(CNN) — Anger and activism, life and death, and finally hope defined the third and final season of FX’s “Pose,” the Ryan Murphy-produced drama devoted to New York’s underground ball culture in the 1980s and ’90s. Having created an unprecedented showcase for transgender performers, the show — whose final episode focused on leaving a legacy — left its own in terms of its symbolic significance and standout cast.After a wedding in the penultimate episode, the extra-long finale turned back to the AIDS diagnosis of Pray Tell (Billy Porter), who was told his condition had reached “the beginning of the end” before his friend Blanca (Mj Rodriguez), a nurse, learned about clinical trials of protease inhibitors from another patient.Those life-prolonging treatments, however, were overwhelmingly being earmarked for White patients, prompting Blanca to fight back against the discrimination toward people of color
After visiting his estranged family earlier in the season, Pray Tell spent much of the finale dealing with his ball family, telling Blanca, “I want to be remembered as a representation of all that the balls can be.”
Their triumphant joint Diana Ross routine essentially served as his last hurrah, sacrificing himself to save another, followed by Blanca’s emotional meeting with Pray Tell’s mother (Anna Maria Horsford) in a touching collision of those two worlds.
The narrative then jumped forward two years, providing both an opportunity to riff (amusingly) about “Sex and the City” and to underscore that Pray Tell’s memory — his legacy — had indeed survived, with Blanca flashing back to a first-season encounter as she counseled a new house trying to make its way in the ball scene.
“Pose” was at its best back then, earning Porter an Emmy for best actor in a drama. The final season — a slightly disjointed seven episodes, several of them super-sized — derived much of its strength from the Pray Tell plot, and the campaign surrounding the hospital’s inequity (“Healthcare is a right!” the protesters chanted) connected the ACT UP movement to concerns that remain prominent today.
Created by Murphy, Brad Falchuk and Steven Canals, “Pose” represented an admirable effort to highlight stories of LGBTQ life and history, something Murphy has emphasized under his Netflix deal in various genres, including his remake of the movie “The Boys and the Band,” the limited series “Hollywood” and “Halston,” and the documentaries “A Secret Love” and “Circus of Books.”
During a press conference before the season began, the producers stressed that the show was ending on their terms, with Canals saying about the decision, “I could see the ending … and it made sense to land the plane comfortably.”In an era where the usual tendency is for shows to stick around beyond their expiration date, credit “Pose” with recognizing the right time to make an exit.
If people with no symptoms are spreading the coronavirus, as some studies suggest, it may be time to give face masks the kind of advertising and promotion that support condoms as lifesavers.
Are face masks going to become like condoms — ubiquitous, sometimes fashionable, promoted with public service announcements? They should be, one virus researcher says, if early indications are correct in suggesting that Covid-19 is often spread by people who feel healthy and show no symptoms.
David O’Connor, who studies viral disease at the University of Wisconsin-Madison, said: “If a substantial amount of transmission occurs before people feel sick, how do you stop that? By the time people feel sick and seek care, all the testing and isolation in the world would be too little, too late.”
Dr. O’Connor, who researches H.I.V. and other viruses, including the new coronavirus, said some recent research had shifted his thinking about the current pandemic.
“H.I.V. is also spread while people feel fine,” he wrote in an email, “and consistent, correct condom use is a barrier to sexual virus transmission that works.”
We spoke with several travel and hospitality workers. Each had their own story, but echoed similar concerns about the uncertainty about their future. In looking at an unprecedented worldwide coronavirus outbreak, they turned to the past: how their tourism industry had survived devastating hurricanes and destructive civil wars. They will survive this, too, they said.
A selection of their remarks is below. These interviews, conducted by telephone and email, have been edited and condensed for clarity.
With your family’s health concerns, are you worried about being exposed to the coronavirus?
As drivers we’re putting ourselves at risk. If coronavirus is coming from other countries, it’s coming from the airports, and who’s going to the airports? We do. Everyone who gets into the car is potentially a carrier. But in our position it’s either work and eat, or don’t work and don’t eat.
