoken-word artist, author, and Doomtree label head, the Minneapolis native born Margaret Wander worked as a technical writer for a medical company. In a sense, she’s come full-circle with Chime, the critically acclaimed album she released in early 2018. It’s Dessa’s fourth collection of smart, soulful alternative hip-hop songs, and it was inspired by a project whereby she collaborated with neuroscientists to pinpoint the exact part of her brain dedicated to romantic love. Chime is just the latest example of how this one-time philosophy major has challenged the idea of what a female hip-hop artist can be. In a 2018 interview with Billboard, Dessa shared her secret for having such a rich and varied career: “I worry a little bit less about trying to forestall people’s opinions and just try to do good work.”

Cardi B: A Personality Too Big to Fail
By the time Cardi B topped the Billboard Hot 100 in 2017 with “Bodak Yellow,” the Bronx native was already on her fourth career. In the years leading up to her musical breakthrough, Cardi went from stripping to making viral videos to stealing scenes on Vh1’s Love & Hip Hop: New York. All of those pursuits showcased the qualities that would make Cardi one of the most exciting new rappers of the ‘10s. Cardi is sexy and funny, outrageous and vulnerable, tough as hell yet instantly loveable. Her excellent 2018 debut album, Invasion of Privacy, reached #1 on the Billboard 200 and silenced critics who thought she’d be a one-hit wonder. Invasion of Privacy has spawned a second chart-topper, the Latin-flavored “I Like It,” which you’ve surely heard blasting from cars all summer. While pregnancy kept Cardi from touring in recent months, motherhood is only going to make this vivacious truth-spitter a more compelling artist in years to come.

Tyler The Creator: More Than Just a Troublemaker
When the Odd Future collective came on the scene in 2010, nobody knew what to make of them. The blog-hyped L.A. rappers became infamous for their offensive lyrics, chaotic life shows, and unwillingness to play by anyone’s rules. Leading the pack was Tyler The Creator, a multifaceted troublemaker who’d spend the next decade revealing his genius. In addition to overseeing numerous Odd Future releases and four solo LPs — including last year’s Grammy-nominated Flower Boy — Tyler has directed music videos, launched his own Golf Wang clothing line, and spearheaded the Camp Flog Gnaw Carnival music festival. Tyler’s extracurriculars make it easy to overlook his rapping, but the fact is that he’s a stellar MC with the power to make you feel all sorts of ways. On Flower Boy, Tyler surprised everyone by serving up his most mature, confessional lyrics to date. Tyler sums up his career perfectly on the song “Who Dat Boy,” asking, “Who dat boy? Who him is?” The world will be chewing on those questions for quite a while.

Curren$y: The Underground Hero Who Never Lets You Down
The New Orleans rapper born Shante Scott Franklin knows how the big boys operate. He signed with Master P’s No Limit label in 2002, then struck a deal with Lil Wayne’s Cash Money Records in 2004. Curren$y appeared on Weezy’s Tha Carter II in 2005 and dropped the minor hit “Where Da Cash At” the following year. Neither of those projects quite made him a star, so in 2007, Curren$y jumped ship to the independent digital-only Amalgam Records and rebranded himself as a niche underground artist with an ear for consistency. In 2011, Curren$y, a.k.a. Spitta, formed Jet Life, the label he’s used to launch some of his many, many, many projects. Free of major-label interference, Curren$y has amassed a massive discography that includes eight studio albums and more than 40 mixtapes. More importantly, he’s built a devoted fan base that comes to see him perform live year after year. Spitta’s not going to break streaming records like Drake, but he’s a dependable artist in an age of disposability.

Chance the Rapper: The Superstar Who Gives His Music Away
When Chance the Rapper picked up the Grammy for Best Rap Album in 2017, it was notable for two reasons. First off, Chance’s Coloring Book is an incredible collection of gospel-inflected hip-hop songs from an artist who speaks on social issues without getting preachy or forgetting that music is supposed to be fun. Second, Coloring Bookwas the first-ever streaming-only album nominated for a Grammy. While the Recording Academy didn’t change its eligibility rules specifically for Chance, the Chicago rapper had long been at the forefront of artists challenging traditional release models. Chance is the king of the free “mixtape” — that’s how he classified Coloring Book and its predecessors Acid Rap (2013) and 10 Day (2012). Fans were able to get their hands on all three totally free of charge, and that’s helped Chance grow a gigantic fan base that includes Barack Obama, who praised the MC in 2017 for “representing the kind of young people who come out of Chicago and change the world.” Although he’s avoided selling his music, Chance has earned so much money off touring and merchandise that he was able to donate $1 million to Chicago schools.

