Category: Cultural Events

John Singleton: Revisit His Storied Career Through Photos

A few weeks ago, it was announced that groundbreaking filmmaker John Singleton had passed away following a stroke that he had earlier this month.

Singleton, the first Black filmmaker and the youngest director to ever be nominated for the Academy Awards’ Best Director trophy, had a storied career, helming films such as Boyz n the Hood, Poetic Justice, Higher Learning, Baby Boy and Four Brothers. He also jumpstarted the acting careers of names like Taraji P. Henson, Cuba Gooding Jr., and numerous others.

To honor the acclaimed director, Shadow And Act has gathered select photos from many different phases of his prolific career.

Review: New doc shows how Beyoncé changed Coachella, forever

Beyoncé is extremely private, and only lets you know what she wants you to know, when she wants you to know it — typically, in a surprise post be it on her website or Instagram.
But throughout the years, she’s slightly cracked open her door to reveal parts of her life and personality — apart from what she gives through strong singing and extraordinary dance moves — to help remind us that though she is epic and flawless, she is still mortal.
“HOMECOMING: A film by Beyoncé,” which premiered Wednesday on Netflix, captures the human side of the superstar singer with behind-the-scenes, intimate moments of a mother, wife and artist tirelessly working on what’s already become one of most iconic musical performances of all-time: Beyoncé’s headlining show at the 2018 Coachella Valley Music and Arts Festival.
The performance marked the first time a black woman headlined the famed festival and made Beyoncé just the third woman to score the gig, behind Bjork and Lady Gaga. Beyoncé took on the role seriously — as she does all live performances — giving the audience a rousing, terrific and new show highlighted by a full marching band, majorette dancers, steppers and more that is the norm at historically black colleges and universities (HBCUs).
The film takes it a step further to showcase what was happening to get to the historic moment: you see a mother bouncing back from giving birth to twins via an emergency C-section; an African American woman embracing her family’s history and paying tribute to black college culture and honoring black art; and the world’s No. 1 pop star defying the odds yet again and pushing herself to new heights, creating an even wider space between herself and whoever is No. 2.
Simply put, Beyoncé changed Coachella — forever — and performing after her is like trying to out-ace Serena Williams or dunk better than Michael Jordan: You won’t win.
Woven into the film are audio soundbites from popular figures to help narrate the story: Nina Simone speaks about blackness, Maya Angelou talks about truth, and Tessa Thompson and Danai Gurira explain the importance of seeing people who look like you on large screens.
Beyoncé speaks, too, saying that she dreamed of attending an HBCU, though she explains: “My college was Destiny’s Child.”
She also says the importance of her Coachella performance was to bring “our culture to Coachella” and highlight “everyone that had never seen themselves represented.”


So many people were represented during those performances last April — her stage was packed with about 200 performers, from dancers to singers to band and orchestra players. Beyoncé kicked of the performance dressed like an African queen, walking up the stage as the jazzy, soulful big band sound of New Orleans is played. After letting her dancers and backing band shine, she emerges again, this time dressed down — like a studious, eager, hopeful college student.
The musical direction and song selection flows effortlessly and was purposely crafted to tell a story: the first song is 2003’s “Crazy In Love,” a massively successful No. 1 hit and her first apart from Destiny’s Child. It also was Beyoncé’s first of many collaborations with Jay-Z. But then comes “Freedom,” representing the Beyoncé of today, unconcerned with having a radio or streaming hit, but more focused on the art, and the message.
And her message was loud and clear on “HOMECOMING”: Her performance is a homage to the culturally rich homecoming events held annually at HBCUs, but also showcases Beyoncé’s own homecoming — her return to her roots, and how she’s found a new voice by reinterpreting her music through the lens of black history.
Young, gifted and black, indeed.

“HOMECOMING: A film by Beyoncé,” a Netflix release, is rated TV-MA. Running time: 137 minutes. Four stars out of four.

At Nipsey Hussle’s Memorial, Los Angeles Comes Together to Mourn

LOS ANGELES — Thousands of mourners are expected to gather in downtown Los Angeles on Thursday to honor the life of Nipsey Hussle, the Grammy-nominated rapper who was fatally shot last month and whose success and commitment to redeveloping South Los Angeles made him a local hero.

