A MONONYM IS possessed of a certain celebrity: Prince, Madonna, Iman. No surname needed, thank you very much. Just a couple of syllables and the whole of the mononym’s grandeur flashes across our consciousness.
Solange. Two mellifluous syllables and her face springs to mind: the fierce, open gaze, those striking full eyebrows. Solange the singer, songwriter, choreographer, visual and performing artist, with four, soon to be five, albums to her name. Solange the 2017 Grammy winner: Best R&B Performance, “Cranes in the Sky.” Solange, who earlier that year performed for President Obama and the first lady at their final White House party. Solange, whose acclaimed 2016 album, “A Seat at the Table” yoked artistry to activism with its piercing inquiry into race and identity in America, with lyrics such as, “You got the right to be mad / But when you carry it alone, you find it only getting in the way.” Solange the culture maker, whose performance art, digital work and sculpture have been exhibited at the Guggenheim Museum in New York City, the Menil Collection in Houston, the Hammer Museum in Los Angeles and the Tate Modern in London. Solange, named the Harvard Foundation Artist of the Year in 2018.
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