Category: cinema

Margot Robbie and Michael B. Jordan Compare Notes on Boxing, Acting Naked, and Harley Quinn vs. Killmonger

Margot Robbie and Michael B. Jordan seem to effortlessly check all the movie star boxes: Megawatt charm? Check (those smiles!). Actor clout? No problem (having Martin Scorsese and Ryan Coogler launch their respective careers can’t hurt). Lucrative blockbuster movie franchises? Yep, that too (Robbie in Suicide Squad and Jordan in Creed, with a memorable detour into Wakanda). So, as it turns out, they have a lot to talk about—and not just about fame and their good fortune. Here, as part of our annual Best Performances portfolio, Robbie, who starred in the recent palace-intrigue period drama Mary Queen of Scots, and Jordan, who returned in Creed 2 and dominated the screen in Black Panther this year, sit down with W‘s Editor at Large Lynn Hirschberg to share not only how it is they make morally questionable villains like Harley Quinn and Killmonger into magnetic antiheroes, but also their totally embarrassing early email addresses, their most memorable red carpet fashion faux pas, and their frankly amazing first kiss stories.

So Michael, what’s the first album you ever bought?

Michael B. Jordan: First album? Ah, man, that’s a good one.
Margot Robbie: Oh, that is a good one.
Jordan: I want to say, on cassette tape… um, Usher’s My Way.
Robbie: That’s a good answer.
Jordan: You’re taking me back. I want to say I rode my bike to the music store that was, like, down the street.

What was the first album you ever bought, Margot?

Robbie: I think the first album I bought was, um, AFI’s Sing the Sorrow. I was in a bit of a heavy metal phase. But I think the first single I bought was Blink 182, “All the Small Things.”
Jordan: Okay. So the heavy metal. Are you still in that phase or did you pass that?
Robbie: Occasionally.
Jordan: Occasionally?
Robbie: Occasionally.

Have you ever gone through a heavy metal phase, Michael?

Jordan: I have not.
Robbie: [Laughs.]
Jordan: But electric guitar solos are my thing. Like, I love, the Ernie Isleys of the world, the “Who’s That Lady” solo is pretty incredible. [Michael Jackson’s] “Dirty Diana” is pretty good.

Do you play air guitar?

Jordan: Air guitar? All day. [Laughs.]
Robbie: I can air guitar. That’s about the extent of my musical prowess, really.

Michael, did you box before Creed?

Jordan: I never officially boxed but karate, martial arts, and stuff like that. And then I kinda segued into boxing.

And you, Margot, have you ever boxed?

Robbie: I’ve done a bit of boxing, yeah—mainly to prepare for fight training, like stunt work. And I really, really like it. I have stupidly long arms, like, they’re too long for my body. So actually it’s kind of good when you’re boxing.
Jordan: The reach is incredible.
Robbie: An extra long reach. And it looks good on camera. Having long limbs on camera makes your punches—
Jordan: Your punch is a little wider, yeah, yeah, yeah. She knows what she’s talking about.

What I love about both of your performances in different movies is that although you kind of play superheroes in both Suicide Squad and in Black Panther, you’re also kind of antiheroes at the same time. There’s a kind of dichotomy to the characters.

Robbie: A lovable rogue.
Jordan: That’s right. I like that. I mean, those are the most interesting characters to me sometimes, like when I’m watching films that, on screen, are the ones that you can empathize with. Like, they want you to root against ’em. They want you to not like them. But somehow you can still understand where they’re coming from and that’s important.

Do you have a favorite villain? Other than Killmonger.

Jordan: Yeah, because he’s tough. I mean, honestly, it’s between [Michael] Fassbender’s Magneto and Heath Ledger’s Joker. Honestly. Those two are pretty up there for me. [To Robbie] What about you?
Robbie: I’m totally stealing someone else’s answer. I’ve heard someone else say this, but I do truly think this is a genius villain: HAL from 2001: A Space Odyssey.
Jordan: Ohhh. Man.
Robbie: It’s just such a cool villain. That was genius.

But it is also kind of weirdly sympathetic.

Robbie: Totally. The best villains are sympathetic.

With both these characters, you act with very little clothing on. Is it difficult to act when you are basically naked?