The funeral, billed as a “celebration of life,” will be held at the Staples Center. All tickets for the event, which were free, were claimed online within minutes of being made available earlier this week. The arena’s capacity is 21,000.

Tens of thousands of fans are expected to gather around the venue, where a public memorial for Michael Jackson was hosted in 2009. The two-hour service will begin at 10 a.m. local time and will be followed by a procession from the Staples Center through South Los Angeles.

Hussle, born Ermias Joseph Asghedom, channeled his upbringing and adolescence as a gang member into music that spoke powerfully to many who live in Los Angeles’ most vulnerable neighborhoods. As his star rose in recent years, Hussle brought investments and attention back to the area, earning the adoration of his neighbors and fans.

Though he developed a following far beyond Southern California, his death last week struck a particularly painful chord among residents of the Crenshaw District, where he grew up. His clothing store on Slauson Avenue in South Los Angeles, The Marathon Clothing, had become a potent symbol of local success and black entrepreneurship, a theme he addressed regularly in his music. His fans clung to lyrics that melded familiar rap bombast with exaltations about self-discipline and long-term financial planning, a break from a music culture that often emphasizes flashy spending.

The store transformed into a makeshift memorial on March 31 after Hussle was gunned down there over a “personal dispute,” according to the Los Angeles Police Department. The suspect, Eric Holder, was apprehended by authorities two days after the shooting.

For days outside the store, fans prayed, lit candles and left hand-written letters addressed to Hussle. One of the mourners was Candace Cosey, 32, who remembers him as Ermias from their time attending Hamilton High School together in the early 2000s, a magnet school on the West Side of Los Angeles. She recalled how Hussle would sell mix CDs to her and others at school, and how he later started selling music in the neighborhood out of his trunk.

She came close to tears as she pulled out a picture of him from the high school yearbook. “If you grew up here, you either knew him directly or you knew someone who knew him,” she said.

Even as his career took off, Hussle remained approachable and “big hearted,” she said. As he amassed fame and wealth, he continued living modestly while making investments in businesses in the neighborhood. And he could be very generous. When a colleague passed away several years ago, Ms. Cosey approached Hussle’s team to see if he could help with the funeral expenses. He contributed several thousand dollars, she said.

“He was about uplifting us. He hired people from the neighborhood who wouldn’t have had a job otherwise. He took care of so many people, and he invested in what he believed in, here, because he grew up here,” she said. “We have to keep that work going. It’s what he was about.”

[Read more about the community’s reaction to Hussle’s death.]

Hussle’s death has drawn attention far beyond the Crenshaw District. Celebrities and political leaders across the country have offered their condolences to Hussle’s family and friends. In an interview last week, Mayor Eric Garcetti of Los Angeles praised Hussle’s contributions to South Los Angeles, a community that he acknowledged has been historically overlooked by the city’s political establishment.

Mr. Garcetti said Hussle embodied the very idea of black entrepreneurship, a critical component of lifting the community and its residents.

“He represented redemption and hope. He had come from the world of gangs and gotten out,” he said. “This is a devastating shock to the stomach. He was really ambitious — he wanted to get African Americans into tech, on top of his music game, on top of his businesses.”

“Then to be killed in such a clichéd way, by guns, for a beef in South L.A., it feeds into too many stereotypes,” he said.

Velma Sanders, 60, said she did not listen to Hussle’s music but, as a lifelong resident of South Los Angeles, she felt pride watching his career grow in recent years. His presence, she said, was felt by everyone.

“He would be out here. He showed you that he didn’t fear where he grew up. He was proud of it,” she said. “He was building up this community, giving back to this community. He took that money and instead of buying something luxurious, a big home or whatever, he put it back in his community so these would not be vacant buildings. It’s just beautiful.”

[Read an assessment of Hussle’s music and its place in hip-hop.]

