The trailer for 21 Bridges (fka 17 Bridges)has been released by STXfilms. Chadwick Boseman stars in the film, reuniting with the Russo Brothers, who directed Avengers: Infinity War and Avengers: Endgame.
The film also stars If Beale Street Could Talk’sStephan James, alongside Sienna Miller, Taylor Kitsch and J.K. Simmons.
The official description: 21 Bridges follows an embattled NYPD detective (Chadwick Boseman), who is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 BRIDGES to prevent any entry or exit from the iconic island.
comes to streaming TV and films, Netflix has got you covered. In May
2019, lots of exciting new movies and TV shows are coming to the
streaming platform, across a variety of genres. Whether you’re into romantic comedies, documentaries, crime thrillers, prestige dramas, or horror movies, there’s something for everyone. And speaking of documentaries, Beyoncé’s Homecoming is
officially available to stream, so you can relive the magic
of Beychella, and then relive it again with her live concert album of
the Coachella performance. We stan a generous queen!
Recent blockbusters like Avengers: Infinity Warand the Oscar-nominated Black Panther and Coco, are also available. Barry Jenkins’ stunning 2017 Best Picture winner, Moonlight, his adaptation of Tarell Alvin McCraney’s unproduced play “In Moonlight Black Boys Look Blue,” is also coming to Netflix, along with some lighter comedy fare, including Zombieland and Patriot Act with Hasan Minhaj. So what are you waiting for? Here are the best movies on Netflix right now.
Director: Lee Chang-dong Starring: Ah-in Yoo, Jong-seo Jun, Steven Yeun
One of the most acclaimed non-English movies of last year, Burning is the latest film from acclaimed South Korean director Lee Chang-dong. Based on the short story “Barn Burning” by Haruki Murakami, Burning follows Jong-su (Ah-in Yoo), as he watches former neighbor Hae-mi’s (Jong-seo Jun) cat while she goes on a trip. When Hae-mi returns, she introduces Jong-su to Ben (Steven Yeun), a man she met while abroad. While the plot may seem simple, Burning has a mysterious and tense atmosphere as we learn more about the mysterious Ben, played wonderfully by former Walking Dead star Yeun. At two and a half hours, Burning is a slow burn (no pun intended) that will keep you hypnotized from beginning to end with its elusive stories and well drawn characters. Despite wide critical acclaim, Burning was not nominated for the Best Foreign Language Academy Award, but became the first Korean film in history to make the nine-film shortlist for nomination.
Director: Andrea Arnold Starring: Sasha Lane, Shia LaBeouf, Riley Keough
Actress Sasha Lane has steadily made a name for herself with eye-catching roles in indies such as The Miseducation of Cameron Post and Hearts Beat Loud, but her career started when director Andrea Arnold discovered her and cast her in the lead role of American Honey. Lane plays Star, a young woman who runs away from home to join a traveling sales crew that sells magazine subscriptions door to door across the Midwest. She soon gets sucked into their lifestyle when she becomes close to crew member Jake (Shia LaBeouf). Arnold is known for her realistic depictions of young women, and she’s in top form here, creating an unconventional coming of age drama around Star. Lane is remarkable in the lead role, and her performance is made all the more astonishing when considering that it’s her first performance. All of that, combined with a perfect soundtrack (Rihanna and Calvin Harris’ “We Found Love” is put to perfect use), makes American Honey a coming of age road movie classic.
Director: Steven Soderbergh Starring: Andre Holland, Melvin Gregg, Zazie Beetz
One of Netflix’s latest originals is also one of the most critically-acclaimed movies of 2019 so far. Based on the real-life 2011 NBA lockout, High Flying Bird follows sports agent Ray Burke (Andre Holland) as he advises his rookie client (Melvin Gregg) on a controversial business opportunity that might just end the lockout and change the game forever. Logan Lucky director Steven Soderbergh is known for his flawless directing and uncanny ability to capture institutions, and High Flying Bird is further proof of this, boasting stunning iPhone-exclusive cinematography and sketching an efficient portrait of the (slightly fictionalized) NBA. Moonlight writer Tarell Alvin McCraney’s script crackles as well, featuring scenes filled with wall-to-wall fast-paced dialogue. McCraney and Soderbergh manage to make High Flying Bird so much more than just a typical sports drama: it’s also a deep look into the racism ingrained in the NBA and how one can be an activist within the institution itself. High Flying Bird is an intelligent and riveting watch.