SOURCE: https://www.billboard.com/articles/partner/8467582/5-hip-hop-artists-that-went-against-industry-norms-to-achieve-success

Beyoncé in Her Own Words: Her Life, Her Body, Her Heritage

Issue, Photographed by Tyler Mitchell

UntitledDo you remember a world before Beyoncé? The singer has been in our hearts and headphones for more than 20 years, from teenager to mother of three. The Queen graces Vogue’s September issue this year, sharing the story of her latest pregnancy and delivery, her thoughts on body acceptance and the influence of her ancestry, and the legacy she hopes to leave her children. Beyoncé’s fourth Vogue cover is also historic: It was shot by 23-year-old Tyler Mitchell, a rising young black photographer from Atlanta, hand-selected by the star. In this month’s cover slideshow, the Houston native stuns in Louis Vuitton, Valentino, and Gucci.

Pregnancy & Body Acceptance

After the birth of my first child, I believed in the things society said about how my body should look. I put pressure on myself to lose all the baby weight in three months, and scheduled a small tour to assure I would do it. Looking back, that was crazy. I was still breastfeeding when I performed the Revel shows in Atlantic City in 2012. After the twins, I approached things very differently.

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I was 218 pounds the day I gave birth to Rumi and Sir. I was swollen from toxemia and had been on bed rest for over a month. My health and my babies’ health were in danger, so I had an emergency C-section. We spent many weeks in the NICU. My husband was a soldier and such a strong support system for me. I am proud to have been a witness to his strength and evolution as a man, a best friend, and a father. I was in survival mode and did not grasp it all until months later. Today I have a connection to any parent who has been through such an experience. After the C-section, my core felt different. It had been major surgery. Some of your organs are shifted temporarily, and in rare cases, removed temporarily during delivery. I am not sure everyone understands that. I needed time to heal, to recover. During my recovery, I gave myself self-love and self-care, and I embraced being curvier. I accepted what my body wanted to be. After six months, I started preparing for Coachella. I became vegan temporarily, gave up coffee, alcohol, and all fruit drinks. But I was patient with myself and enjoyed my fuller curves. My kids and husband did, too.

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I think it’s important for women and men to see and appreciate the beauty in their natural bodies. That’s why I stripped away the wigs and hair extensions and used little makeup for this shoot. To this day my arms, shoulders, breasts, and thighs are fuller. I have a little mommy pouch, and I’m in no rush to get rid of it. I think it’s real. Whenever I’m ready to get a six-pack, I will go into beast zone and work my ass off until I have it. But right now, my little FUPA and I feel like we are meant to be.To this day my arms, shoulders, breasts, and thighs are fuller. I have a little mommy pouch, and I’m in no rush to get rid of it. I think it’s real. Whenever I’m ready to get a six-pack, I will go into beast zone and work my ass off until I have it. But right now, my little FUPA and I feel like we are meant to be.

Opening Doors

Until there is a mosaic of perspectives coming from different ethnicities behind the lens, we will continue to have a narrow approach and view of what the world actually looks like. That is why I wanted to work with this brilliant 23-year-old photographer Tyler Mitchell.

When I first started, 21 years ago, I was told that it was hard for me to get onto covers of magazines because black people did not sell. Clearly that has been proven a myth. Not only is an African American on the cover of the most important month for Vogue, this is the first ever Vogue cover shot by an African American photographer.

It’s important to me that I help open doors for younger artists. There are so many cultural and societal barriers to entry that I like to do what I can to level the playing field, to present a different point of view for people who may feel like their voices don’t matter.

Imagine if someone hadn’t given a chance to the brilliant women who came before me: Josephine Baker, Nina Simone, Eartha Kitt, Aretha Franklin, Tina Turner, Diana Ross, Whitney Houston, and the list goes on. They opened the doors for me, and I pray that I’m doing all I can to open doors for the next generation of talents.

If people in powerful positions continue to hire and cast only people who look like them, sound like them, come from the same neighborhoods they grew up in, they will never have a greater understanding of experiences different from their own. They will hire the same models, curate the same art, cast the same actors over and over again, and we will all lose. The beauty of social media is it’s completely democratic. Everyone has a say. Everyone’s voice counts, and everyone has a chance to paint the world from their own perspective.