Manuel Pastor, a professor of American studies and ethnicity at the University of Southern California who has researched the demographics and culture of South Los Angeles, said Hussle’s killing “felt like a kick in the stomach.” He described Hussle as “a hometown guy lifting up his hometown.” Nothing illustrated this more, he said, than when Hussle and his girlfriend, the actress Lauren London, posed for a photo shoot in GQ in February at locations around South Los Angeles — not Hollywood, not downtown Los Angeles, not New York.

“This really hit hard. This was a hometown guy who stayed home,” said Mr. Pastor.

Mr. Pastor said Hussle had left the gang life but never rejected the culture of the community. Alienation and the search for identity amid violence and poverty often feed into gang culture, something Hussle spoke about openly.

“He did what many people ask of black celebrities, to come back to their community,” said Najee Ali, an activist in South Los Angeles who knew Hussle. He said the community is accustomed to feeling left behind when one of its own makes it big and finds fame.

“They all leave,” he said. “Hussle was the only one to stay in the community. He believed in the slogan, ‘Don’t move, improve.’ That’s what made him special.”

Hasani Leffall, 35, who knew Hussle, once worked for the rapper’s stepfather at a South Los Angeles restaurant called Bayou Grille. To emphasize the depth of feeling over Hussle’s murder within the black community of Los Angeles, he mentioned the murders of Tupac, Biggie Smalls, even Malcolm X and the Rev. Dr. Martin Luther King Jr.

Even with his fame, money and the support of the community, Hussle couldn’t escape the violence of the streets he rapped about.

Mr. Holder, the suspect in the killing, is an aspiring rapper who knew Hussle when he was younger. Mr. Holder, Mr. Leffall said, “represents a dark side about L.A., and a dark side about just men in L.A., in Crip life. There’s always somebody that just doesn’t like you, doesn’t like the fact that people love you.”

The Last Black Man in San Francisco | Official Trailer

Directed by Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. Winner of the Sundance Best Director and Special Jury Awards. The Last Black Man in San Francisco — Summer 2019 SUBSCRIBE: http://bit.ly/A24subscribe From writer/director Joe Talbot and starring Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover. The Last Man in San Francisco – In Theaters Summer 2019. RELEASE DATE: Summer 2019 DIRECTOR: Joe Talbot CAST: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, and Danny Glover Like The Last Black Man in San Francisco on FACEBOOK: http://bit.ly/facebook_LastBlackManSF Follow The Last Black Man in San Francisco on Twitter: http://bit.ly/twitter_LastBlackManSF Follow The Last Black Man in San Francisco on Instagram: http://bit.ly/instagram_LastBlackManSF

‘When They See Us’: Teaser, First Images Unveiled For Ava DuVernay’s Netflix Limited Series On Central Park Five

Unveiling a name change for the limited series, Netflix has dropped the first teaser for When They See Us, Ava DuVernay’s scripted, four-part project on The Central Park Five. The release coincides with the 30th anniversary of the incident.

In a statement, Netflix says in part: “The media dubbed the men The Central Park Five and they were forever linked to that name.  The new title aims to break them free from that moniker. This is a story told from the perspective of the five men. It is important to everyone involved in the project to give these men an opportunity to tell their story and the series should have a title that represents their story.”

“In 1989, five Black and brown teen boys were wrongly accused of a crime they did not commit and branded The Central Park Five, a moniker that has followed them since that time. In 2019, our series gives the five men a platform to finally raise their voices and tell their full stories. In doing so, Korey, Antron, Raymond, Kevin and Yusef also tell the story of many young people of color unjustly ensnared in the criminal justice system. We wanted to reflect this perspective in our title, embracing the humanity of the men and not their politicized moniker,” says DuVernay.

The official description of the series: Based on a true story that gripped the country, When They See Us will chronicle the notorious case of five teenagers of color, labeled the Central Park Five, who were convicted of a rape they did not commit. The four-part limited series will focus on the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise. Beginning in the spring of 1989, when the teenagers were first questioned about the incident, the series will span 25 years, highlighting their exoneration in 2002 and the settlement reached with the city of New York in 2014.