Robbie: Uh …
Jordan: I’m always naked, actually.
Robbie: Honestly, for me, as Harley at least, the more skin showing the longer it takes in hair and makeup ’cause she’s got, you know, white skin and a million tattoos. So if anything outside, god, the scenes where I don’t even have the jacket on, that’s an extra 20 minutes in the makeup trailer.
Jordan: Yeah, same here. Killmonger, all the scars and stuff like that, the makeup, it took a long time to put the prosthetics on.
Robbie: Yeah, you want to be more covered up.

So, Michael, what was the very first thing you ever auditioned for?

Jordan: Ooh.
Robbie: Hmm. I’m trying to think of the first thing I auditioned for.

Let’s say the one you got.

JordanThe Sopranos. I don’t know what season it was, but Tony [Soprano] was having a flashback. And I played a bully in his childhood who bullied him on the boardwalk on his way home one day.

Really?

Jordan: Yeah, I was Bully #2, I think.

Was it a speaking role?

Jordan: It was, but we were just yelling shit at him. I don’t know. I was improv-ing, actually. I was living in the moment—
Robbie: (Laughs.) I was so present
Jordan: I was…
Robbie: —that I now can’t remember.
Jordan: … locked into Bully #2.

READ MORE:https://www.wmagazine.com/story/margot-robbie-michael-b-jordan-harley-quinn-killmonger

Blindspotting Official Trailer #1 (2018) Daveed Diggs Drama Movie HD

 

  • Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland. Bursting with energy, style and humor, Blindspotting, boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity.
  • West Oakland. Collin Hopkins, a black man who works for the Commander Moving Company as a mover, is a convicted felon on the last three days of his one year parole. Among the many restrictions contained within his parole are living in a halfway house which has its own additional rules, having curfew, not being allowed outside of Alameda County, and no possession of firearms, contravention of any of these items which could extend the length of his parole or worse send him back to prison. Collin, whose felony was largely a matter of unexpected circumstance, wants to do the right thing and lead a straight life. And despite having made it through the first three hundred sixty-two days of his parole, it isn’t a guarantee that he will make it to the end clear, let alone make to the end at all due to the environment in which he lives, which includes people like him of a lower socioeconomic standing having to adjust to the gentrification happening within the community. One of the larger threats is his association with Miles Jones, his married best friend since they were kids and his moving partner. Miles, a Caucasian, feels like he has something to prove being white and living in West Oakland, something that Collin inherently doesn’t have to prove being black. But what could be the biggest threat to Collin is being haunted in witnessing a white police officer shoot a fleeing black man to death in the back late in the evening of the third to last day of his parole, being shot for no reason by the police something that black people like Collin face every day. Through it all, Collin tries to negotiate his relationship with Val, his girlfriend before his incarceration and the dispatcher at Commander, she who is taking more outward steps to improve her life to match that gentrification which may not include associating personally with someone like Collin, especially in light of having seen the aftermath of what sent him to prison.

 

Shonda Rhimes, Jada Pinkett Smith, Gabrielle Union-Wade Sign on as Producers of Broadway’s ‘American Son’

The drama about systemic racism in America begins performances Oct. 6, starring Kerry Washington, Steven Pasquale, Eugene Lee and Jeremy Jordan.

RHIMESA handful of big names will bolster the ranks of Broadway producers for American Son, which marks Kerry Washington’s return to the New York stage. Shonda Rhimes, Jada Pinkett Smith, Gabrielle Union-Wade and her husband, NBA star Dwyane Wade, have joined an existing team that includes Washington’s Simpson Street, Jeffrey Richards, Rebecca Gold and Will Trice. Also newly on board is businessman Steve Stoute and NFL veteran-turned-actor and producer Nnamdi Asomugha, who is married to Washington.

The team of heavy hitters stands to draw added attention to Broadway newcomer Christopher Demos-Brown’s intense four-character drama set in a Florida police station, where an estranged married couple converge in the middle of the night in a desperate search for their missing 18-year-old biracial son.

The play examines how we deal with family relationships, love, loss and identity. It won the 2016 Laurents/Hatcher Award for best new work by an emerging playwright. READ MORE: https://www.hollywoodreporter.com/news/shonda-rhimes-jada-pinkett-smith-gabrielle-union-wade-sign-as-producers-broadways-american-son-1146766