A few weeks ago, it was announced that groundbreaking filmmaker John Singleton had passed away following a stroke that he had earlier this month.
Singleton, the first Black filmmaker and the youngest director to ever be nominated for the Academy Awards’ Best Director trophy, had a storied career, helming films such as Boyz n the Hood, Poetic Justice, Higher Learning, Baby Boy and Four Brothers. He also jumpstarted the acting careers of names like Taraji P. Henson, Cuba Gooding Jr., and numerous others.
To honor the acclaimed director, Shadow And Act has gathered select photos from many different phases of his prolific career.
Beyoncé is extremely private, and only lets you know what she wants you to know, when she wants you to know it — typically, in a surprise post be it on her website or Instagram. But throughout the years, she’s slightly cracked open her door to reveal parts of her life and personality — apart from what she gives through strong singing and extraordinary dance moves — to help remind us that though she is epic and flawless, she is still mortal. “HOMECOMING: A film by Beyoncé,” which premiered Wednesday on Netflix, captures the human side of the superstar singer with behind-the-scenes, intimate moments of a mother, wife and artist tirelessly working on what’s already become one of most iconic musical performances of all-time: Beyoncé’s headlining show at the 2018 Coachella Valley Music and Arts Festival. The performance marked the first time a black woman headlined the famed festival and made Beyoncé just the third woman to score the gig, behind Bjork and Lady Gaga. Beyoncé took on the role seriously — as she does all live performances — giving the audience a rousing, terrific and new show highlighted by a full marching band, majorette dancers, steppers and more that is the norm at historically black colleges and universities (HBCUs). The film takes it a step further to showcase what was happening to get to the historic moment: you see a mother bouncing back from giving birth to twins via an emergency C-section; an African American woman embracing her family’s history and paying tribute to black college culture and honoring black art; and the world’s No. 1 pop star defying the odds yet again and pushing herself to new heights, creating an even wider space between herself and whoever is No. 2. Simply put, Beyoncé changed Coachella — forever — and performing after her is like trying to out-ace Serena Williams or dunk better than Michael Jordan: You won’t win. Woven into the film are audio soundbites from popular figures to help narrate the story: Nina Simone speaks about blackness, Maya Angelou talks about truth, and Tessa Thompson and Danai Gurira explain the importance of seeing people who look like you on large screens. Beyoncé speaks, too, saying that she dreamed of attending an HBCU, though she explains: “My college was Destiny’s Child.” She also says the importance of her Coachella performance was to bring “our culture to Coachella” and highlight “everyone that had never seen themselves represented.”
So many people were represented during those performances last April — her stage was packed with about 200 performers, from dancers to singers to band and orchestra players. Beyoncé kicked of the performance dressed like an African queen, walking up the stage as the jazzy, soulful big band sound of New Orleans is played. After letting her dancers and backing band shine, she emerges again, this time dressed down — like a studious, eager, hopeful college student. The musical direction and song selection flows effortlessly and was purposely crafted to tell a story: the first song is 2003’s “Crazy In Love,” a massively successful No. 1 hit and her first apart from Destiny’s Child. It also was Beyoncé’s first of many collaborations with Jay-Z. But then comes “Freedom,” representing the Beyoncé of today, unconcerned with having a radio or streaming hit, but more focused on the art, and the message. And her message was loud and clear on “HOMECOMING”: Her performance is a homage to the culturally rich homecoming events held annually at HBCUs, but also showcases Beyoncé’s own homecoming — her return to her roots, and how she’s found a new voice by reinterpreting her music through the lens of black history. Young, gifted and black, indeed.
“HOMECOMING: A film by Beyoncé,” a Netflix release, is rated TV-MA. Running time: 137 minutes. Four stars out of four.