You’ve not been able to give a tour since Sunday. How does it feel to be out of work?
I have a lot of worries. I have two boys — 2 and 4 years old, and one is diabetic and I have to be sure there’s always money for insulin — so I always have to provide. I just can’t not provide.
Something I learned with Hurricane Maria is you have to have a Plan B in life, and it has to be a complete opposite of your Plan A. After the disaster, the whole infrastructure was down and the only people who worked were those who worked with their hands — so I got certified as an electrician. I’m worried right now but, down the line, I have many doors open.
A Chicago-based flight attendant for United Airlines, Maria Alpogianis, 51, has worked in the field for 25 years.
What is the physical and psychological toll?
I don’t feel I have a sense of job security. I really don’t. I’m flying with several very junior flight attendants who are terrified of losing their jobs and their insurance. I’ve been flying for 25 years and I, too, am afraid that I’m going to be furloughed.
When I leave somewhere I become concerned about not being able to get home because of the border closures. When we land we cringe because we don’t know what’s changed during the time we’ve been in flight.
If you didn’t change the tax withholding in your paycheck, you still have time to avoid another unpleasant surprise — or even a fine.
The first tax season under the Republican-sponsored overhaul brought an odd combination of pleasant and unpleasant surprises: lower tax burdens, but also lower refunds — and, for some, an unexpected bill.
Anyone who didn’t take a proactive approach after getting a big tax bill last time around could end up in that situation again, only worse: That filer is more likely to have to pay a penalty.
For 2019, taxpayers who didn’t generally withhold at least 90 percent of their liability from their paychecks may be required to pay a fine. That threshold is back up from 80 percent, where it was set last year as everyone adjusted to the new rules.
If a withholding calculator — like the one on the Internal Revenue Service’s website — shows you’re significantly short, you have options. There may be time to have an extra amount withheld from your final paycheck to get you over the threshold, although that will require filling out a W-4 now and another later to reverse that change. Or you can make what’s called an estimated tax payment directly to the I.R.S.
You’ll also want to think about how to handle the rest of the tax balance.
“You can start planning for that now by setting aside money in savings accounts or planning ahead for an installment agreement with the I.R.S. so you can pay over a period of time,” said Nathan Rigney, lead tax research analyst at H&R Block’s Tax Institute.
Most households did pay a bit less because of the overhaul: Individuals’ total tax liability dropped nearly 5.8 percent, or $70 billion, according to I.R.S. data on tax returns filed through July.
But it didn’t feel that way for some taxpayers. The number of refunds issued hardly budged — they were down 0.3 percent — but refunds for many were smaller. Refunds for those who earned between $100,000 and $250,000, for example, dropped by about 11 percent, according to the I.R.S.
Hello, my name is Christopher Kenji. I’m a 24-year-old singer-songwriter, graduate of Berklee College of Music and a print/runway model.
HOW DID YOU GET INTO BOTH MUSIC AND MODELING? Ever since I was a young kid, I’ve always had a deep passion for music. I picked up the guitar when I was about 10 years old and fell in love — I would spend all my free time playing and writing music (sometimes seven hours a day until my fingers hurt and I couldn’t play anymore). Music has always been and will always be my biggest passion in life; there’s nothing that compares to performing on stage, wearing your heart on your sleeve with your lyrics and melodies and having people connect with you so purely and intimately. Before anything else, I am first and foremost a musician.
As for modeling, it’s kind of funny — I never in a million years ever thought I would become a male model. I know a lot of people grow up having dreams of becoming a supermodel and living that glamorous lifestyle or something but that was never me as a kid. Growing up, I never really thought of myself as a physically attractive person; if anything, I was told the opposite at times so it’s still kind of surreal to me when I think about it. Anyway, my modeling journey started last September when I was at my friend’s show in LA and he introduced me to a woman there who happened to have spent years working in the fashion industry (little did I know, she would go on to become my mentor). She told me that I should become a model and I kind of laughed it off at first but then I realized she was actually very serious about it. I was kind of tipsy at the time, but I told her I guess I could give it a shot and she held me to it.