READ MORE: https://www.vogue.com/article/beyonce-september-issue-2018

Kylie Jenner and Travis Scott on Love, Making It Work, and the Kardashian Curse

She’s a billionaire business mogul. He’s the most electric rapper in the game. How did they come together? How do they make it work? And can they survive the Kardashian Curse? Mark Anthony Green sits down with the world’s most powerhouse power couple.

It’s Kylie, from the jump, who controls the tempo. The youngest Jenner and her well-oiled glam squad bounce around Milk Studios, in Hollywood, with supreme purpose. Her half-male, half-female contingent is like Ocean’s Eleven, except with more crop tops and lip fillers. And instead of a case full of phony casino chips, there’s just a roller bag full of luscious hair extensions that need meticulous untangling. Midway through the shoot, the photographer and stylists start praising a particular photo on the monitor, but King Kylie shuts it down. “People are going to turn it into a meme,” she says, like some kind of social-media medium. “Let’s move to something else.” She later tells me that Kim and Kanye are the ones who taught her to be more assertive on creative things. “I just want the best cover photos for me and for you guys.”

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Joining her in the studio is her 27-year-old partner, Travis Scott. They’ve been together for about a year, but this is their first photo shoot together. What’s the binding force between a rage-thirsty rock star from Missouri City, Texas, and a beauty mogul of Calabasas royalty? Other than their newborn baby girl, Stormi? What’s that shared frequency that’s responsible for the most dynamic celebrity couple of modern times? We’ll get to that, but what I can report is that it’s not a mutual admiration for posing in front of a seamless. Taking pictures is a lucrative sport for one and medieval torture for the other.

Travis has a much smaller team with him. Just his manager—who works from a laptop the entire shoot—and a bag of what smells like some of California’s loudest weed. Between shots, he just kind of paces around, with his head down and his lanky limbs covered in expensive clothes. A wall or photo light would stop him and send him in a different direction. He looks like one of those Microsoft screen savers from the ’90s, careening off the edges of the monitor. “He was whispering to me the whole time,” Kylie tells me afterward, smirking. “He just doesn’t like taking the photos.” Travis hates anything that slows him down. (He even hates restaurants; the man despises wasting time in restaurants.) And he admits that he’s “impatient as a motherfucker” during photo shoots, despite really liking the end result. But it isn’t simply young angst that makes hurry-up-and-wait painful for Travis. It’s “la flame”—the internal fire, the rage, “the piss,” as he calls it, aggression in its funnest form. It’s why Travis, a decade into a notoriously energetic career, has made his case for having the best live show in hip-hop history.

A few years ago, at a nightclub, I saw Travis swing from a chandelier while performing. One of the gold baroque leaves he held on to for dear life cut his hand, and he was beginning to bleed pretty badly. He paused for a second. Smiled. Then pressed his bloody palm against the ceiling, leaving a red handprint, and kept rapping. That energy, that commitment—that’s why there’s an entire generation of young tattooed daredevil rappers coming up behind him who look to Travis as the source, and who’ve taken his lead.

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That may be the thing between the two of them, the binding force: influence. Not in some Adweek marketing sense—in direct-contact-with-the-people kind of way. When they say jump, kids will do it…off a balcony. (That actually happened to Travis.) These two make the mosh pits, memes, and moments that trend and move the needle. They forge 2017’s most overused four-letter word—vibe—and they’re masters at 2018’s: wave. You can’t pause when catching a wave. And that’s their art. Their common thread. Which helps explain how their relationship went from zero to Stormi in just a few months.

“We don’t go on dates,” Kylie tells me. In fact, their first date wasn’t really a date. They were at Coachella—neither can remember where, exactly, they first met—and the whole thing just turned into a hang that went well. While she tells me about it, she begins to giggle about the story she told Travis that got his attention that night. The story wasn’t anything special, but that’s what made it real. How’d you meet your significant other? It starts normal, right?

But then their second date, by all definitions, was anything but normal. They caught the wave. Kylie Jenner—and nearly 100 million followers of hers—just abandoned her life in California and took off on tour with Travis Scott.

“Coachella was one of the stops on his tour,” she explains. “So he said, ‘I’m going back on tour—what do we want to do about this?’ Because we obviously liked each other.”

What do we want to do about this? That’s an early-2000s Matthew McConaughey big-screen-heartthrob line. Holy shit. “And I was like, ‘I guess I’m going with you,’ ” she said, to complete the scene.

READ MORE:https://www.gq.com/story/kylie-travis-cover-2018