LOS ANGELES —
Thousands of mourners are expected to gather in downtown Los Angeles on
Thursday to honor the life of Nipsey Hussle, the Grammy-nominated rapper
who was fatally shot last month and whose success and commitment to
redeveloping South Los Angeles made him a local hero.
funeral, billed as a “celebration of life,” will be held at the Staples
Center. All tickets for the event, which were free, were claimed online
within minutes of being made available earlier this week. The arena’s
capacity is 21,000.
Tens of thousands
of fans are expected to gather around the venue, where a public
memorial for Michael Jackson was hosted in 2009. The two-hour service
will begin at 10 a.m. local time and will be followed by a procession
from the Staples Center through South Los Angeles.
Hussle, born Ermias Joseph Asghedom, channeled his upbringing and adolescence as a gang member into music that spoke powerfully to many who live in Los Angeles’ most vulnerable neighborhoods. As his star rose in recent years, Hussle brought investments and attention back to the area, earning the adoration of his neighbors and fans.
Though he developed a following far
beyond Southern California, his death last week struck a particularly
painful chord among residents of the Crenshaw District, where he grew
up. His clothing store on Slauson Avenue in South Los Angeles, The
Marathon Clothing, had become a potent symbol of local success
and black entrepreneurship, a theme he addressed regularly in his
music. His fans clung to lyrics that melded familiar rap bombast with
exaltations about self-discipline and long-term financial planning, a
break from a music culture that often emphasizes flashy spending.
The store transformed into a makeshift memorial on March 31 after Hussle was gunned down there over a “personal dispute,” according to the Los Angeles Police Department. The suspect, Eric Holder, was apprehended by authorities two days after the shooting.
For days outside the store, fans prayed,
lit candles and left hand-written letters addressed to Hussle. One of
the mourners was Candace Cosey, 32, who remembers him as Ermias from
their time attending Hamilton High School together in the early 2000s, a
magnet school on the West Side of Los Angeles. She recalled how Hussle
would sell mix CDs to her and others at school, and how he later started
selling music in the neighborhood out of his trunk.
came close to tears as she pulled out a picture of him from the high
school yearbook. “If you grew up here, you either knew him directly or
you knew someone who knew him,” she said.
Even as his career took off, Hussle remained approachable and “big hearted,” she said. As he amassed fame and wealth, he continued living modestly while making investments in businesses in the neighborhood. And he could be very generous. When a colleague passed away several years ago, Ms. Cosey approached Hussle’s team to see if he could help with the funeral expenses. He contributed several thousand dollars, she said.
“He was about
uplifting us. He hired people from the neighborhood who wouldn’t have
had a job otherwise. He took care of so many people, and he invested in
what he believed in, here, because he grew up here,” she said. “We have
to keep that work going. It’s what he was about.”
Hussle’s death has drawn attention far beyond the Crenshaw District. Celebrities and political leaders across the country have offered their condolences to Hussle’s family and friends. In an interview last week, Mayor Eric Garcetti of Los Angeles praised Hussle’s contributions to South Los Angeles, a community that he acknowledged has been historically overlooked by the city’s political establishment.
said Hussle embodied the very idea of black entrepreneurship, a critical
component of lifting the community and its residents.
represented redemption and hope. He had come from the world of gangs
and gotten out,” he said. “This is a devastating shock to the stomach.
He was really ambitious — he wanted to get African Americans into tech,
on top of his music game, on top of his businesses.”
“Then to be killed in such a clichéd way, by guns, for a beef in South L.A., it feeds into too many stereotypes,” he said.
Velma Sanders, 60, said she did not listen to Hussle’s music but, as a lifelong resident of South Los Angeles, she felt pride watching his career grow in recent years. His presence, she said, was felt by everyone.
“He would be out
here. He showed you that he didn’t fear where he grew up. He was proud
of it,” she said. “He was building up this community, giving back to
this community. He took that money and instead of buying something
luxurious, a big home or whatever, he put it back in his community so
these would not be vacant buildings. It’s just beautiful.”
Pastor, a professor of American studies and ethnicity at the University
of Southern California who has researched the demographics and culture
of South Los Angeles, said Hussle’s killing “felt like a kick in the
stomach.” He described Hussle as “a hometown guy lifting up his
hometown.” Nothing illustrated this more, he said, than when Hussle and
his girlfriend, the actress Lauren London, posed for a photo shoot in GQ
in February at locations around South Los Angeles — not Hollywood, not
downtown Los Angeles, not New York.