She then signed me up for a runway show casting in San Francisco. I went, got placed in two shows and ended up being awarded best model of 2018. They made me make a speech in front of the whole audience and it was one of the few moments in my life where I was truly and utterly dumbfounded. It almost felt like the world was playing a big joke on me but it wasn’t a joke; it was real. Having that experience really gave me the motivation to seriously pursue modeling and ever since then, it’s become a huge part of my life.
DO YOU DO ANYTHING SPECIFIC TO KEEP UP YOUR APPEARANCE FOR MODELING?
Yes, I actually kind of changed my life for modeling. I treat modeling like a job now because, well… it is my job. So, that means I can’t just make poor lifestyle choices all the time anymore. I remember getting an interview with IMG Models in New York City, which was pretty much the biggest interview of my entire life and asking my mentor what I should do to prepare. The first thing she told me was to completely cut out booze for the two weeks before I met with them. I said to her, “I’ll cut it out after tonight when I’m done performing at the bar” and she said “no, cut it out starting right now”. I remember feeling super weird playing 100% sober to a packed crowd of wasted people that night but it really taught me something. After just four days, I noticed that I looked and felt better than I had in literally years. Nowadays, I don’t drink alcohol, don’t eat sugar, I work out super hard in the gym at least 3-4 days a week, I don’t drink any caffeine and I take ice cold showers to wake myself up every morning. Despite it seeming like I gave up all the things that I love in life, as a byproduct, I feel the most healthy and confident in myself that I have ever been. To me, that’s the most rewarding feeling of all.
DID YOU ALWAYS BOTH SING AND PLAY GUITAR OR DID ONE COME AFTER THE OTHER?
No, I used to never sing. I was terrified of the idea. I remember specifically not applying to a music school I was really interested in because they required all of their students to sing. Singing always really fascinated me but I was always too nervous to try to do it myself. When I first ever tried to sing, I immediately realized my voice was weird. An astounding majority of the famous male vocalists we all know and love such as Freddy Mercury, Michael Jackson, Sting, Bon Jovi, Paul McCartney, etc. are all tenors with very beautiful, clear, high-pitched voices. I am basically the complete opposite (a bass/baritone with a very low, gritty voice) and I found out pretty quickly that I would never sound like any of them no matter how hard I tried.
It took me a long time to really find my voice. When I finally first gathered up the courage to start singing in front of people, I remember getting comments like, “you’re good at guitar, I think you should stick to that” and whatnot. It was a lot of work behind the scenes to get my singing to where it is today but it’s interesting —the qualities of my voice that I used to view as imperfections are now often the things that people tell me they like most about my voice. It’s crazy how things work out like that ––I’ve come to realize that sometimes a lot of the things in life that seem like curses really are just blessings in disguise. DO YOUR TATTOOS HAVE MEANINGS? IF SO, WHAT DO THEY SYMBOLIZE?
Yes, all of my tattoos have meanings. I’m a very OCD person and all of my tattoos are organized. The right side of my body reflects my internal qualities (my birth name, birth year/place and birth order) and the left side of my body reflects my external qualities (my music and my martial arts). On my right side: being a quarter Japanese, I have my Japanese middle name “Kenji” (which translates to ‘healthy; rule’) on my right upper arm. I was born in New York City in 1994 and when I was in New York last year, I got that tattooed on my right forearm. I’m also the oldest of three boys and under my right collarbone, I have an arrow with three circles in it symbolizing me and my brothers; the biggest circle represents me (the oldest) and the other two smaller circles represent my two younger brothers.
As for my left side: I have a guitar fretboard which symbolizes my passion for guitar/music on the back of my left forearm ––pretty self-explanatory. And lastly, after training three days a week for 14 years, I wanted to have something on my body representing my black belt in mixed martial arts, so on my left shoulder, I have a rising sun blended with an American flag, which is a symbol that was on the wall of my martial arts studio all the years I trained there.