Portraying the young versions of the five are Jharrel Jerome, Ethan Herisse, Caleel Harris, Asante Blackk and Marquis Rodriguez.  Jerome will also play the adult version of his character, alongside Chris Chalk, Freddy Miyares, Jovan Adepo and Justin Cunningham as the others.

Felicity Huffman and Vera Farmiga will play members of the prosecution team, while Michael K. Williams, John Leguizamo, Niecy Nash, Aunjanue Ellis, Kylie Bunbury, Storm Reid and Marsha Stephanie Blake play family members of the accused. Famke Janssen, Aurora Perrineau, Omar J. Dorsey and Adepero Oduye also have roles.

The series was created by Ava DuVernay, who also co-wrote and directed the four parts. Jeff Skoll and Jonathan King from Participant Media, Oprah Winfrey from Harpo Films and Jane Rosenthal, Berry Welsh and Robert De Niro from Tribeca Productions will executive produce the limited series alongside DuVernay through her banner, Forward Movement. DuVernay, Attica Locke, Robin Swicord and Michael Starrburry also serve as writers on the limited series.

Watch the teaser and check out the images below:

Cardi B’s ‘Thotiana Remix’ Verse Is NSFW, Which Is Perfect Because You’re Off Work Monday

Your boss is going to have to be disgruntled about something else this four-day week, because you’re off work Monday for President’s Day and free to blast Cardi B’s extra-filthy “Thotiana Remix” verse as loud as your neighbors can stand it. The Cardi-fied version of the song comes complete with a new video dropped this weekend, which, of course, features rapper Blueface and a car that gained the power of flight once it heard this verse. Wait a minute. If you’re off work, your kids are also probably off school tomorrow. Will the world never allow you to a moment’s peace to enjoy the things you love?!?!

Listen to ‘Please Me,’ Bruno Mars and Cardi B’s New Colla

Cardi B and Bruno Mars are back with another throwback collaboration. This time, “Please Me” hearkens to the R&B fuck jams of the mid-90s. Think “Red Light Special” at a more athletic tempo. Cardi temporarily deleted her Instagram after her Grammy win, but she’s back to do promo for the new single. “Ok so I’m back from retirement to announce I have a brand new song coming out Friday at midnight with @brunomars,” she wrote on Instagram. The cover art for the new single features Cardi in a purple leather fringe jacket to make Prince jealous. Bruno Mars is more understated in a teal button-down. It’s Beyoncé and Ed Sheeran all over again, no?

What Do You Do When You Smoke Weed?

Right now, weed exists in an in-between state. It’s not quite legal, but it’s not quite illegal either. It’s accepted, but not totally normalized. It’s not quite medicine and it’s not quite a beer and it’s not quite green juice, either. Whether the police treat it as a big deal or not depends on who you are and where you live.

It’s all in flux, so it’s tricky to know the right way to talk about it — but that’s also why, on this week’s show, we wanted to try. We started with a very basic question. What do you do when you get high?

Molly: Do you like to go out into the world high or do you primarily like to be at home?

Allison: Be at home. Surrounded by all my comforts.

Molly: Are there comforts that are particularly beloved to you while you are high?

Allison: Yeah, I like my pillows. Sometimes I’ll just bring all the pillows from my bed and lie on them in the living room.

Molly: Like a little nest.

Allison: Like a little nest. I can’t eat like crunchy stuff when I’m high, because I might get dry mouth. So it’s like ice cream — or, honestly, Swiss Miss pudding is the best thing to eat while high.

Molly: A nice wet sweet.

We heard from Jia Tolentino, Aminatou Sow, Ben Sinclair, and Katja Blichfeld of High Maintenance — and a lot of our listeners. A few of the things they like to do:

  • Watch romantic comedies
  • Do some personal finance work
  • Go to the grocery store
  • Go to hot yoga
  • Go running
  • Marie Kondo the house
  • Line up all my bottles and do my skin-care routine
  • Get deep and dirty with ingrown pubic hairs
  • Masturbate
  • Make art projects
  • Hang out with my 2-year-old
  • Go to the zoo
  • Do gymnastics

Click here to listen to this week’s episode, and subscribe wherever you listen.