“This really hit hard. This was a hometown guy who stayed home,” said Mr. Pastor.
Pastor said Hussle had left the gang life but never rejected the
culture of the community. Alienation and the search for identity amid
violence and poverty often feed into gang culture, something Hussle
spoke about openly.
“He did what many
people ask of black celebrities, to come back to their community,” said
Najee Ali, an activist in South Los Angeles who knew Hussle. He said
the community is accustomed to feeling left behind when one of its own
makes it big and finds fame.
all leave,” he said. “Hussle was the only one to stay in the community.
He believed in the slogan, ‘Don’t move, improve.’ That’s what made him
Hasani Leffall, 35, who
knew Hussle, once worked for the rapper’s stepfather at a South Los
Angeles restaurant called Bayou Grille. To emphasize the depth of
feeling over Hussle’s murder within the black community of Los Angeles,
he mentioned the murders of Tupac, Biggie Smalls, even Malcolm X and the
Rev. Dr. Martin Luther King Jr.
Even with his fame, money and the support of the community, Hussle couldn’t escape the violence of the streets he rapped about.
Mr. Holder, the suspect in the killing, is an aspiring rapper who knew Hussle when he was younger. Mr. Holder, Mr. Leffall said, “represents a dark side about L.A., and a dark side about just men in L.A., in Crip life. There’s always somebody that just doesn’t like you, doesn’t like the fact that people love you.”
With the season eight premiere of Game of Thrones
looming, you’re probably trying to determine your best approach for
briefing yourself before winter officially comes. Well, you can stop
spinning in circles over your too-little-time conundrum — Game of Thrones writer Bryan Cogman just revealed the must-watch episodes
from seasons one through seven. You can forget about any other rewatch
guides you may have seen floating around the internet because Cogman
clearly knows his stuff. In fact, he’s the only GoT writer (along with showrunners David Benioff and Dan Weiss) who’s been with the hit HBO show from the beginning.
If you haven’t watched a single episode of GoT yet, suffice it to say there are spoilers ahead. See also: Better clear your calendar for the next two weeks. You’ve got some catching up to do.
Not surprisingly, the first two episodes of the very first season top Cogman’s list. Citing “Winter Is Coming” and “The Kingsroad,” Cogman told Entertainment Weekly, “Let’s start the rewatch with a double feature, shall we? Taken together, these two episodes serve as a mega-pilot as so much of Episode 1 is devoted to simply meeting with various characters and understanding the world of the show.” It’s the second episode, explains Cogman, that gets you invested in those characters. “Episode 2 really makes you care. I remember watching a rough cut of the opening sequence (in which Jon bids farewell to his family and heads for the Wall) on my laptop in Belfast and thinking: This works! We have a show!” Cogman said, pointing out another episode-two perk, “Oh, and Episode 2 is the one where Tyrion slaps Joffrey (not for the last time).
That’ll get you started, sure. But your homework is far from finished. Cogman recommends chasing the first two episodes of the fantasy drama with the following:
Episode nine: “Baelor”
Episode ten: “Fire and Blood”
Episode three: “What Is Dead May Never Die”
Episode six: “The Old Gods and the New”
Episode nine: “Blackwater”
Episode three: “Walk of Punishment”
Episode four: “And Now His Watch Is Ended”
Episode five: “Kissed By Fire”
Episode nine: “The Rains of Castamere”
Episode six: “The Laws of Gods and Men”
Episode eight: “The Mountain and the Viper”
Episode ten: “The Children”
Episode eight: “Hardhome”
Episode five: “The Door”
Episode nine: “Battle of the Bastards”
Episode ten: “The Winds of Winter”
Episode three: “The Queen’s Justice”
Episode four: “The Spoils of War”
Episode seven: “The Dragon and the Wolf”
Directed by Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. Winner of the Sundance Best Director and Special Jury Awards. The Last Black Man in San Francisco — Summer 2019
From writer/director Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. The Last Man in San Francisco – In Theaters Summer 2019.
RELEASE DATE: Summer 2019
DIRECTOR: Joe Talbot
CAST: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover
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