WHAT IS YOUR BIGGEST GOAL FOR THE FUTURE?
The short simple answer is that I just want to be a rockstar — not going to lie that would be pretty cool. But really, the bigger answer is I want to create art that brings people together. It’s so easy to feel lonely and lost in this world and I hope to make art that helps people feel less alone and inspires them to use their own voice and be heard. When you feel like no one in the world understands you or knows what you’re going through and you hear that one song that just somehow you gets you when no one else does ––a song from a person you’ve never even met but who’s music and lyrics help you know that they’re there living somewhere in this same, big world as you and they feel it too; that’s power. It could also be a character from a story you connect with or a piece of art — it’s something bigger than you or me or anyone.
That’s the reason I chose to be an artist. If I could just even make one person’s life a little bit better or inspire them to express their own individuality whether that be through my music, fashion/modeling work, art, etc., it would make my purpose feel served. I would rather have one person really connect with my art and be invested in what I am trying to say than a million people who don’t really care that much. I’ll either shoot for the stars or die trying but I refuse to be mediocre — that’s how it’s always been and that’s how it’ll always be for the future!
majority of us might not know a Développé from an Assemblé, but we all
know two things about ballet: One, it’s difficult. And two, it’s
beautiful. The ballerina’s challenge is to hide how hard she’s working,
which is why behind-the-scenes balletstories are always so appealing — it’s satisfying to see the athleticism inherent to the art.
Olivia Bee’s photos, below, are a new addition to the genre. The photographer spent nine days photographing the dancers at American Ballet Theatre in New York City. Her shots include rehearsals for the ballet Jane Eyre and a performance of Harlequinade on the opening night of the company’s spring season.
To prepare for her plunge into the depths of elite ballet,
Bee took some “beginner beginner beginner ballet classes” — her first
since she was 5 years old. “The classes I took helped me get more in the
dancers’ heads and be more predictive of movements.” In her photos, you
can feel the whoosh of the pirouettes and the barely there tapping sound of a dozen dancers landing after a jump.
Bee’s favorite subject is the way dancers of all levels relate to each
other. She said it reminded her of what she had seen while photographing
a ranch crew: “I think with any lifestyle that’s that intensive, people
become family. You have to lift each other up and support each other.”
a shift when the photographs move beyond the practice studios and go on
stage. Suddenly, the edges go blurry. The ballerinas feel less like
dancers or athletes, and more like figures in a dream sequence. “In my
work I like to explore dreamscapes based in reality and human emotion,”
Bee explained. “Ballet sweeps you away — I hoped to convey this in the
The impressionistic quality is heightened by the colorful, exaggerated costumes used in Harlequinade. The Degas comparisons are unavoidable, but this is like a Degas that’s only accessible in a dream.
Cardi B‘s legal troubles may have become much more serious.
On Friday, the Grammy-winning rapper appeared in Queens Supreme Court for the first day of her misdemeanor assault trial. Cardi is accused of ordering an attack on two bartenders at a Queens strip club back in August 2018. The alleged victims were sisters Baddie Gi and 6ix9ine‘s current girlfriend Jade. Both women claim they received threats from Cardi after she accused Jade of sleeping with her husband, Offset. Jade said she repeatedly denied the affair. Police say Cardi and her crew got into a physical altercation with the sisters while they were working at the Flushing strip club. Chairs, bottles, and hookah pipes were allegedly thrown at the complainants, resulting in slight injuries. Cardi was ultimately arrested on misdemeanor assault and reckless endangerment charges. She rejected a plea deal in mid-April, after her attorneys insisted she did not harm anyone during the incident.
Prosecutors announced Friday the case would be presented to a grand
jury, which means Cardi’s charges could potentially be upgraded. State
attorneys told TMZ they made the decision “after further investigation,” but did not reveal details of their findings.
According the Associated Press, the district attorney’s office had originally asked Cardi to return to court on Monday, but they pushed back the date to Aug. 9 after the rapper’s legal team cited scheduling conflicts.